Rolling Jazz Thread 2020

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A mate is taking part in a live DJ jazz marathon thing - some great stuff so far. Currently playing Charles Brackeen.

https://www.mixcloud.com/live/thejazzmeet/

Vanishing Point (Chinaski), Sunday, 24 May 2020 11:34 (three years ago) link

Watched Eugene Smith and the Jazz Loft last night (Sarah Fishko of NPR's doc), and it was pretty disappointing. Lots of (nearly all white) talking heads barely saying anything of substance, all over the place, sort of a notebook/footage dump inasmuch as half of the subject matter was just sort of episodic stuff about Eugene Smith's life and career that had nothing whatsoever to do with the Jazz Loft, music very much taking a backseat and never allowed to run for more than 20 seconds or so of a single piece (tbf there's no film footage of the sessions in the loft, sadly).

The one bright spot for me was the section on Overton working with Monk for the Town Hall concert. That honestly should have just been a whole doc, even if it could only be stretched to 30-45 mins.

longtime caller, first time listener (man alive), Sunday, 24 May 2020 15:50 (three years ago) link

Eric Alper
@TharEricAlper

Jazz drummer Jimmy Cobb - one of the greats in ANY genre - has died at age of 91. He played on Miles Davis’ “Kind of Blue” and “Sketches of Spain” and also performed with John Coltrane, Wayne Shorter, Wes Montgomery, Art Pepper, Sarah Vaughan and Dinah Washington. Damn. Lung cancer, not Covid.

dow, Tuesday, 26 May 2020 00:57 (three years ago) link

Still performing 'til fairly recently, considering his age (YouTube has him w Eric Alexander Quartet, incl Harold Mabern and Bob Cranshaw, in 2015, for inst)

dow, Tuesday, 26 May 2020 01:01 (three years ago) link

Should be ThatEricAlper

dow, Tuesday, 26 May 2020 01:03 (three years ago) link

yarrrr

j., Tuesday, 26 May 2020 01:19 (three years ago) link

Rolling Yarrrrs Thread 2020

The thing to judge in any yarrrrs artist is, does the man shiver me timbers and does he have an eyepatch.

call mr zbow that's my name that name again is mr zbow (Craig D.), Tuesday, 26 May 2020 02:48 (three years ago) link

The Jerry Granelli Trio Plays The Music Of Vince Guaraldi & Mose Allison w/Jamie Saft is a fucking cracking album, me hearties!

calzino, Tuesday, 26 May 2020 10:13 (three years ago) link

RIP Jimmy Cobb, you knew it was coming, but end of the era for sure.

change display name (Jordan), Tuesday, 26 May 2020 16:05 (three years ago) link

it was pointed out to me that he was the last living member of the band from Kind of Blue

longtime caller, first time listener (man alive), Tuesday, 26 May 2020 16:06 (three years ago) link

No doubt you accepted this novel piece of information with the grace you are accustomed to display.

Trouble Is My Métier (James Redd and the Blecchs), Tuesday, 26 May 2020 16:09 (three years ago) link

He joins that roster of cats I have a tiny tinge of guilt or regret about never quite making it out to see them live such as Percy and Jimmy Heath. Did read Peter Bernstein's FB post about him, but not quite the same.

Trouble Is My Métier (James Redd and the Blecchs), Tuesday, 26 May 2020 16:12 (three years ago) link

it was pointed out to me that he was the last living member of the band from Kind of Blue

― longtime caller, first time listener (man alive), Tuesday, May 26, 2020 11:06 AM (seven minutes ago) bookmarkflaglink

i pointed this out elsewhere, but lee konitz (who passed away last month) was the last living member from the "birth of the cool" sessions

so two pretty huge miles bands are gone

budo jeru, Tuesday, 26 May 2020 16:17 (three years ago) link

Friend texted me that drummer-wise "only Roy Haynes left."

Trouble Is My Métier (James Redd and the Blecchs), Tuesday, 26 May 2020 16:23 (three years ago) link

don't forget louis hayes, and maybe joe chambers too

budo jeru, Tuesday, 26 May 2020 16:35 (three years ago) link

Right. Tootie Heath was also mentioned, the one brother I have seen.

Trouble Is My Métier (James Redd and the Blecchs), Tuesday, 26 May 2020 16:39 (three years ago) link

indeed, tootie is 84 but still touring

Fuck the NRA (ulysses), Tuesday, 26 May 2020 16:41 (three years ago) link

He had a near death experience a few years back though. Told my neighbor he told them to reserve a seat for him, the neighbor, in the underworld.

Trouble Is My Métier (James Redd and the Blecchs), Tuesday, 26 May 2020 16:43 (three years ago) link

Hey, it's Miles's birthday today.

Trouble Is My Métier (James Redd and the Blecchs), Tuesday, 26 May 2020 16:43 (three years ago) link

Friend texted me that drummer-wise "only Roy Haynes left."


Jimmy Cobb used to come to town at least once, and sometimes twice, a year. I never went, because I wasn’t that keen on hearing a re-creation of Kind Of Blue (which the performances were essentially billed as). But I regret it; Jimmy had such a wonderful sound that I wish I had heard live.

I saw Roy Haynes a little over a year ago, and was completely blown away: being that close to that sound is not something I’ll soon forget. And it made me realize, however advanced in age a musician is, go see them anyway if you have the chance. I learned so much more about Roy’s approach in one set that I never got/could have gotten from years of listening to his recordings.

Montgomery Burns' Jazz (Tarfumes The Escape Goat), Tuesday, 26 May 2020 21:44 (three years ago) link

Al Foster! 77.

change display name (Jordan), Tuesday, 26 May 2020 22:40 (three years ago) link

A Polish label has just released a previously unheard live recording of Cecil Taylor and Tony Oxley in Germany in 2011. I bought a copy of the physical CD (only 350 copies!) and am listening to the download now. It's recorded in a really small room — probably the size of the Village Vanguard, if that — and sounds amazing.

but also fuck you (unperson), Monday, 1 June 2020 00:40 (three years ago) link

thanks for the tip.

the club where it was recorded has a video archive of its concerts, some of them from this year, which may be of interest:

https://www.birdland.de/videos/

budo jeru, Monday, 1 June 2020 01:33 (three years ago) link

last night I heard a couple of really good Eddie Harris tracks, didn't catch the titles, but they were followed by Frank Catalano's "Chicago Eddie," which the announcer said is a tribute to EH, and a good 'un too---where should I start with Harris albums? All I know by him is "Freedom Jazz Dance," the original and the Miles treatment. (Also should I check out more Catalano?)

dow, Tuesday, 2 June 2020 02:10 (three years ago) link

The one with Freedom Jazz Dance on it - The In Sound -- and the follow up, Mean Greens, are both pretty good. I find all his work a little hit-or-miss. Some of it is very cheesy.

This is a great tune, with a drum sample you may recognize:
https://www.youtube.com/watch?v=AFHkVXt47fI

longtime caller, first time listener (man alive), Tuesday, 2 June 2020 02:13 (three years ago) link

i think you might like "swiss movement" from '69:

https://www.youtube.com/watch?v=y8YOLY4Tats

his disco c. '74 - '79 is worth checking out for the titles / album art alone, though you may not find much to like amid the novelty tunes and weird experiments

budo jeru, Tuesday, 2 June 2020 07:20 (three years ago) link

Jimmy Cobb tribute all-day today on WKCR

How I Wrote Neuroplastic Man (James Redd and the Blecchs), Tuesday, 2 June 2020 13:36 (three years ago) link

cool

budo jeru, Tuesday, 2 June 2020 13:41 (three years ago) link

Thanks for the links and tips, guys. Reminds me, the invaluable Night Lights---Indiana Public Radio show---recently replayed a survey of soul jazz, based around the book of (approx?) same title by producer/interviewee Bob Porter: some of it was more imaginative (art of entertainment-wise) than I expected, and got better as it went along. Will def. check disco-era (novelty tunes and weird experiments) adventures of EH, along with earlier.

dow, Tuesday, 2 June 2020 17:21 (three years ago) link

That show can be streamed/downloaded from Night Lights archive; most episodes delve into modern (though not recent) mainstream and progressive, with some fringe activity.

dow, Tuesday, 2 June 2020 17:26 (three years ago) link

Published a piece (not by me) on Cobb today, focusing on his use of guitars in his bands and his work with Wes Montgomery.

Finally got all 12 volumes of Mack Avenue's Erroll Garner reissue series in the mail; the last one comes out next week. Thinking about diving into all of them for a big piece.

but also fuck you (unperson), Tuesday, 2 June 2020 17:35 (three years ago) link

Something else that came in today's mail: a new CD (made up of outtakes from earlier recording sessions) by Throttle Elevator Music, a studio collective led by multi-instrumentalists Matt Montgomery and Greg Howe (owner of Wide Hive Records), with Kamasi Washington on tenor sax and a bunch of different horn players and drummers and guitarists (Ava Mendoza is on an earlier album). It's fairly punk-rock jazz, and KW blows hard. There are six CDs in all, definitely worth checking out.

but also fuck you (unperson), Tuesday, 2 June 2020 19:00 (three years ago) link

WKCR tribute is playing Fantastic Frank Strozier featuring Booker Little, both of which names make me think of Harold Mabern. Seems like Jimmy and Harold must have played some dates together. Ah yes, I see.

How I Wrote Neuroplastic Man (James Redd and the Blecchs), Tuesday, 2 June 2020 19:44 (three years ago) link

ilx alum Andy Beta:
In 2017, I was invited to Robert Northern’s home in Takoma Park to chat about the music collected in Divine Music. With news of his passing today, I’m posting the full interview from this box set. I think often about his story about playing music for the wild animals in the Ngorongoro crater:
https://andybeta.com/2020/06/01/brother-ahh-interview/

dow, Wednesday, 3 June 2020 01:34 (three years ago) link

When that set came out I interviewed Brother Ah for The Wire. An awesome guy.

but also fuck you (unperson), Wednesday, 3 June 2020 01:53 (three years ago) link

Firehouse 12 Records is donating 100% of proceeds Friday June 5th

Purchases on Bandcamp today will be donated to LEAP in New Haven

LEAP was founded in 1992 by leading educators, students and community activists in New Haven to provide highly vulnerable youth of color with educational and enrichment opportunities that are often inaccessible due to financial and social barriers. From the beginning, LEAP has used a multi-tiered mentoring model that focuses on young people of color as the solution, rather than the problem.

https://firehouse12records.com/

budo jeru, Friday, 5 June 2020 14:10 (three years ago) link

Jamael Dean's "Oblivion" EP is really nice. I noticed his piano playing more here than on Black Space Tapes, which I quite like too but this is a lot more cogent. RIYL stuff like Hannibal Peterson's "Children of the Fire"

dip to dup (rob), Saturday, 6 June 2020 13:25 (three years ago) link

I don't normally gravitate to ballads, but I've been listening to Jeremy Pelt's all-ballad album from earlier this year a lot. Trumpet, piano, bass. It's nice to go all in on that, since it's a very soothing and consistent vibe all the way through, and he's a master.

change display name (Jordan), Wednesday, 10 June 2020 15:44 (three years ago) link

i posted about wanting to get this. now i have it. it's very good.

https://www.forcedexposure.com/App_Themes/Default/Images/product_images/product_page/H/HOL124LP_PROD.jpg

Holiday Records present the first ever authorized reissue Cairo Free Jazz Ensemble's Heliopolis, originally released in 1970. Released under license from the artist. One of the great projects in Egyptian jazz, the Cairo Free Jazz Ensemble was formed by Salah Ragab and Hartmut Geerken as an avant-garde offshoot of The Cairo Jazz Band, the first jazz big band in the country.

https://www.forcedexposure.com/Catalog/cairo-free-jazz-ensemble-heliopolis-lp/HOL.124LP.html

budo jeru, Wednesday, 10 June 2020 17:04 (three years ago) link

I've heard of that! Thanks for the news on release.
Just listened to about 24 minutes-worth of bandcamp sample tracks from Chad Taylor Trio's The Daily Biological: lyrical, sometimes witty, no-BS drums, tenor, piano.The absence of a bass means all three players sometimes step into the low-end role. A musical problem to be solved “we all approached it differently,” Taylor says. “All of our tunes explore different ways to utilize a trio without a bass. You need to be really strong in your playing.” They're well-anchored, secure in their bassless space, no need to fill it all up, no busywork, no waste either. Brian Settles starts "Swamp" all alone up there in the humid open air---tenor keeps a sense of fullness, at whatever elevation---then drums x bass come rumbling, ready for work, a truck under the trees. Fave so far is "Untethered": a waltz comes calling, kicking, sometimes crashing, keeps coming around---kinda reminds me of some of the writing, not nec. the playing, of the George Adams-Don Pullen Quartet. Anyway:
https://cuneiformrecords.bandcamp.com/album/the-daily-biological
Chad Taylor: Drums
Brian Settles: Tenor Saxophone
Neil Podgurski: Piano

eleased April 24, 2020

Tracks 5, 8, and 9 written by Chad Taylor: ctorb@ascap

Tracks 1 and 3 written by Brian Settles: The Poets House Publishing@BMI Tracks 2, 4, 6 and 7 written by Neil Podgurski: NeilPodgurski@ascap

dow, Wednesday, 10 June 2020 18:37 (three years ago) link

Ha, drums x *piano*, obv., but the bass function is in there for sure.

dow, Wednesday, 10 June 2020 18:40 (three years ago) link

That's a good record. I included it in my most recent Stereogum column.

Trumpeter Ambrose Akinmusire's got a new one coming out on Friday with his longtime quartet of pianist Sam Harris, bassist Harish Raghavan, and drummer Justin Brown. I realize now that I heard him premiere the music at Winter Jazzfest back in January. It's good stuff, abstract and squiggly but with the blues pulsing at the center of it.

but also fuck you (unperson), Wednesday, 10 June 2020 18:47 (three years ago) link

oh that's good news. I was really looking forward to see him in Montreal this summer (cancelled now of course)

dip to dup (rob), Wednesday, 10 June 2020 19:43 (three years ago) link

The Chad Taylor tracks that are streaming are great. Even though there is little to no jazz happening at the moment, it's been a really good year for jazz records so far.

change display name (Jordan), Wednesday, 10 June 2020 20:58 (three years ago) link

You gotta like drums and percussion to dig this, but it's not (just) a show of chops, they build a soundscape in what might be a pyramid and/or train station---nice bit of cool sax, Cecilish piano, sunburst trumpet, other horns contribute just enough, for inst to the 3rd quarter stampede, and make pleasant whistling sounds occasionally---also instances of near-silence here and there, they're not afraid of that---one mic for 20 instruments? dunno, but it works, I think: https://www.youtube.com/watch?v=XgD-mqo84CQ

dow, Thursday, 11 June 2020 22:25 (three years ago) link

If it doesn't show up, it's Cairo Free Jazz Ensemble, "Free Together" on youtube.

dow, Thursday, 11 June 2020 22:26 (three years ago) link

Their parent or previous name meets Sun Ra:
https://www.youtube.com/watch?v=ZzPc40wllzA

dow, Thursday, 11 June 2020 22:51 (three years ago) link

Speaking of Chicago guys in the thrill jockey orbit who have albums on bandcamp, I've been enjoying Matt Lux's Communication Arts. That groove on the first track is an instant classic:
https://communicationartsquartet.bandcamp.com/

longtime caller, first time listener (man alive), Friday, 12 June 2020 15:26 (three years ago) link

got excited by what i thought was a new muriel grossman release, but i can't tell if these are new recordings of previously released compositions, or just a mash up:

This Jazzman set draws a selection from her 2016 album Natural Time ('Your Pace', 'Peace For All') and from 2017's Momentum ('Elevation', 'Chant' and 'Rising'). Featuring her regular quartet of Radomir Milojkovic (guitar) Uros Stamenkovic (drums) and Gina Schwarz (bass), the music on Elevation is pure sound, soul and spirit!

https://www.jazzmanrecords.co.uk/muriel-grossmann-elevation

anyway, that has me revisiting "reverence" from late last year, which got a brief mention on last year's rolling thread and was also written up in unperson's stereogum column in january. i have really mixed feelings about the explicit "we are paying homage to AFRICA" in the music and especially the liner notes. does anybody want to talk about that ?

https://murielgrossmann.bandcamp.com/album/reverence

here's a nice video of the quartet playing live:

https://www.youtube.com/watch?v=Lz5rCWuhKo4

budo jeru, Saturday, 13 June 2020 16:56 (three years ago) link

That just sounds like they licensed tracks from two of her (self-released) albums for an LP-only compilation to draw in suckers vinyl enthusiasts.

but also fuck you (unperson), Saturday, 13 June 2020 17:17 (three years ago) link


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