Haven't heard the new one yet, but I love The New Breed.
― jaymc, Friday, 24 January 2020 01:47 (four years ago) link
I too love The New Breed, and that CUQ album, can't wait for the new stuff.
― fetter, Friday, 24 January 2020 11:20 (four years ago) link
Yes! This label is taking all of my money. All the Makaya McCraven records are fantastic. I especially like Highly Rare and Where We Come From. The Jaimie Branch record is great too.
― stop torturing me ethel (broom air), Friday, 24 January 2020 11:37 (four years ago) link
― jaymc, Thursday, January 23, 2020 8:47 PM (yesterday) bookmarkflaglink
I like almost everything he's done (solo or otherwise) and I think Max Brown is maybe his best work
His Eremite LP--while very different--was also excellent and kinda slept on imo
― Paul Ponzi, Friday, 24 January 2020 13:19 (four years ago) link
speaking of which, this is an excellent review that for me encapsulates this record's greatness (and the kind of thoughtful piece that provides a nice antidote to the stuff in the 'worst music writing' thread)
I haven't had a proper headphone listen yet, but I could swear I heard some beatboxing on one of these tracks. One other observation: "Go Away" has the dopest bassline of the year
― Paul Ponzi, Friday, 24 January 2020 14:01 (four years ago) link
The New Breed is my favorite Jeff Parker work and my favorite IA record, can't wait to get into the new one.
All the Makaya records are worth a listen of course, but Universal Beings is the one I go back to.
Not so into jaime branch personally, great bands and the records are cool, but I can't get past the trumpet playing.
Loved Junius Paul when I've seen him live, but haven't been able to give his record (or the Angel Bat Dawid one) a real listen yet.
― change display name (Jordan), Friday, 24 January 2020 18:20 (four years ago) link
Confirmed, new Jeff Parker is where it's at.
― change display name (Jordan), Friday, 24 January 2020 21:36 (four years ago) link
Is it the tone, technique, or melodic lines / choices? Or something else? Genuinely curious as I find I like a very specific trumpet sound (a more breathy, less 'sharp' sound is the best way I can describe it--Tomasz Stanko, Miles obvs) and certain players really get on my nerves in a way that reeds players rarely do
― Paul Ponzi, Friday, 24 January 2020 22:08 (four years ago) link
Definitely the former, she just doesn't sound like a great trumpet player to me. I know I'm being a snob, but I'm spoiled by great technical trumpet players in the New Orleans mode (which is really a trumpet city), and for me that instrument is about having a big sound (even if you're not necessarily playing loud or high). For some instruments technique doesn't matter so much and you can express your ideas without having a lot of it, but idk, trumpet is pretty unforgiving, there's so much that goes into just having a decent sound on it before you even get to anything else.
― change display name (Jordan), Friday, 24 January 2020 22:37 (four years ago) link
I've heard her in a variety of contexts (she recorded a bunch as a sideman before coming out as a leader) and she's an extremely skilled player who can make the horn do whatever she wants. She sounds the way she does on her own albums by choice. Just listen to the way she shifts from slurry blues to brassy mariachi horn on "Prayer for Amerikkka."
― shared unit of analysis (unperson), Friday, 24 January 2020 23:38 (four years ago) link
Great track, and everything works in context, but I still find the trumpet playing in the last couple minutes a little cringe-y, sorry! She definitely has her own thing though.
― change display name (Jordan), Saturday, 25 January 2020 22:37 (four years ago) link
Maybe slightly off topic (since the album isn't actually on IA), but what does everyone think of the Moses Boyd full length? I'm one of the only people (judging by ILX, anyway) who didn't love "Rye Lane Shuffle," but I absolutely adore "Drum Dance" and was wondering how much of the album sounds like the latter as opposed to the former.
― Paul Ponzi, Monday, 27 January 2020 18:36 (four years ago) link
love the new jeff parker great stuff
― Mordy, Monday, 27 January 2020 20:12 (four years ago) link
I am pretty into all the Ben LaMar Gay stuff, though admittedly it is all kind of all over the place so yr mileage may varyJeff Parker's stuff for the label is just fucking fantastic
― chr1sb3singer, Monday, 27 January 2020 20:18 (four years ago) link
Paul, I listened to that once and don't really remember what I thought (but loved both Rye Lane and Drum Dance, so not a great sign). You might get more of a response on the general rolling jazz thread, or there could be some past discussion on the Shabaka Hutchings one as it sort of evolved into a broader London jazz thread
my to-listen pile for IA is intimidating right now
― rob, Monday, 27 January 2020 20:19 (four years ago) link
bookmarked, thanks all
― The Squalls Of Hate (sleeve), Monday, 27 January 2020 20:20 (four years ago) link
If you haven't checked out Angel Bat Dawid at all, this song is a great place to start. It's what I remember from the first time I saw her play. Her rise has truly been meteoric and she is a gracious wonderful person afaict
https://intlanthem.bandcamp.com/track/we-are-starzz
― weird woman in a bar (La Lechera), Monday, 27 January 2020 20:24 (four years ago) link
thanks, will listen tonight
― The Squalls Of Hate (sleeve), Monday, 27 January 2020 20:24 (four years ago) link
great album and that profile you posted, LL, made me <3 her
― rob, Monday, 27 January 2020 20:26 (four years ago) link
does anyone know anything about angel bat dawid's black hebrew israelite background/ which community or temple she belongs to? just curious.
― Mordy, Monday, 27 January 2020 20:27 (four years ago) link
i feel like i read an article/interview where they talked about it a little but i don't remember which one or wherethat's not very helpful sorry
― weird woman in a bar (La Lechera), Monday, 27 January 2020 20:32 (four years ago) link
Mordy, all the articles I have seen about Angel Bat Dawid mention her parents being Black Hebrew Israelites, but never say much about her faith . They do say she practices her music a lot and travels a lot. Plus her name is a reference to being a daughter of David ( Old Testament) but that’s about all I have noticed
― curmudgeon, Tuesday, 28 January 2020 16:05 (four years ago) link
This has become one of my favorite labels in the last few months. I just picked up the new Jeff Parker, but I'm still working my way through all of the stuff from the past few years I picked up - Angel Bat Dawid, Jaimie Branch and Damon Locks. Was already into the Makaya McCraven album from last year.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Tuesday, 28 January 2020 17:22 (four years ago) link
Resavoir, s/t (a personal fave)
Damn, thanks for this recommendation. This is really great in a way I wasn't expecting (strings! Fourth World vibes!)
― Paul Ponzi, Thursday, 6 February 2020 14:54 (four years ago) link
Yes! I've struggled to articulate what is so good about that album, but while I'm not sure I'd argue it's the best IA release, it is my most played
― rob, Thursday, 6 February 2020 17:45 (four years ago) link
It just does so many things, and in a way that seems natural and doesn't draw attention to the fact that its "eclectic" or whatever. It's just really good music!
― Paul Ponzi, Thursday, 6 February 2020 17:57 (four years ago) link
Yall know Moor Mother is Present on Art Ensemble of Chicago o We Are On The Edge, right? Got this press release yesterday---heavy hype, but for who better:
Irreversible Entanglements Announce New Album, Who Sent You?,Out March 20th on International Anthem/Don Giovanni Watch the Video for Lead Single, “No Más”https://www.youtube.com/watch?v=FLm3HEQgW50&feature=youtu.be
Free jazz collective Irreversible Entanglements announce their new album, Who Sent You?, out March 20th on International Anthem/Don Giovanni, and today present its lead single/video, “No Más.” The group is comprised of Camae Ayewa (aka Moor Mother), saxophonist Keir Neuringer, trumpeter Aquiles Navarro, bassist Luke Stewart, and drummer Tcheser Holmes. Who Sent You? is the punk-rocking of jazz and the mystification of the avant-garde. This record weaves kinetic soul fusion, dreamy yet harrowing poetry, and intricate rhythms into warmth-giving tapestries that comfort and conceal, confront and coerce all at once. “No Más” was composed by the Panamanian-born Navarro in a harmonic echo of a Strata East free jazz classic over a movement-inducing Latin rhythm. Over its peak moments, poet/MC Ayewa professes: "No mas. No more... No longer will we allow them to divide and conquer, divide and oppress, define our humanity..." Its stunning accompanying video was shot in Johannesburg, South Africa by filmmaker and photographer Imani Nikyah Dennison. The video explores the concept of Africans escaping planet earth, on a path to liberation. A story of migration told through collage, stock footage, and movement, all being driven by the sounds of free jazz and poetry.Originally performing as two different ensembles at a Musicians Against Police Brutality event in 2015 (in response to the NYPD slaying of Akai Gurley), the future members of Irreversible Entanglements recognized a shared ethos, and shortly after, assembled as a single unit for an impromptu studio date at Seizure’s Palace in Brooklyn. That session yielded their debut album, 2017’s Irreversible Entanglements. Critical and communal acclaim for the album (including “Best of 2017” nods from NPR Music, WIRE Magazine, Bandcamp, and others) fueled a high demand for the band in the live setting, and the group have since spent much of 2018 and 2019 on the road. They have collaborated in performance with many legends of creative music including Amina Claudine Myers, Pat Thomas, and Nicole Mitchell; and their highest profile shows have included Pitchfork Music Festival in Chicago, Le Guess Who Festival In Utrecht NL, Barbican in London, and the Smithsonian in Washington DC. Where the band’s self-titled debut was all explosive noisy anthems and glorious cosmic bluster, Who Sent You? is a focused and patient ritual. Irreversible Entanglements take their time in between these grooves, stalking the war-torn streets of the Deep South and post-Columbian apocalypses—taking their time to dream up an amalgamation that sounds truly euphoric. More than the sum of its parts—war-like basslines, haunting saxophone, cyberpunk brass, the unwieldy storm of drums, and the oracular phyletic incantations of Ayewa—Who Sent You? is an entire holistic jam of “infinite possibilities coming back around,” a sprawling meditation, a reminder of the forms and traumas of the past, and the shape and vision of Afrotopian sounds to come.Who Sent You? Tracklist:1.The Code Noir / Amina2. Who Sent You - Ritual3. No Más4. Blues Ideology5. Bread Out Of Stone Irreversible Entanglements Tour Dates:Tuesday, March 31 - Chicago, IL @ Co-Prosperity SphereWednesday, April 1 - Iowa City, IA @ Mission Creek FestivalSaturday, May 23 - Atlanta, GA @ Atlanta Jazz FestivalPraise for Recent Non-Album Track "Homeless/Global"https://intlanthem.bandcamp.com/album/homeless-global
“Just 30 seconds into this 23-minute improv, upright bassist Luke Stewart and drummer Tcheser Holmes hit the runaway-train pocket hard and fast. Folks, the track doesn't let up from there...a dense, moving preview of the group's upcoming album.” - NPR Music “Against a simmering backdrop, Ayewa holds forth rivetingly on border violence andforgotten black history.” - Pitchfork “seriously compelling” - Stereogum “23 searing minutes that consist of breathtaking, brutal saxophone leads, mournful trumpet drones, and a nervy rhythm. Over the fray, Ayewa ruminates, states and repeats indelible phrases and images” - WXPN’s The Key “When at full flight, the group is a volcano of emotional sound — a radical, unapologetic Blackness of so-called avant-garde emanating from its every note and syllable, chronicling the pain, rapture and circumstance of our shared moment.” - Afropunk
― dow, Thursday, 6 February 2020 18:15 (four years ago) link
Dunno what's happening with that video link; it opened instantly in gmail. Another ILM thing--anyway, it's on youtube.
― dow, Thursday, 6 February 2020 18:19 (four years ago) link
Here's the video:
https://www.youtube.com/watch?v=FLm3HEQgW50
And here's an hour-long performance from 2018:
https://www.youtube.com/watch?v=diLI9m5PFXs
― but also fuck you (unperson), Thursday, 6 February 2020 18:44 (four years ago) link
This new Jeff Parker record is a holy mess but I keep coming back to it.
― Ngolo Cantwell (Chinaski), Monday, 10 February 2020 22:13 (four years ago) link
I was going to ask what the consensus was on the new album. Just ordered the CD. By holy mess, do you mean it's unfocused? I really hope it's as good as The New Breed.
― millmeister, Tuesday, 11 February 2020 13:37 (four years ago) link
Not unfocused as such, skittish, certainly, and fragmented. I've not made sense of it a whole yet, but it is coming together.
― Ngolo Cantwell (Chinaski), Tuesday, 11 February 2020 14:04 (four years ago) link
Could be a slow burner then. They're generally the best.
― millmeister, Tuesday, 11 February 2020 15:36 (four years ago) link
So far I don't like it as much as The New Breed, but I think it will be a slow burner. "3 for L" is fantastic.
― fetter, Tuesday, 11 February 2020 16:12 (four years ago) link
Digging the Makaya McCraven / Gil Scott Heron thing at the moment.
― fetter, Thursday, 12 March 2020 11:31 (four years ago) link
It's really good! I actually really like that Alabaster Deplume album too.
― soaring skrrrtpeggios (jon /via/ chi 2.0), Thursday, 12 March 2020 14:29 (four years ago) link
otm! big up calzino for mentioning the DePlume on the rolling jazz thread: it is achingly beautiful
― rob, Thursday, 12 March 2020 14:39 (four years ago) link
Agreed!
― Vanishing Point (Chinaski), Thursday, 12 March 2020 14:49 (four years ago) link
i could use some achingly beautiful today; queuing up now.
― Fuck the NRA (ulysses), Thursday, 12 March 2020 16:45 (four years ago) link
Oh, the dePlume is really nice!
― Sund4r, Saturday, 14 March 2020 15:59 (four years ago) link
Yes enjoyed it on a short flight yesterday
― Heez, Saturday, 14 March 2020 16:14 (four years ago) link
Another vote for the deplume here finished it and immediately restarted it for a second listen thru critical and kind music at this moment
― Mordy, Saturday, 14 March 2020 16:27 (four years ago) link
yeah, it's great.
― Fuck the NRA (ulysses), Saturday, 14 March 2020 23:13 (four years ago) link
Good god damn this DePlume record is absolutely beautiful.
― Vanishing Point (Chinaski), Monday, 16 March 2020 21:57 (four years ago) link
Thanks for the reminder -- I checked out the DePlume today, and it is wonderful. It has a slight Getatchew Mekurya vibe.
― stop torturing me ethel (broom air), Monday, 16 March 2020 23:53 (four years ago) link
yah, that is right. really a great album, thanks for hipping me to it.
― Fuck the NRA (ulysses), Tuesday, 17 March 2020 02:05 (four years ago) link
That Alabaster DePlume record is exactly what I needed right now, thank you
― city worker, Tuesday, 17 March 2020 14:31 (four years ago) link
"Not My Ask" brings me to tears
― Mordy, Thursday, 19 March 2020 03:59 (four years ago) link
Praise for Recent Non-Album Track "Homeless/Global"https://intlanthem.bandcamp.com/album/homeless-global
this is so good rn
― j., Thursday, 19 March 2020 04:37 (four years ago) link
Alabaster DePlume = ILM record of the year 2020, calling it now
― change display name (Jordan), Thursday, 19 March 2020 14:06 (four years ago) link
this Jaimie Branch record, wowwwww
― out-of-print LaserDisc edition (sleeve), Sunday, 27 August 2023 01:11 (seven months ago) link
Listening now, sounds great. I was so bummed out by her death. This must have been recorded just like a month after I saw her play.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Sunday, 27 August 2023 01:46 (seven months ago) link
Finished listening and immediately started it again. Hot damn. I realize I'm in the buzz of first listen, but serious AOTY contender. All the parts of it work. She was so great, and what a band.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Sunday, 27 August 2023 02:39 (seven months ago) link
sleeve and tipsy otm, listened to this loud in the car on a long ride home yesterday, what a blast!
― willem, Monday, 28 August 2023 20:29 (seven months ago) link
I love the way that Meat Puppets song is folded in there. I'd have to think a bit to articulate exactly why it fits, but it really does.
― a man often referred to in the news media as the Duke of Saxony (tipsy mothra), Monday, 28 August 2023 20:42 (seven months ago) link
yes indeed! Take Over The World!!
IA alumni, Irreversible Entanglements new album on Impulse! is also getting a lot of plays this week.
― stirmonster, Friday, 8 September 2023 18:52 (seven months ago) link
The new Alabaster DePlume record is really lovely, much better than the 'main' companion album the sessions came from imo
― 50 Favorite Jordans (Jordan), Friday, 8 September 2023 18:54 (seven months ago) link
very much looking forward to the Bex Burch album
― fetter, Friday, 8 September 2023 18:58 (seven months ago) link
I’m ok admitting I’m in love with the Jaimie Branch record — so great to hear her vocal and trumpet voice, hear body music with an improvisational bent, and I just love the whole thing. Finding myself wondering who tf is Bex Burch?
― Piggy Lepton (La Lechera), Friday, 8 September 2023 19:31 (seven months ago) link
Looking forward to that one as well, not familiar but the preview tracks sound great
― 50 Favorite Jordans (Jordan), Friday, 8 September 2023 19:34 (seven months ago) link
IE are great and anything with Moor Mother rules, I forgot this group had been on International Anthem. Also love to see DC guy Luke Stewart get recognition and acclaim.
― deep wubs and tribral rhythms (Boring, Maryland), Friday, 8 September 2023 19:52 (seven months ago) link
Open the Gates might be my favorite IE release I've heard.
― il lavoro mi rovina la giornata (PBKR), Friday, 8 September 2023 20:58 (seven months ago) link
My first encounter with Moor Mother was Art Ensemble of Chicago's We Are On The Edge: a cast of thousands, but she stood out among the standouts. Fave IE is still Who Sent You?, but haven't heard the latest yet.
― dow, Saturday, 9 September 2023 00:01 (seven months ago) link
Speaking of Bex Burch, got this today:
oday, composer, percussionist, producer and instrument maker Bex Burch (Flock, Vula Viel, Boing!) shares the second single “Don't go back to sleep” from her forthcoming LP, There is only love and fear, along with a music video she made herself.A twinkling piece of arcadian minimalism, “Don’t go back to sleep” eavesdrops on an electro-acoustic conversation with the avian world. Pulsing and playful, Burch and Dan Bitney (Tortoise) merge the organic qualities of synthesis with the synthetic qualities of the organic to create an intuitive tone poem that takes the rhythms and melodies of birdsong as its natural cue. Recorded at the Center of Search & Research where Burch was based while in Chicago, its homely feel bathes the track in dappled sunlight. Deceptively simple in its construction, “Don’t go back to sleep” is an invitation to wake up and listen to what is already out there.The music video for “Don’t go back to sleep,” created by Bex Burch, demonstrates the unspeakable beauty of nature’s synchrony and how it reflects in Bex’s and Dan’s interplay.
A twinkling piece of arcadian minimalism, “Don’t go back to sleep” eavesdrops on an electro-acoustic conversation with the avian world. Pulsing and playful, Burch and Dan Bitney (Tortoise) merge the organic qualities of synthesis with the synthetic qualities of the organic to create an intuitive tone poem that takes the rhythms and melodies of birdsong as its natural cue. Recorded at the Center of Search & Research where Burch was based while in Chicago, its homely feel bathes the track in dappled sunlight. Deceptively simple in its construction, “Don’t go back to sleep” is an invitation to wake up and listen to what is already out there.
The music video for “Don’t go back to sleep,” created by Bex Burch, demonstrates the unspeakable beauty of nature’s synchrony and how it reflects in Bex’s and Dan’s interplay.
Read the full story of the album by Emma Warren:https://docs.google.com/document/d/1ZO15FMKKByTAmHF4-yVuQwzSnnnh42bFy58YgzMbYp4/edit?pli=1
TOUR DATESOctober 13 - RIAA, Hamburg, Germany (Listening session w/ Bex Burch)October 20 - Cafe Oto, London, UKOctober 27 - King Georg, Cologne, GermanyOctober 30 - Rhinoçéros, Berlin, Germany (Listening session w/ Bex Burch)November 03 - ÜBERJAZZ Festival, Hamburg, GermanyNovember 17 - Jazz Brugge, Belgium <<< for more information >>>Label: Scottie McNiece // scottie at intlanthem.com
<<< for more information >>>Label: Scottie McNiece // scottie at intlanthem.com
― dow, Saturday, 9 September 2023 01:56 (seven months ago) link
Not sure if gossip is welcome here, but I heard that Andre 3000 is working on an album for International Anthem
― bbq, Friday, 22 September 2023 06:54 (six months ago) link
:0
― sean gramophone, Friday, 22 September 2023 12:39 (six months ago) link
I can see it, he's already guested on an IA record (I think it was Carlos Ninos?).
― 50 Favorite Jordans (Jordan), Friday, 22 September 2023 13:17 (six months ago) link
― out-of-print LaserDisc edition (sleeve), Saturday, August 26, 2023 9:11 PM (three weeks ago)
finally got around to listening to this (extremely hectic fall here) and it is so great!
― rob, Friday, 22 September 2023 13:36 (six months ago) link
^
― Indexed, Monday, 25 September 2023 17:58 (six months ago) link
picked up the LP over the weekend and the cover is astonishingly gorgeous
― out-of-print LaserDisc edition (sleeve), Monday, 25 September 2023 18:20 (six months ago) link
The Daniel Villarreal / Jeff Parker / Anna Butterss record sounds fantastic so far.
― Jordan s/t (Jordan), Friday, 6 October 2023 15:18 (six months ago) link
agreed!
― butt dumb tight my boners got boners (the table is the table), Friday, 6 October 2023 17:22 (six months ago) link
as does the new Jeremiah Chiu!
https://intlanthem.bandcamp.com/album/in-electric-time
― out-of-print LaserDisc edition (sleeve), Friday, 6 October 2023 17:27 (six months ago) link
new Bex Burch also sounding great this morning, man this label!
― out-of-print LaserDisc edition (sleeve), Friday, 20 October 2023 15:31 (five months ago) link
Really lovely, yeah.
― Jordan s/t (Jordan), Friday, 20 October 2023 15:37 (five months ago) link
I didn't realize Bex Burch was also involved in the Flock album from last year that I really liked.
https://flock.bandcamp.com/album/flock-2
― Maxmillion D. Boosted (jon /via/ chi 2.0), Friday, 20 October 2023 15:47 (five months ago) link
I’m off to see Bex Burch tonight and am looking forward to it a great deal. “Messy minimalism”, yes please.
― Tim, Friday, 20 October 2023 16:05 (five months ago) link
Bex Burch was every bit as good as I’d hoped. The show was mostly solo with some interjections on violin. They encored with a version of “O Superman”, using whatever member of the xylophone family she was playing. I couldn’t believe my luck. That verse that starts “When love is gone, there’s always justice” always seemed like a punch in the guts to me- now, more than ever.
― Tim, Friday, 20 October 2023 20:55 (five months ago) link
unperson recommended the new Thandi Ntuli with Carlos Niño record on another thread. Absolutely lovely Sunday morning music and I imagine just excellent at other times. Ordered a copy.
― il lavoro mi rovina la giornata (PBKR), Sunday, 19 November 2023 12:47 (five months ago) link
new chiu, honer & kalma 👌🏽
― LaMDA barry-stanners (||||||||), Friday, 16 February 2024 19:20 (two months ago) link
Yes, real good.
― three of the doctor's valuable bats are now dead (broom air), Friday, 16 February 2024 22:06 (two months ago) link
otm x2
― the defenestration of prog (voodoo chili), Monday, 19 February 2024 18:59 (two months ago) link
yeah, I was underwhelmed by Recordings from the Åland Islands, but this is beautifully immersive
― rob, Monday, 19 February 2024 23:08 (two months ago) link
Anyone else enjoying the new Villarreal/VV Lightbody Valebol album? I’m absolutely loving it — so springy, reminds me of Antena
― Piggy Lepton (La Lechera), Wednesday, 10 April 2024 13:06 (one week ago) link
It’s very accessible and I can see people well outside the IA world enjoying it.
This one (Row Row Row) is my favorite so far https://open.spotify.com/track/3UZv2dCGfVS1cllt4oVPhO?si=b592c32c71fe4934
― Piggy Lepton (La Lechera), Wednesday, 10 April 2024 13:37 (one week ago) link
Woops this is not released via IA — a different label called Otherly Love Records It’s still good!
― Piggy Lepton (La Lechera), Thursday, 11 April 2024 16:54 (one week ago) link
agreed, really enjoyed that one. thanks for the mixup haha
― the defenestration of prog (voodoo chili), Sunday, 14 April 2024 20:49 (five days ago) link
This is really fun, thanks LL! Her voice reminds me of someone. I want to say Liz Fraser?
― rob, Tuesday, 16 April 2024 00:38 (three days ago) link
Always I am mixing up this label with the very different but equally good Imaginational Anthem label.
― henry s, Tuesday, 16 April 2024 15:16 (three days ago) link