morricone

exactly, it's almost bottomless, even more so than e.g. the Sun Ra catalog

Xp Yeah, it's heartbreaking but the many hours I've searched in vain for a better copy of danger: diabolik would have been better spent listening to the bootleg. There's a 2014 rerecording but I prefer the audio rips from the movie. I'm very happy with whatever it is, at this point.

There's been a gaping Kate-shaped hole on ILM lately. You might like Piccioni's Il Dio Sotto la pelle if you don't already know it. Which you probably do. The vibe is somewherre between Veruschka and Pink Floyd.

ooh, i didn't know about this re-recording. ok, yeah, it doesn't quite have the elan of the soundtrack recordings, but speaking as someone who's been trying for years to get someone to cover "seabirds" in the rough style of the "more" soundtrack i am very on-board with this. i will check out the piccioni as well, thanks :)

these days i mostly make long rambling posts to the blog, which has moved to www . alanauch . org /wtob/ (hoping that will keep the crawlers from finding it). much love to y'all tho :)

One peak-era soundtrack that could use some more attention is 1972's Le Due Stagioni Della Vita, mainly for the 18-minute-long title suite of variations on this ultra-hypnotic, cyclical waltzy theme--the kind of chord progression and melody that gives the illusion of falling and falling (like Aguas de Março), seeming to never end, propelled forward on inexhaustible inertia while Edda Dell'Orso and some choirs fly in and out of the ever-changing sonic millieu... It's a trip
https://www.youtube.com/watch?v=T4lUF12pIk0

Yes I love that album

Today I learned he and Leone were childhood classmates!

Ennio Morricone and Sergio Leone pose together in the primary school year book, 1937 pic.twitter.com/8ArJOrpzns

— Diane Doniol-Valcroze (@ddoniolvalcroze) July 6, 2020

Yeah, it's a weird one that, I can't remember if they were actually friends though.

tribute airing/streaming in 30 minutes

https://www.wfmu.org/playlists/PE

Nice tribute.

http://www.legaseriea.it/en/press/news/info/lega-serie-a-pays-tribute-to-ennio-morricone

Nice gesture but why go with a ballad when Morricone wrote so many tracks ideal for getting people pumped? Play "Navajo Joe" imo.

Now that would be something. Doesn't take much to pump up Italian football fans though - if there were any fans there, which there aren't.

Play "Navajo Joe" imo.

AHHHHH-AH-AHHH-AH-AHHHHH-AH-AHHH-AH-AHHHHHHHH...
EEEEEE-EH-EEEE-EH-EEEEEE-EH-EEEE-EH-EEEEEEEEE...
*insanely heavy twang plod*

i have to amend my POXX btw

La Tenda Rossa/The Red Tent is an inconceivable omission (the side B suite my dear lord)

I guess bump off White Dog

John Zorn's tribute to The Maestro, a public post: https://www.facebook.com/TzadikLabel/posts/3433097923389983

Come for the king, don't miss. And ask shorter questions:

I interpreted that exchange as Fagen taking the piss out of himself. He even included it in his book.

https://www.whosampled.com/news/2020/07/06/prolific-and-much-sampled-italian-composer-ennio-morricone-has-died-aged-91-ten-iconic-samples/#:~:text=Morricone's%20impact%20on%20popular%20culture,Lotus%2C%20Eminem%20and%20The%20Orb.

Huh:

In 2007, Italian author/scholar Leonardo Colombati invited Morricone to write the original foreword for Colombati's book Bruce Springsteen – Come un killer sotto il sole: Il grande romanzo americano (1972-2007) (republished internationally a decade later as Bruce Springsteen – Like a Killer in the Sun: Selected Lyrics, 1972-2017.)

Morricone jumped at the chance, writing:

In his songs, Springsteen creates a strong sense of pietas — of the pain and humanity inherent in the characters he recounts. He does this not only through his music, where he uses different timbres and sounds to endow characters with a unique personality, but also through his lyrics, which are where his real power lies…

Although they are very different, a certain part of my work and his shares a common basis in the simple chords we use to create structured and original melodies. The composer of instrumental music must redeem this simplicity with elaborate orchestration; the author-singer/storyteller can do so by using both voice and words, as long as the voice communicates an emotion and the words are true. I like Springsteen precisely because he places this need for Truth in the forefront. This is how he manages to elude passing fads and why his music runs no risk of being lost over the course of time.

http://backstreets.com/Assets/Images/2020/newsEMorricone1996CROP.jpg

Also, Springsteen used to begin "Badlands" by having Roy play "Jill's Theme" from "Once Upon a Time in the West."

https://www.youtube.com/watch?v=vF50vNJ1k3Y

Ah well, I'll try not to hold that against Ennio.

RIP Ennio Morricone.

Modern Cinema wouldn't be the same without you.

And - in what is perhaps my favourite bit of trivia - indie-dancefloor-powerhouse BLUE MONDAY wouldn't be the same, either... (@peterhook) pic.twitter.com/SJ2pIDRWq6

— Shipy McShipface (@OllieShip) July 6, 2020

Back in the 70s, in Creem, I think, Dave Marsh mentioned Broooce's cinematic, operatic, maybe (did he also say?)spaghetti western tendencies, and that seemed right, although arrgh, "Jungleland" etc--but usually pretty good (though I stopped listening in the 80s).

https://www.criterion.com/current/posts/7014-ennio-morricone-s-radical-romanticism

I like it

Italy has put Ennio Morricone on a new limited edition €5 coin!! #maestro pic.twitter.com/WIvQcaViIn

— C. Lavender (@clavendr) July 19, 2021

https://www.youtube.com/watch?v=p6jF0aK5b90

https://www.youtube.com/watch?v=TZXwJcc1u-I

https://www.youtube.com/watch?v=HNKPUuxaLRE

Stop posting sacco & vanzetti itt ffs

Can we use this s&d/rip thread as a raririties thread? Here he is in raymond scott mode

https://www.youtube.com/watch?v=25bUUQXXHis

The visuals are also intense.

Interesting. Reminds me of the "American Magus" piece by John Zorn from "Songs from the Hermetic Theater". Not surprised that Zorn would've been familiar with this.

xp That's awesome, probably the synthiest thing I've heard from him.

https://www.youtube.com/watch?v=0381tAAxWfA

Dipping into the bottomless well this morning I discovered L'Immoralità (1978), which was reissued on CAM earlier this year. Variations on a beautiful melancholy chord sequence that reminds me of Paddy McAloon's I Trawl the Megahertz

L’Ummanoide is the synthiest thing I know by him

Obviously I have not heard everything, and probably couldn't if I tried, and certainly could not have remembered, but I honestly thing "The Untouchable" is one of his most memorable scores.

lol, "Untouchables." Anyway, anyone know anything about this?

https://www.youtube.com/watch?v=pjJ4KCcIjsw

No but funny timing for the bump I’ve been all morricone for the last few days

Just got delivery of 4 CDs (99 pence each!) of Morricone soundtracks.

Metti, Una Sera a Cena (1968) (which I've heard before and is very good in a loungey/easy listening vein.)
Giordano Bruno (1973) (one of his soundtracks for period dramas, so I imagine this will be him at his stateliest.)
Che C'entriamo Noi Con La Rivoluzione? (1972) (comedy western, which is fine as long the comedy isn't overdone.)
La Vita A Volte È Molto Dura Vero Provvidenza? (1972) (another comedy western, like the previous soundtrack there's not a lot of variety in track titles which makes me think there will be a LOT of variations on a theme - but it only cost 99p, so what the hell.)

I still dream of a Complete Morricone box set, can't see it ever happening though

Jesus, you'd need an articulated lorry to deliver that.

Che C'entriamo Noi Con La Rivoluzione? (1972) (comedy western, which is fine as long the comedy isn't overdone.)