i could use some achingly beautiful today; queuing up now.
― Fuck the NRA (ulysses), Thursday, 12 March 2020 16:45 (four years ago) link
Oh, the dePlume is really nice!
― Sund4r, Saturday, 14 March 2020 15:59 (four years ago) link
Yes enjoyed it on a short flight yesterday
― Heez, Saturday, 14 March 2020 16:14 (four years ago) link
Another vote for the deplume here finished it and immediately restarted it for a second listen thru critical and kind music at this moment
― Mordy, Saturday, 14 March 2020 16:27 (four years ago) link
yeah, it's great.
― Fuck the NRA (ulysses), Saturday, 14 March 2020 23:13 (four years ago) link
Good god damn this DePlume record is absolutely beautiful.
― Vanishing Point (Chinaski), Monday, 16 March 2020 21:57 (four years ago) link
Thanks for the reminder -- I checked out the DePlume today, and it is wonderful. It has a slight Getatchew Mekurya vibe.
― stop torturing me ethel (broom air), Monday, 16 March 2020 23:53 (four years ago) link
yah, that is right. really a great album, thanks for hipping me to it.
― Fuck the NRA (ulysses), Tuesday, 17 March 2020 02:05 (four years ago) link
That Alabaster DePlume record is exactly what I needed right now, thank you
― city worker, Tuesday, 17 March 2020 14:31 (four years ago) link
"Not My Ask" brings me to tears
― Mordy, Thursday, 19 March 2020 03:59 (four years ago) link
Praise for Recent Non-Album Track "Homeless/Global"https://intlanthem.bandcamp.com/album/homeless-global
this is so good rn
― j., Thursday, 19 March 2020 04:37 (four years ago) link
Alabaster DePlume = ILM record of the year 2020, calling it now
― change display name (Jordan), Thursday, 19 March 2020 14:06 (four years ago) link
icymi, rob made a thread for it:
thread of rapturous appreciation for Alabaster DePlume
― No mean feat. DaBaby (breastcrawl), Thursday, 19 March 2020 15:55 (four years ago) link
Interview w Angel https://thequietus.com/articles/28498-angel-bat-dawid-emma-warren-interview-total-refreshment-centre-transition-east
― weird woman in a bar (La Lechera), Wednesday, 1 July 2020 20:55 (three years ago) link
I am two tracks into the new Makaya McCraven (Universal Beings E&F Sides) and it is FYAH
― Fuck the NRA (ulysses), Friday, 31 July 2020 17:22 (three years ago) link
Loving this one
― change display name (Jordan), Friday, 31 July 2020 18:49 (three years ago) link
posted unwatched but excited to see this short makaya bio dochttps://www.youtube.com/watch?v=R9t86fAuz5s
― Fuck the NRA (ulysses), Monday, 10 August 2020 19:01 (three years ago) link
okay, watched; really great and helpful in understanding his process.
― Fuck the NRA (ulysses), Monday, 10 August 2020 23:58 (three years ago) link
Interested in seeing that. New album is decent but I don't think it's as good as Universal Beings. Some good grooves, though; I can see why it would appeal to Jordan.
― magnet of the elk park (Sund4r), Tuesday, 11 August 2020 02:45 (three years ago) link
Universal Beings continues to be my most reliably enjoyable album of quarantine. Works for anything. I know it gets a lot of love but if anything I think it's underrated. Like, why isn't this guy on tv?
I wonder if the Jaimie Branch agnostics itt have heard the Anteloper stuff with Jason Nazary. It definitely converted me. Great stuff
― Paul Ponzi, Friday, 28 August 2020 12:55 (three years ago) link
i do feel like the crossover with makaya and say, the herbie hancock/robert glasper/kamasi washington crowd seems natural and it's either a matter of time for him to break bigger or it's just a sign that he's not interested in pursuing a broader audience.
Again, that doc is great; anyone even a little into makaya should watch it. Turns out his mother is a lead member of Kolinda (pictured, i think, on this youtube thumbnail on the right)!https://www.youtube.com/watch?v=46C4F7XmYLg
― Fuck the NRA (ulysses), Friday, 28 August 2020 15:37 (three years ago) link
Will check doc, thanks. He was featured on Jazz Night In America not too long ago, should be in their archive. Also in that good recent UK comp Kaleidoscope, which is on YouTube, also w some Brits on https://totalrefreshmentrecords.bandcamp.com/album/makaya-mccraven-where-we-come-from-chicagoxlondon-mixtape A bunch of other stuff on bandcamp I haven't listened to yet, but digging this: https://intlanthem.bandcamp.com/album/universal-beings-e-f-sides. And def. Gil Scott-Heron's We're New Here: A Reimagining by Makaya McCraven, as I carried on about over on What Are You Listening To? 2020:Still haven't heard the original album, or Jamie xx's reworking, but the unmistakable sound and sensibility of classic Gil come through: sharp, reflective glints in the dark, rough-edged a fluid, lyrical and realist, searching and on point, thematic and grooving---jazzwise, yet "blues is a feeling" the overall. Only thing is, some of the originals are really short, like down to 37 seconds: golden kernels of potential and realization---McCraven is def. not showboating, but I wish he extended these--maybe he was required to stick to the original track times? I'd like a bit more---Laswell redoing Marley and Miles? Anyway, it's all good, though faves are mostly because they have longer to make an impression: "New York is Killing Me," "I'll Take Care of You," "Me and the Devil"--yes, Scott-Heron and Robert Johnson and Mr. D. on the Greyhound, seems natural. Speaking voice is worn but clear, singing voice not that different from 1970s.
―
― dow, Friday, 28 August 2020 20:06 (three years ago) link
That Where We Come From set is maybe my favorite McCraven thing; you can get it on IA's Bandcamp page (I have the CD):
https://intlanthem.bandcamp.com/album/where-we-come-from-chicagoxlondon-mixtape
― but also fuck you (unperson), Friday, 28 August 2020 20:16 (three years ago) link
Can’t wait to hear the new Angel & the Brothahood live album, the backstory is grim but I loved the part about how she sat down at the hotel piano and went off on the guy who told her not to play. https://pitchfork.com/news/angel-bat-dawid-and-tha-brothahood-release-new-live-album-listen/
― weird woman in a bar (La Lechera), Saturday, 31 October 2020 23:37 (three years ago) link
^I still haven't gotten to that, but I just listened to Rob Mazurek/Exploding Star Orchestra's "Dimensional Stardust" and really loved it: https://intlanthem.bandcamp.com/album/dimensional-stardust
― rob, Wednesday, 25 November 2020 21:47 (three years ago) link
Her live album is REALLY good, would recommend with the caveat that it's pretty heavy!
― weird woman in a bar (La Lechera), Thursday, 26 November 2020 00:25 (three years ago) link
It's emotionally a lot to take - not something you're gonna want to listen to every day. But yeah, it's great stuff.
― but also fuck you (unperson), Thursday, 26 November 2020 01:50 (three years ago) link
I'm on track 5 of the Mazurek now and am really liking it so far.
― actually-very-convincing (Sund4r), Thursday, 26 November 2020 06:40 (three years ago) link
It took a few listens to absorb, but I'm now quite taken with the shimmery Chicago Waves by Carlos Niño and Miguel Atwood-Ferguson. It's much much more new age/ambient than jazz, probably closest to the De Plume record than anything else on the label that I've heard, though it doesn't pierce your heart with melodies like AdP. Maybe some day I can listen to it while strolling through an aquarium (perhaps Shedd...sigh).
As that recommendation maybe implies, I still haven't gotten into the mental space to try the new Dawid
― rob, Saturday, 5 December 2020 18:14 (three years ago) link
I worked yesterday afternoon in front of a fire with the Exploding Star Orchestra album on and it was very nice.
― Joe Biden Shot My Dog - Vols. I-XL (PBKR), Sunday, 6 December 2020 14:45 (three years ago) link
There's a new Damon Locks/Black Monument Ensemble album coming in April: https://intlanthem.bandcamp.com/album/now
the first track is really beautiful (recorded live & outside last summer -- you can hear the cicadas)
https://www.youtube.com/watch?v=QQLGNOCb6ZM
― rob, Wednesday, 24 February 2021 14:01 (three years ago) link
I love that. The video is very cool as well.
― perhaps I myself was the object of my search (PBKR), Friday, 26 February 2021 19:03 (three years ago) link
The whole album is amazing. I said on Twitter that it's like a combination of SAULT, an Adam Curtis documentary, and Archie Shepp's Attica Blues.
― but also fuck you (unperson), Friday, 26 February 2021 19:12 (three years ago) link
Will be pre-ordering this for sure. A little surprised the physical edition isn't out until July though, shit must really be getting backed up.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Friday, 26 February 2021 19:16 (three years ago) link
I've only seen like 10 mins of a Curtis doc but I am intrigued by that description
― rob, Saturday, 27 February 2021 00:21 (three years ago) link
Well this totally rules—deserves its own thread really, but I'm annoyingly busy today
― rob, Friday, 9 April 2021 14:56 (three years ago) link
fyi Sons of Kemet fans should get on this immediately
― rob, Friday, 9 April 2021 16:13 (three years ago) link
This = Damon Locks and Black Monument Ensemble? It's great. Wish there was a little less spoken parts, but I get that's an essential part of what their doing.
― guillotines aren't just for royalty anymore (PBKR), Friday, 9 April 2021 19:16 (three years ago) link
was a little less = were fewer, jesus
yes that's the one!
Since we have some deathly allergic-to-spoken-word jazz fans around here, I think it's fair to note that, aiui, most of the "spoken parts" are samples not slam poetry, giving the whole thing something of Madlib/sound collage quality (I assume this is what unperson meant by referencing Adam Curtis). Still might not be your cup of tea, but it's a different vibe from some of the declamatory contemporary jazz that I know rubs some the wrong way
― rob, Saturday, 10 April 2021 13:24 (three years ago) link
Yeah I like the Damon Locks album a lot. The first and last tracks in particular.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Saturday, 10 April 2021 15:45 (three years ago) link
Been enjoying it
― Sequel to Sadness (Sund4r), Sunday, 11 April 2021 04:35 (three years ago) link
Went to see Jaimie Branch & her fantastic band blow the roof off last night -- it was my first show post-pandemic and I may have been primed to enjoy it regardless but I LOVED IT. I loved everything about the performance -- the band's chemistry, the energy, the music itself, interaction with audience, guest players!, her performance style. If you have a chance to see her, don't miss it. I think the band is on tour?
― weird woman in a bar (La Lechera), Sunday, 4 July 2021 18:40 (two years ago) link
Yeah, I've been getting that experience, as much as possible online, from listening to their live album:https://intlanthem.bandcamp.com/album/fly-or-die-live
― dow, Sunday, 4 July 2021 19:00 (two years ago) link
I am not super familiar with Angel Bat Dawid's work, does she always use autotuned vocals so extensively, like on this?
https://intlanthem.bandcamp.com/album/hush-harbor-mixtape-vol-1-doxology
― sleeve, Wednesday, 7 July 2021 19:05 (two years ago) link
She uses a lot of different vocal techniques/ways of singing and/or vocalizing -- that's just one thing she does ime. Not broadly representative of her vocal style.
― weird woman in a bar (La Lechera), Wednesday, 7 July 2021 19:25 (two years ago) link
thanks!
― sleeve, Wednesday, 7 July 2021 22:42 (two years ago) link
PERFORMING AT BASILICA SOUNDSCAPE 2021
“Like a blossom emerging from between the floorboards of a slaughterhouse, Moor Mother’s music is an act of transcending a violent, intolerable present.” - The Fader
Today Moor Mother – aka Camae Ayewa – is announcing her new album ‘Black Encylcopedia Of The Air’, thirteen mesmerizing tracks about memory and imprinting and the future, all of them wafting through untouched space like the ghostly cinders of a world on fire, unbound and uncharted, vast and stretching across the universe.
On the new single “Obsidian”, Moor Mother says the song is about present danger - “thinking about one's proximity to violence. Thinking about violence in the home. Violence in communities." Featuring rapper Pink Siifu, listen and watch the song’s new video here - https://www.youtube.com/watch?v=fovnxpu10EA.
― dow, Thursday, 15 July 2021 17:25 (two years ago) link
from Rolling Jazz:
More Energy Fields, Currentby Carlos Niño & FriendsTagged in label notes as 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style. And sounds like the improvisational part might feed and respond to the Space Collage: it's more jazz than set piece, like the tracks, never too long, might be scooping up something along the way, lighting in the bottle and vice-versa. Wonder if they play live, with loops, maybe? (I imme
Listening on headphones, I keep getting aerial glimpses of the Pacific Coast Highway, interspersed w more time in little caves and coves: an intimate, though airy, small group sound, always incl. Niño (percussion, sound design, editing, mixing) and I think always Jamael Dean on keys, with others sometims on drums, tenor and/or flute, synths, and voices (on one track: wordless ones, don't worry, of Laraaji and Sharada). Shabaka Hutchings, Dntel, Adam Rudolph, Aaron Shaw, a bunch of others, coming in and moving on, at least for a while, never too many at once.
First one to command my attention was "Nightswimming," then so many of the others that I gave up on linking a favorite in addition to the whole thing:https://intlanthem.bandcamp.com/album/more-energy-fields-current
― dow, Monday, May 31, 2021 4:57 PM (one month ago) bookmarkflaglink
Niño’s previous album on IA, Chicago Waves, is live if you’re curious! I think I described it as more like ambient/new age than jazz on the IA thread but I liked it a lot
― rob, Monday, May 31, 2021 5:08 PM (one month ago) bookmarkflaglink
Will check, thanks! Ambient/New Age usually puts me right to sleep, but this got me more awake.Also, this one has *kind* of a DePlume vibe, or related appeal,anyway, but maybe earlier in the day or evening, and a little more spare?https://alabasterdeplume.bandcamp.com/- dow
― dow, Thursday, 15 July 2021 17:29 (two years ago) link
also from RJ:omg Dedicated to Saint Escrava Anastacia.creditsreleased June 19, 2021
All instruments, vocalz, and synths performed, produced, recorded, arranged & mixed By Angel Bat Dawid.https://intlanthem.bandcamp.com/album/hush-harbor-mixtape-vol-1-doxologyFirst encounter w this, and don't know of course if it will seem as amazing now that I know what to expect (nothing like what I did expect from several titles, which is prob the point), but so far it's immediately compelling, often beguiling, with an eerie, tranquil intensity, and some shifting surfaces and perimeters (for inst, what's happening to the vocals going around the room---"I know I should be grateful"---in " 'Goree,' or Slave - Stick"---we also get the improbably redemption of overt Auto Tune sometimes, or maybe keys, emphasizing the inflection (of male group vocals? Or herself treated?) that suggests a African-Hebraic-Isalmic chain, rattling a little (the clarinet encourages this). One of the most affecting tracks is her untreated, a capella , "Bet"--followed, in a plausible way, by a calmly killer finale trilogy. None of this is an onslaught of sounds though; each room is only as full as need be. Seems like a rec to fans of adventurously historical clarinetists John Carter and Matana Roberts (her Coin Coin series, and maybe all of his Roots and Folklore: Episodes in the Development of American Folk Music, although the album from that I'm thinking of, and most familiar with, is Fields).
― dow,
― dow, Thursday, 15 July 2021 17:33 (two years ago) link
This is really fun, thanks LL! Her voice reminds me of someone. I want to say Liz Fraser?
― rob, Tuesday, 16 April 2024 00:38 (three days ago) link
Always I am mixing up this label with the very different but equally good Imaginational Anthem label.
― henry s, Tuesday, 16 April 2024 15:16 (three days ago) link