the label didn't hear a single so they went back and recorded one

Suede's Trash could work here. The band thought that Beautiful Ones or a couple of other songs could be the lead single from Coming Up, but people at the label thought they still hadn't quite found the song that would work as their big comeback statement. When they later came up with Trash, it was immediately seen as the one.

"Living With A Hernia" from Polka Party! was one of these

Always preferred James Brown's version

Lauryn Hill - Can't Take My Eyes Off You

Wait, the label didn't hear ANY single on Lauryn Hill's album !??

XTC with Great Fire, which is weird because it's arguably equally as uncommercial as anything on Mummer.

Wait, the label didn't hear ANY single on Polka Party !??

p sad that "Living With A Hernia" appeased them - worst song on the album and possibly Al's all-time worst single

that is heresy

especially in a world where the star wars american pie thing exists

okay i checked and "Toothless People" and "Don't Wear Those Shoes" are both on that album so i withdraw the first charge

the star wars thing is def in his lower tier but it was at least funny a couple times. "a long, long time ago.... in a galaxy far away" is a good opening gag. the wistful delivery on "the battle droids were broken" also gives me a smile just thinking about it.

now you've got me pondering a Weird Al ballot poll, tho probably someone's already in the dusty queue for that one

the star wars american pie is the only Al song I hate, because I despise the original song & star wars nerdery after 1983. though "Yoda" rules so who knows

Only "Dog Eat Dog", however, appeared on Yankovic's 2009 Essential collection

that's a weird choice!

It's part of his goal to get young Weird Al fans into Talking Heads.

First thing that comes to mind is Cherry Pie by Warrant.

"Cherry Pie" was not originally planned to be put on the album, and lead guitarist Joey Allen has stated that the album was originally going to be called Quality You Can Taste (frontman Jani Lane recalled this differently, stating that the title was supposed to be Uncle Tom's Cabin[5]). The president of Columbia Records, Don Ienner, wanted a rock anthem, so he called frontman Jani Lane (according to Lane, he wanted a "Love in an Elevator" type song), who wrote the song in about fifteen minutes. Allen stated that "the whole marketing and everything for that record changed. It was definitely driven by the label and not the band."

"Cherry Pie," of course, shows up in "Polka Your Eyes Out," on Off the Deep End.

Quality You Can Taste
Great Horrible 70s Album title!

the title was going to be Uncle Tom's Cabin? really?

I know a secret that I just can't tell
I know a secret down at Uncle Tom's Cabin
I know who put the bodies in the wishing well

listening to Polka Party rn and man Al otm, "Dog Eat Dog" is fantastic. def did not appreciate the spot-on-ness of it at age 14. see also "Mr. Popeil," his B-52's tribute.

Deftones, "Back to School (Mini Maggit)"

would argue that this song does not rule and is the worst song on white pony when included

Didn't Tom Scholz famously pretend to re-record the entire first Boston album to make the label happy?

the artist parodies are consistently Weird Al's best stuff - Dare to be Stupid, Close But No Cigar, Everything You Know is Wrong...

Can only assume that Gorky's Zygotic Mynci had a few of these, even if they weren't necessarily requested by the label...

Sweet Johnny, Poodle Rockin', Mow The Lawn

― PaulTMA, Tuesday, January 14, 2020 11:09 PM (yesterday) bookmarkflaglink

All in the same vein. All horrible. All break up the flow of the album.

Same as Boo Radleys- Free Huey, which ruins Kingsize in many ways.

would argue that this song does not rule and is the worst song on white pony when included

et tu, brad :(

It doesn't work as a tacked-on opener but it's a very fun digression that would sound great on the second half of the record imho

I think Gary Numan claimed "Cars" was one of these

Same as Boo Radleys- Free Huey, which ruins Kingsize in many ways.

it ruined it so badly for me that I don't think I ever really listened to the rest of the album. tbh I wasn't much of a fan of Wake Up or C'mon Kids so I was halfway off the Boo Radleys bus by that point anyway, but I'm pretty sure when I bought Kingsize and put it on I got about halfway through that song, ejected the CD and promptly sold it

as in you unwrapped the disc, put it in, got halfway through the song, ejected the CD, handed it to the guy to your right, and he gave you ten bucks?

This scenario has the perfect alchemy of being at peak studio form + having already gotten all your precious overworked ideas out of your system + deadlines/restrictions that require not over-thinking things.

... and so on in an endless cycle so that literally no-one has ever heard this album the beyond the halfway mark in the song "Free Huey". (xp)

The Beach Boys - Sail On Sailor

I think their record company said "We don't hear a single here" about every Beach Boys album from "Pet Sounds" onwards.

It doesn’t rule and I don’t think it was requested by the label but “How You Remind Me” by Nickelback was a last addition to the album and recorded in 15 minutes iirc.

on another cancon note, MGB's "Anti-Pop" is either one of these or was painstakingly crafted to evoke that tossed-off spiteful single vibe

I like the Cheap Trick scenario where the asshole suits, after already demanding they work with outside songwriters for their album and lecturing them on why they'd failed previously, basically said "We got The Flame or Look Away, your choice, but you have to record one or the other". Then Nielsen heard it for the first time he hated it so much that he smashed the cassette with his boot.

I think their record company said "We don't hear a single here" about every Beach Boys album from "Pet Sounds" onwards.

― Frozen Mug (Tom D.), Wednesday, January 15, 2020 10:46 AM bookmarkflaglink

they should have just kept making sequels to "Sail On, Sailor"

What about "Kokomo" !

bermuda, bahama, oh i wanna vomit

Arctic Monkeys 'Cornerstone' was supposedly written after James Ford suggested that the rest of the album was a bit on the dark side. It does stick out a mile on there. Of course then it wasn't even a hit.

Not a label, but when Pete Townshend played what the Who had recorded for Tommy to fellow pinball fanatic and critic Nik Cohn, the reception was lukewarm. So Pete said, "Um...ok...so...what if the messiah figure was...also a pinball champion?" Cohn loved the idea, so Townshend wrote "Pinball Wizard" that night, and slotted pinball references into the rest of the record.

Another category should be 'the label didn't hear a single so the artist said 'so what?'' into which you could file Kate Bush's The Dreaming and Talk Talk's Spirit Of Eden and i'm sure a few others.

Quiet Riot- Cum On Feel the Noise
"Kevin DuBrow was dead set on not covering the song, because he wanted the band to write every song on the album. In addition, he was not a big fan of Slade. Instead, the band decided to try to cover the song as badly as they could so the label would refuse to release it."

America- A Horse With No Name

Trying to find a song that would be popular in both the United States and Europe, Warner Brothers was reluctant to release Beckley's "I Need You" ballad as the first single from America. The label asked the band if it had any other material, then arranged for America to record four more songs at Morgan Studios, Willesden in London.[9] "A Horse with No Name" was released as the featured song on a three-track single in the UK, Ireland, France, Italy and the Netherlands in late 1971.

This scenario has the perfect alchemy of being at peak studio form + having already gotten all your precious overworked ideas out of your system + deadlines/restrictions that require not over-thinking things.

Yeah and you have the perfect excuse to write something more mainstream and poppy than your normal stuff. If it's good, you get the credit, if it's bad, well, it's what they wanted and you didn't have much time.

Climax Blues Band - "Couldn't Get It Right":

The song was recorded for their eighth studio album, Gold Plated, which was named after Pete Haycock's Veleno guitar and produced by Mike Vernon. The song was specifically written and produced after the manager of the band, Miles Copeland III, demanded that the band append a radio-friendly song to the track listing. The band at the time had released eight albums and although that had translated into fame, they did not have a great impact on the charts.[8] Copeland suggested a cover version of an Elvis Presley song; this suggestion was ignored, and instead the band came up with an original composition[9] "from absolutely nowhere". It was simply a case of sitting in the studio, conjuring up a rhythm, appending the traditional dual vocals for which Climax Blues Band were known, and coming up with a couple of hooks. The sudden emergence of the song irritated the producer, as he thought the band had been withholding a hit from him.[4]

Didn't "Love Me Do" come about because George Martin didn't think their songs were strong enough to be singles, and sourced "How do you do it" for their first a-side? He wasn't all that convinced by "Love Me Do" either, but noticed the lack of enthusiasm in their rendering of HDYDI, so went along with it "for now"

DC “Living With A Hernia” and “Don’t Wear Those Shoes” are two of my all time faves

we need a weird al poll

What about "Kokomo" !

neither written by the Beach Boys, nor part of an album!

This thread title makes it sound like the label got fed up with the band and recorded the hit single themselves, incognito

While on tour in 1968, the band (Ohio Express) found out they had a new single, "Chewy Chewy" when they heard it on the radio and had to deal with fans yelling for a song they didn't know at their concert that night.

Heat of the Moment by Asia!

“It was an afterthought,” Downes told Prog in a new interview. “We were going to lead off with ‘Only Time Will Tell,’ but the label said, ‘Do you have anything else?’ So John [Wetton] and I came up with ‘Heat of the Moment’ in one morning. Literally, the bones of the song were written in maybe a couple of hours.”

checks out