International Anthem: S/D

great album and that profile you posted, LL, made me <3 her

does anyone know anything about angel bat dawid's black hebrew israelite background/ which community or temple she belongs to? just curious.

i feel like i read an article/interview where they talked about it a little but i don't remember which one or where
that's not very helpful sorry

Mordy, all the articles I have seen about Angel Bat Dawid mention her parents being Black Hebrew Israelites, but never say much about her faith . They do say she practices her music a lot and travels a lot. Plus her name is a reference to being a daughter of David ( Old Testament) but that’s about all I have noticed

This has become one of my favorite labels in the last few months. I just picked up the new Jeff Parker, but I'm still working my way through all of the stuff from the past few years I picked up - Angel Bat Dawid, Jaimie Branch and Damon Locks. Was already into the Makaya McCraven album from last year.

Resavoir, s/t (a personal fave)

Damn, thanks for this recommendation. This is really great in a way I wasn't expecting (strings! Fourth World vibes!)

Yes! I've struggled to articulate what is so good about that album, but while I'm not sure I'd argue it's the best IA release, it is my most played

It just does so many things, and in a way that seems natural and doesn't draw attention to the fact that its "eclectic" or whatever. It's just really good music!

Yall know Moor Mother is Present on Art Ensemble of Chicago o We Are On The Edge, right? Got this press release yesterday---heavy hype, but for who better:

Irreversible Entanglements Announce New Album, Who Sent You?,
Out March 20th on International Anthem/Don Giovanni

Watch the Video for Lead Single, “No Más”
https://www.youtube.com/watch?v=FLm3HEQgW50&feature=youtu.be

Free jazz collective Irreversible Entanglements announce their new album, Who Sent You?, out March 20th on International Anthem/Don Giovanni, and today present its lead single/video, “No Más.” The group is comprised of Camae Ayewa (aka Moor Mother), saxophonist Keir Neuringer, trumpeter Aquiles Navarro, bassist Luke Stewart, and drummer Tcheser Holmes. Who Sent You? is the punk-rocking of jazz and the mystification of the avant-garde. This record weaves kinetic soul fusion, dreamy yet harrowing poetry, and intricate rhythms into warmth-giving tapestries that comfort and conceal, confront and coerce all at once.

“No Más” was composed by the Panamanian-born Navarro in a harmonic echo of a Strata East free jazz classic over a movement-inducing Latin rhythm. Over its peak moments, poet/MC Ayewa professes: "No mas. No more... No longer will we allow them to divide and conquer, divide and oppress, define our humanity..." Its stunning accompanying video was shot in Johannesburg, South Africa by filmmaker and photographer Imani Nikyah Dennison. The video explores the concept of Africans escaping planet earth, on a path to liberation. A story of migration told through collage, stock footage, and movement, all being driven by the sounds of free jazz and poetry.
Originally performing as two different ensembles at a Musicians Against Police Brutality event in 2015 (in response to the NYPD slaying of Akai Gurley), the future members of Irreversible Entanglements recognized a shared ethos, and shortly after, assembled as a single unit for an impromptu studio date at Seizure’s Palace in Brooklyn. That session yielded their debut album, 2017’s Irreversible Entanglements. Critical and communal acclaim for the album (including “Best of 2017” nods from NPR Music, WIRE Magazine, Bandcamp, and others) fueled a high demand for the band in the live setting, and the group have since spent much of 2018 and 2019 on the road. They have collaborated in performance with many legends of creative music including Amina Claudine Myers, Pat Thomas, and Nicole Mitchell; and their highest profile shows have included Pitchfork Music Festival in Chicago, Le Guess Who Festival In Utrecht NL, Barbican in London, and the Smithsonian in Washington DC.

Where the band’s self-titled debut was all explosive noisy anthems and glorious cosmic bluster, Who Sent You? is a focused and patient ritual. Irreversible Entanglements take their time in between these grooves, stalking the war-torn streets of the Deep South and post-Columbian apocalypses—taking their time to dream up an amalgamation that sounds truly euphoric. More than the sum of its parts—war-like basslines, haunting saxophone, cyberpunk brass, the unwieldy storm of drums, and the oracular phyletic incantations of Ayewa—Who Sent You? is an entire holistic jam of “infinite possibilities coming back around,” a sprawling meditation, a reminder of the forms and traumas of the past, and the shape and vision of Afrotopian sounds to come.
Who Sent You? Tracklist:
1.The Code Noir / Amina
2. Who Sent You - Ritual
3. No Más
4. Blues Ideology
5. Bread Out Of Stone

Irreversible Entanglements Tour Dates:
Tuesday, March 31 - Chicago, IL @ Co-Prosperity Sphere
Wednesday, April 1 - Iowa City, IA @ Mission Creek Festival
Saturday, May 23 - Atlanta, GA @ Atlanta Jazz Festival
Praise for Recent Non-Album Track "Homeless/Global"https://intlanthem.bandcamp.com/album/homeless-global

“Just 30 seconds into this 23-minute improv, upright bassist Luke Stewart and drummer Tcheser Holmes hit the runaway-train pocket hard and fast. Folks, the track doesn't let up from there...a dense, moving preview of the group's upcoming album.” - NPR Music

“Against a simmering backdrop, Ayewa holds forth rivetingly on border violence and
forgotten black history.” - Pitchfork

“seriously compelling” - Stereogum

“23 searing minutes that consist of breathtaking, brutal saxophone leads, mournful trumpet drones, and a nervy rhythm. Over the fray, Ayewa ruminates, states and repeats indelible phrases and images” - WXPN’s The Key

“When at full flight, the group is a volcano of emotional sound — a radical, unapologetic Blackness of so-called avant-garde emanating from its every note and syllable, chronicling the pain, rapture and circumstance of our shared moment.” - Afropunk

Dunno what's happening with that video link; it opened instantly in gmail. Another ILM thing--anyway, it's on youtube.

Here's the video:

https://www.youtube.com/watch?v=FLm3HEQgW50

And here's an hour-long performance from 2018:

https://www.youtube.com/watch?v=diLI9m5PFXs

This new Jeff Parker record is a holy mess but I keep coming back to it.

I was going to ask what the consensus was on the new album. Just ordered the CD.
By holy mess, do you mean it's unfocused? I really hope it's as good as The New Breed.

Not unfocused as such, skittish, certainly, and fragmented. I've not made sense of it a whole yet, but it is coming together.

Could be a slow burner then. They're generally the best.

So far I don't like it as much as The New Breed, but I think it will be a slow burner. "3 for L" is fantastic.

Digging the Makaya McCraven / Gil Scott Heron thing at the moment.

It's really good! I actually really like that Alabaster Deplume album too.

otm! big up calzino for mentioning the DePlume on the rolling jazz thread: it is achingly beautiful

Agreed!

i could use some achingly beautiful today; queuing up now.

Oh, the dePlume is really nice!

Yes enjoyed it on a short flight yesterday

Another vote for the deplume here finished it and immediately restarted it for a second listen thru critical and kind music at this moment

yeah, it's great.

Good god damn this DePlume record is absolutely beautiful.

Thanks for the reminder -- I checked out the DePlume today, and it is wonderful. It has a slight Getatchew Mekurya vibe.

yah, that is right. really a great album, thanks for hipping me to it.

That Alabaster DePlume record is exactly what I needed right now, thank you

"Not My Ask" brings me to tears

Praise for Recent Non-Album Track "Homeless/Global"https://intlanthem.bandcamp.com/album/homeless-global

this is so good rn

Alabaster DePlume = ILM record of the year 2020, calling it now

icymi, rob made a thread for it:

thread of rapturous appreciation for Alabaster DePlume

Interview w Angel https://thequietus.com/articles/28498-angel-bat-dawid-emma-warren-interview-total-refreshment-centre-transition-east

I am two tracks into the new Makaya McCraven (Universal Beings E&F Sides) and it is FYAH

Loving this one

posted unwatched but excited to see this short makaya bio doc
https://www.youtube.com/watch?v=R9t86fAuz5s

okay, watched; really great and helpful in understanding his process.

Interested in seeing that. New album is decent but I don't think it's as good as Universal Beings. Some good grooves, though; I can see why it would appeal to Jordan.

Universal Beings continues to be my most reliably enjoyable album of quarantine. Works for anything. I know it gets a lot of love but if anything I think it's underrated. Like, why isn't this guy on tv?

I wonder if the Jaimie Branch agnostics itt have heard the Anteloper stuff with Jason Nazary. It definitely converted me. Great stuff

i do feel like the crossover with makaya and say, the herbie hancock/robert glasper/kamasi washington crowd seems natural and it's either a matter of time for him to break bigger or it's just a sign that he's not interested in pursuing a broader audience.

Again, that doc is great; anyone even a little into makaya should watch it.
Turns out his mother is a lead member of Kolinda (pictured, i think, on this youtube thumbnail on the right)!
https://www.youtube.com/watch?v=46C4F7XmYLg

Will check doc, thanks. He was featured on Jazz Night In America not too long ago, should be in their archive. Also in that good recent UK comp Kaleidoscope, which is on YouTube, also w some Brits on https://totalrefreshmentrecords.bandcamp.com/album/makaya-mccraven-where-we-come-from-chicagoxlondon-mixtape A bunch of other stuff on bandcamp I haven't listened to yet, but digging this: https://intlanthem.bandcamp.com/album/universal-beings-e-f-sides. And def. Gil Scott-Heron's We're New Here: A Reimagining by Makaya McCraven, as I carried on about over on What Are You Listening To? 2020:
Still haven't heard the original album, or Jamie xx's reworking, but the unmistakable sound and sensibility of classic Gil come through: sharp, reflective glints in the dark, rough-edged a fluid, lyrical and realist, searching and on point, thematic and grooving---jazzwise, yet "blues is a feeling" the overall. Only thing is, some of the originals are really short, like down to 37 seconds: golden kernels of potential and realization---McCraven is def. not showboating, but I wish he extended these--maybe he was required to stick to the original track times? I'd like a bit more---Laswell redoing Marley and Miles? Anyway, it's all good, though faves are mostly because they have longer to make an impression: "New York is Killing Me," "I'll Take Care of You," "Me and the Devil"--yes, Scott-Heron and Robert Johnson and Mr. D. on the Greyhound, seems natural. Speaking voice is worn but clear, singing voice not that different from 1970s.

―

That Where We Come From set is maybe my favorite McCraven thing; you can get it on IA's Bandcamp page (I have the CD):

https://intlanthem.bandcamp.com/album/where-we-come-from-chicagoxlondon-mixtape

Can’t wait to hear the new Angel & the Brothahood live album, the backstory is grim but I loved the part about how she sat down at the hotel piano and went off on the guy who told her not to play.

https://pitchfork.com/news/angel-bat-dawid-and-tha-brothahood-release-new-live-album-listen/

^I still haven't gotten to that, but I just listened to Rob Mazurek/Exploding Star Orchestra's "Dimensional Stardust" and really loved it: https://intlanthem.bandcamp.com/album/dimensional-stardust

Her live album is REALLY good, would recommend with the caveat that it's pretty heavy!

It's emotionally a lot to take - not something you're gonna want to listen to every day. But yeah, it's great stuff.

I'm on track 5 of the Mazurek now and am really liking it so far.

It took a few listens to absorb, but I'm now quite taken with the shimmery Chicago Waves by Carlos Niño and Miguel Atwood-Ferguson. It's much much more new age/ambient than jazz, probably closest to the De Plume record than anything else on the label that I've heard, though it doesn't pierce your heart with melodies like AdP. Maybe some day I can listen to it while strolling through an aquarium (perhaps Shedd...sigh).

As that recommendation maybe implies, I still haven't gotten into the mental space to try the new Dawid

I worked yesterday afternoon in front of a fire with the Exploding Star Orchestra album on and it was very nice.

^

picked up the LP over the weekend and the cover is astonishingly gorgeous

The Daniel Villarreal / Jeff Parker / Anna Butterss record sounds fantastic so far.

agreed!

as does the new Jeremiah Chiu!

https://intlanthem.bandcamp.com/album/in-electric-time

new Bex Burch also sounding great this morning, man this label!

Really lovely, yeah.

I didn't realize Bex Burch was also involved in the Flock album from last year that I really liked.

https://flock.bandcamp.com/album/flock-2

I’m off to see Bex Burch tonight and am looking forward to it a great deal. “Messy minimalism”, yes please.

Bex Burch was every bit as good as I’d hoped. The show was mostly solo with some interjections on violin.

They encored with a version of “O Superman”, using whatever member of the xylophone family she was playing. I couldn’t believe my luck. That verse that starts “When love is gone, there’s always justice” always seemed like a punch in the guts to me- now, more than ever.

unperson recommended the new Thandi Ntuli with Carlos Niño record on another thread. Absolutely lovely Sunday morning music and I imagine just excellent at other times. Ordered a copy.

new chiu, honer & kalma 👌🏽

Yes, real good.

otm x2

yeah, I was underwhelmed by Recordings from the Åland Islands, but this is beautifully immersive

Anyone else enjoying the new Villarreal/VV Lightbody Valebol album? I’m absolutely loving it — so springy, reminds me of Antena

It’s very accessible and I can see people well outside the IA world enjoying it.

This one (Row Row Row) is my favorite so far https://open.spotify.com/track/3UZv2dCGfVS1cllt4oVPhO?si=b592c32c71fe4934

Woops this is not released via IA — a different label called Otherly Love Records

It’s still good!

agreed, really enjoyed that one. thanks for the mixup haha

This is really fun, thanks LL! Her voice reminds me of someone. I want to say Liz Fraser?

Always I am mixing up this label with the very different but equally good Imaginational Anthem label.