Authors you will never read

He's probably got some Irish in him, that would explain it.

Good thread, but I haven't been able to read in recent times so I recuse myself.

Lee Rourke’s another good’un.

See my previous post.

I know, ‘twas on purpose.

I trudged through 70-odd pages of Embassytown so technically he doesn’t count but: China Miéville.

When I read Updike, I needed a deep cleaning.

i'm probably never going to read cormac mccarthy at this point

Hitler

Which one?

https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1387748142l/521675.jpg

Bridget Hitler’s Diary

I think David Foster Wallace would be a good candidate for never reading, if one had not yet started reading him.

God

Feel like there's a number of 'you should probably read these dudes in your twenties' dudes (like Kerouac and Hesse) who I haven't read and probably won't get around to now that I'm long past my twenties.

Tbf both are great midlife crisis reads, especially Hesse.

I get what you're saying OL, but honestly it's probably better for your soul to read Kerouac at an age when you can see the gender dynamics clearly and not be influenced by them

When I read Updike, I needed a deep cleaning.

great midlife crisis reads, especially Hesse.

Hesse's Steppenwolf is basically a mid-life-crisis-themed book and was written based on his own mid-life insecurities and reactions. Whether it would cast a helpful light on anyone else's mid-life crisis is highly speculative.

Lol on Roth being CIA:

Enlisted for the army but was exempted for 'special training'. Long association with the neocon faculty of the University of Chicago. Habit in the 80s of 'discovering' writers from the Eastern Bloc, none of whom actually lived there.

— Elvis Buñuelo (@Mr_Considerate) August 5, 2020

I think there's a difference between "authors you are never going to be interested enough to get round to", "authors whose work strongly repels you morally" and "authors you have assumed are going to be terrible and/or don't fit your self-defined personal brand".

The first makes total sense - no one can read everything after all - the second does as well. The third is an impulse to be challenged and interrogated.

Also for real saying you're never going to read JK Rowling or even someone like Ian McEwan is like ostentatiously stating that you've never heard a Coldplay record.

tbf - and i don't disagree with the implied critique of *this* thread and its endless iterations - but on a purely practical note you have to choose to engage with a book in a different way to your potential environmental exposure to music

Dickens
Tolstoy
Bronte

Is it though? For one it's very hard to avoid hearing a Coldplay song in a shop or in passing (I think that's the only way I've heard this group). And then it's easy to endure 3 minutes. Whereas with a book you can quite easily avoid it as it won't be 'forcefully' put in front of you.

I think your third can also be split. I've been around the block long enough but also am older AND have less energy/patience to put into reading something that I think I know how it's going to go. So assuming that a thing will be terrible is ok? Maybe one day your assumptions will be interrogated.

I agree that don't fit your brand is terrible, but that can be a separate thing that has very much come along with social media? xps

"*this* thread and its endless iterations"

Lol have we done this before with books (I did something like this w/film, on ILF)? My memory has gone to the bin.

Also for real saying you're never going to read JK Rowling or even someone like Ian McEwan is like ostentatiously stating that you've never heard a Coldplay record.

Why?

I suppose its the difference between making a point about fiction or music and making a point about oneself, and often not an especially interesting one.

Still don't get it.

Lol have we done this before with books (I did something like this w/film, on ILF)? My memory has gone to the bin.

i don't think we've done this specific version but it's definitely possible.

and that's fine, it sent me on an internal digression about how we all run down the clock and what difference the way we choose to do that might make, tho i'm personally sure it doesn't, and maybe there was the germ of a conversation in that but most likely it was just me having a woolly head day.

then i got distracted by the pee dream of Mandane and gave it no more thought.

xp srsly Tom since we're coming back to the ways people choose to spend their time the point Matt was making was that Individual X proudly telling the world "I like sausages" and "I hate cabbage" is not the most riveting of conversational gambits

you can develop layers of interest by expanding

I like sausages - because they connect me to the broader inner world of meat products - and I appreciate that because - I feel a greater sense of communion with the outside world - Sausages are one of the best meat products at doing this - cabbage is really bad at it tho - because cabbage is a conservative and a child molester

etc

just liking sausages and hating cabbage tho, what's that? loads of people like sausages. loads of people hate cabbage.

I don't want people to think of me as the kind of person who likes cabbage.

Cabbage is for basic bitches

god imagine being the sort of person that likes cabbage

Or to put it another way, I would straight up interested in reading the Pinefox's take on reading Roth for the first time, or Xyzzz's on Angela Carter, what fits their preconceptions, what surprises them, whether they regret reading them. Some of the best posts on ILB are the Pinefox engaging with Zadie Smith (another novelist you would expect to pop up under this thread's original premise), what he does and doesn't like about her.

Obviously there are thousands of other worthwhile authors to read so no one has to do anything, but "I will never read them" is not interesting unless there's a good reason behind it.

just liking sausages and hating cabbage tho, what's that? loads of people like sausages. loads of people hate cabbage.

― À la recherche du scamps perdu (Noodle Vague), Thursday, 6 August 2020 bookmarkflaglink

Aside from the fact I've got more out of eating Cabbage than anything to do with McEwan it sounds more like what we are reacting to is that people aren't giving their reasoning for ever trying something than just the statement that they will never try something.

XP yeah ok

xp srsly Tom since we're coming back to the ways people choose to spend their time the point Matt was making was that Individual X proudly telling the world "I like sausages" and "I hate cabbage" is not the most riveting of conversational gambits

Don't read the thread about liking or not liking sausages then.

well yeah that's where i come back round to the "equally valid forms of pishing the time away" thought

TBF I have been listing some of the assumptions (based on output in literary magazines, or a critic is often a bad practicioner of the thing they are paid to write about) but assumptions is all they can ever be because, as the thread says, engagement will not occur.

wrt McEwan is the guy's pronouncements and how he comes across.

I'm not sure that 'I won't read x', minus much further reasoning, is much worse than a lot of ILB which is 'I am reading x'.

I think 'I will never read x' is an OK premise for one thread because it goes against the general idea that 'reading is good' in a positive-thinking Guardian-review-section way. It's maybe a useful challenge to have an 'against reading' space.

I think one can give reasons for not reading, but it's a bit of a paradox as someone can always say: well, you need to read it to find out what it's really like.

I think it makes some sense to say: I've read this and I advise others not to bother - as I am somewhat tempted to do with DFW.

Like XYZ I don't see the parallel with Coldplay, for the reasons he states. Reading a whole J.K. Rowling novel sounds like a big effort. I have not read one. I certainly don't intend to read her children's books, but TBH I am slightly attracted by the idea of reading her adult books - thus wouldn't rule her out. I actually have a fond memory of seeing THE CASUAL VACANCY on BBC TV! This was, I suppose, some time after Adam Mars-Jones' harsh review of the novel.

Most of us have now heard Coldplay at some point but how many of us have heard a whole LP, or know any tracks beyond a few big hit 45s?

It's very generous of DC to say that he'd be interested in a post for me (but I don't intend to post about Roth, of course), and especially that he liked my ZS posts. re the latter I *think* he must mean my reading of NW, which was earlier this year and which, on the whole, I really admired. It's true that this is a writer about which I have mixed feelings - in the odd sense that I think she has produced bad books and good books: WHITE TEETH I think is bad and ON BEAUTY tremendous! I have SWING TIME waiting to read so I hope one day to interest DC in reporting on that!

Specifically I think it was your posts on On Beauty actually. But I'm saying this because ZS is exactly the sort of author that people write off without having read (although I don't recall you ever doing this).

Also for real saying you're never going to read JK Rowling or even someone like Ian McEwan is like ostentatiously stating that you've never heard a Coldplay record.

― Matt DC, Thursday, August 6, 2020 11:28 AM (one hour ago) bookmarkflaglink

Lol, no. I will never read anything by JK Rowling because the very idea of Harry Potter bores me to tears.

Also: Tolkien, George RR Martin and all that trite fantasy shit. Thing is: it's easy if you try, to avoid seeing the movies, series and reading the books!

My superficial engagement w/ Harry Potter - knowing a few of the character names and the very basic plot points - is p much on a par w/ my superficial engagement w/ Coldplay - have heard the big hit singles, nothing else.

wrt McEwan is the guy's pronouncements and how he comes across.

I've got no interest in reading authors who are part of the whole smug, self-congratulatory, incestuous English literary establishment, that might be mistaken but that's how it is.

Lol, no. I will never read anything by JK Rowling because the very idea of Harry Potter bores me to tears.

Also: Tolkien, George RR Martin and all that trite fantasy shit. Thing is: it's easy if you try, to avoid seeing the movies, series and reading the books!

Same here. Add Tolkien to the list.

But how do we know that eg: G.R.R. Martin is bad?

It does sound trite to me, but maybe it's actually well done? I don't know - have never read a word nor seen a minute of the TV programme.

I think it makes sense to say 'I'll never read him' but not so much sense to be certain that he's bad, without reading him.

I fear that I am coming round to DC's position!

Tolkien is very good as children's fiction - THE HOBBIT a key book for me, as for many, at the age of perhaps 8. Lovely stuff.

So I can't dismiss that either.

There is no certainty of course. Ian McEwan might turn out to be excellent. Lots of shitty people are writers I enjoy, after all. But he is in a class of what Bernhard would call a state approved novelist.

I will list out more of my assumptions later.

But how do we know that eg: G.R.R. Martin is bad?

It does sound trite to me, but maybe it's actually well done? I don't know - have never read a word nor seen a minute of the TV programme.

I cannot know if he's a bad writer. I shan't equate "will never read" with "it's a bad writer", but fantasy, hobbits and elfs and whatnot bore, nay actively annoy me. It's just not for me. I'm dismissing a whole genre here and I feel fine.

It's different for me to say I'd never read McEwan of Franzen (I've read both but they were mentioned above); I'd at least have to have read *something* in order to be put off imo. Though public appearance increasingly takes care of that, I suppose.

The Rowling/Coldplay comparison to me works more in that it's pretty much taken as a given that the sort of person who posts on lit threads on ILX won't be interested in Rowling, much as it's a given that yr average ILM poster will have no time for Coldplay.

I get what you're saying OL, but honestly it's probably better for your soul to read Kerouac at an age when you can see the gender dynamics clearly and not be influenced by them

To be fair to Kerouac one of the things that I remember from reading On The Road is the passage where he visits a couple and the woman is so pissed off that her dude is going off on some shenanigans, and he has this moment of going "oh wow all of us dudes are treating women like shit for the sake of our kicks, huh?". Not that that makes him change his ways in any way, but dude does spell it out.

Anyway, I'm with treeship. I will eventually have read all authors, much as I will eventually have seen all films and listened to all music, for scientific purposes.

Lol, sinkah

xp Véra no doubt

Voskuil's magnum opus deserves to be translated into English. It's a lot but a lot of it is great.

― Monte Scampino (Le Bateau Ivre), Tuesday, 15 September 2020 bookmarkflaglink

8000 words on Voskuil. Sounds really great.

Here's the teeniest taste of my JJ Voskuil piece in @readliberties: https://t.co/kKk2fr1vJw

— Adrian Nathan West (@a_nathanwest) October 5, 2023

Looking at his Wikipedia page I see he published a 'scientific work' entitled 'Hanging the Afterbirth of the Horse'. I'm in!

I have a bias against Franzen because of the kerfuffle over his comments on Edith Wharton. He's probably a gifted writer, but so are a lot of others.

My brother is a huge fan of William T. Vollman, I have a hard time believing anyone who writes that much can write all that well.

I'll add Scott Adams to the list, even though that's fish in a barrel.

William Vollmann’s historical novels are very good.

I love Bill Vollman but that is because I respect a person who gets interested enough in a subject to become an expert in it through sheer force of intellect, chance, and economic privilege. Imperial, Train Dreams, the newer ones about peak oil— I mean the guy isn’t necessarily the best stylist, but he makes up for it in terms of research and “experience”.

Vollmann also has a disturbing origin story that probably explains his unique drive

I'll take y'all's word for it, I don't have that many years left on Earth.

He doesn’t either!

haven’t read any of his fiction yet but enjoyed both volumes of carbon ideologies. currently wrapping up part 1 of the abridged rising up and rising down, which is pretty good. as table says, his obsessive attention to detail is immersive, love all the historical threads he brings up and the sort of “dialogues” he constructs between the ideas of eg Trotsky and Lincoln or whatever. I enjoy his deadpan understated sense of humor as well.