Captain Beefheart and the Magic Band's "Trout Mask Replica"

xpost
"B" last names and the word "trout"

― chr1sb3singer, Friday, April 17, 2020 10:54 AM (one hour ago

rushomancy, that's great, I agree with you almost completely, the other novel I was going to list was The Abortion, only thing tou didn't mention which I love about it is like half the book is just their walk from the library to the car. If I share something it will usually be that or Hawkline Monster, which has dated a bit but is the most fun to read. IWS and TFIA are odd choices and I think put a lot of people off. From a biography I read I remember Brautigan was actively anti-Hippie, there's a short story or a chapter in one of his books about telling a girl not to go to Haight-Ashbury (of course she doesn't care)

i could listen to the guitars on “veteran’s day poppy” on a loop for hours. what a way to close a record.

LOL at the turn this has taken, I very nearly wrote "be honest, how old do I look?" in place of the Brautigan remark.
I chose this thread I guess because TMR is purportedly atypical of "60's music", posting that to the Ultimate Spinach thread would have been a bit hollow, way less ridiculous.

last names and the word "trout"

Really tho?

I enjoyed coming across this:
https://brautigan.cybernetic-meadows.net/tiki-index.php?page=Sorrentino+1968+Review+of+The+Galilee+Hitch-Hiker

xp could you be more clear about you’re trying to say tho ? i’m actually curious to know.

i could see somebody regarding both brautigan and beefheart as being early touchstones for aspiring young intellectuals, later set aside in place of more “mature” pursuits. is that the joke ?

The "joke" was responding to your post as though the implication in it was "it's not the music that grew old (it's the vocals)". I am now considering the horrifying/hilarious possibility that this is what you actually were implying, and this whole thing has been a trainwreck of misinterpretation 😂

The statement that I can't listen to 60's music anymore because it's too old wan't humorless, but wasn't entirely insincere either. There's an earthy masculinity about it that feels utterly remote at this point, particularly in earnest and absent of campiness and much of the 'exceptional' music of the period is unexceptional in this regard, etc.

The comparison to Brautigan was basically superficial, along the lines of "reactionary hippie". I've only read TFiA/the pill/IWS and I thought the similarities to Beefheart were apparent enough (zany, surrealist imagery, pastorial utopian idealism/dystopic disharmony) though Brautigan's masculinity is more aggressive.

Am I mistaken? It's been 15 years since I read it and also years since I've listened to TMR in full. When I want to listen to Beefheart I usully go for 'Decals' or 'Grow Fins' and I can't even remember the last time I played either of those.

1. brautigan as "reactionary hippie"? he was neither. brautigan's work, particularly his '60s work, is certainly suffused with what we can call the "male gaze", though his perpetuation of it, to my sensibilities, has more similarities to, say, mayo thompson's "corky's debt to his father" than it does to "trout mask replica", and like "corky's debt to his father" there's considerably more to it than paeans to women he would like to fuck.

2. brautigan's '60s work is also, as mentioned upthread, nowhere near to a complete repesentation of his work.

3. lack of camp? i don't even know where to begin with this. i mean, yeah, he's dead serious in "frownland" and "dachau blues", yeah, "hair pie" is a crude and tasteless song title, but "ella guru" sounds to me not terribly far from walk on the wild side, his celebrations of women not terribly far from lou reed's. "pachuco cadaver", "pena", these aren't miniskirted hippie girls with creamy thighs. christ, we're talking about the album where, on one of its iconic tracks, he out and out envisions god as gender non-conforming! if this is what "earthy masculinity" looks like i figure we ought to have more of it.

4. but of course it is also terribly old and remote, he's from that generation of music that's informed by the harry smith anthology, he's got the spirit of hoyt "floyd" ming and his pep-steppers just as much as the holy modal rounders do, and why on earth would that be a reason to not listen to it? not everything has to be contemporary or relevant, you know.

not familiar with Brautigan really (I think I read Venus On The Half Shell decades ago?) but really feeling #3 and #4 there, thanks Kate

this is like my least favorite Beefheart album aside from Bluejeans & Unconditional and uh maybe Decals cuz I do love "Orange Claw Hammer" to death, more than "I Love You You Big Dummy".

This album inspired a lot of proggy Euro nonsense that I have zero time for, as well as informing the least memorable aspects of the RIO movement. Fight me.

When I want to listen to Beefheart I usully go for 'Decals' or 'Grow Fins''

Really avoiding the TMR soundworld altogether there I must say.

lol

plz also note that by "least favorite" I mean something more akin to "least amazing"

not everything has to be contemporary or relevant, you know.

streaming has sort of flattened and destroyed time for me wrt music, I start to just flip around through history and nothing seems really fixed

I think I read Venus On The Half Shell decades ago?

too much trout itt as it is, sleeve

Lol

I'm reading through the TMR lyrics booklet now with Kate's post in mind.

First thing I notice: "Well, I put down my bush. And I took off my pants and felt free. The breeze blowin' up me and up the canyon. Far as I could see. It's night now and the moon looks like a dandelion" would not sound at all out of place in TFIA or IWS.

ella guru" sounds to me not terribly far from walk on the wild side

This might be a stretch, but I think it's quite perceptive.

It's tempting to read the moon in "moonlight on vermont" as a symbol of the (divine) feminine. He says "gimme that old time religion" over and over again, Lifebuoy's pistol showin, etc. I think this is comparing female attractiveness to the Transylvania effect.

Point definitely taken about Paucho cadaver

This album inspired a lot of proggy Euro nonsense that I have zero time for, as well as informing the least memorable aspects of the RIO movement. Fight me.

― zoomer death circus (sleeve)

you talking like etron fou leloublan? i always thought of them as being distinctly gallic. i don't know how much prog music there is that i'd classify as being genuinely inspired by trout mask replica. Michael Maksymenko if you want to count that, and honestly i think he's pretty alright, particularly the tunes about ice hockey.

The line about God dressing you because he never had a doll is wonderful.

...it's also quite heavy. I'm not going to finish all of this tonight, it's heady and dense, and i'm not sure i find it campy (is he Lou Reed or PT Barnum on Pachuco Cadaver? I can't tell, this is walking some inimate/sensation tightrope) but it's been rewarding to read through it slowly and carefully.

*sensational

xps nah I can hang with Etron Fou, I was specifically thinking of Dunaj and related Czech stuff like Uz Jsme Doma and even carrying through to Sleepytime Gorilla Museum, the kind of hammering relentlessness that I find overwhelming, even the Art Bears sometimes.

Kate, great post above. (:

an earthy masculinity about it that feels utterly remote at this point...and much of the 'exceptional' music of the period is unexceptional in this regard

What kind of exceptionality are we looking for? Obviously, something greater than "Under My Thumb," and I know there are plenty of other problems. But I will say that, growing up in the '70s/'80s, an awareness of rock music going back to the '60s was a significant thing for me in seeing suggestions of a more feminine way of being for those born male.

All I'll say is they know how to do breakfast TV in Sweden.

https://www.youtube.com/watch?v=I-kH_aNnNiA

I wasn't aware of that iteration of the Magic Band. Who needs coffee when you have music like that?