Autechre: Elseq

you could also maybe add FSOL's endless stream of archival releases & Moby's very long ambient albums, though this along with the Aphex dump all seem like very different things than what Autechre & Underworld are doing. both those groups have always produced a ton of music & I think the 'trend' is just to go, "what if we didn't have to cut this to an hour?". to me there isn't a huge difference in what Ae is doing now and say, the Tri Rep/Garbage/Anvil Vapre period, or say LP5/EP7, just that those releases were edited to fit the CD and these aren't. which in turn affects the sort of things they choose to pursue. in Underworld's case, they've always had endless B-sides and non-album tracks for people to obsess over, most of which just never got released

to me this definitely feels like artists not having the constraint of physical media as the main distribution method anymore and adjusting accordingly + having a solid enough fan base so that they can release really long and possibly difficult material and know that enough people are willing to put in the required time to listen to that material

Also more releases probably = more streaming revenue, right?

Well, since streaming revenue is per track listened rather than time listened, then autechre are possibly making bad business decisions.

of course since Oversteps their releases have roughly gone 1, 2, 4, 8 hours in duration - awaiting the next with interest

Two more and they'll be up there with Terre Thaemlitz's Soulnessless (16GB microSD card, 32 hours). I never bought that, but I did get that Farmers Manual DVD-ROM back in the day. About 93 hours of material on that. Of which I think I've heard about 2%. Still, time off over Xmas, eh?

if you just play them all the time then you don't have to remember anything

― j., Tuesday, December 3, 2019 1:26 AM (eleven hours ago) bookmarkflaglink

this is pretty much my philosophy

fretting about remembering track titles is for boomers

to me this definitely feels like artists not having the constraint of physical media as the main distribution method anymore and adjusting accordingly + having a solid enough fan base so that they can release really long and possibly difficult material and know that enough people are willing to put in the required time to listen to that material

― silverfish, Tuesday, December 3, 2019 10:44 AM (two hours ago) bookmarkflaglink

tbf this level of loyalty currently applies to about .02% of all living / working artists

https://8apr.de/transmediale/

Listening to curvcaten and the percussion feels like it's crawling into my ears
(love that wall piece too, j.)

"feed1" is the best thing that's ever happened to me

― american bradass (BradNelson), Thursday, November 21, 2019 9:08 AM (one year ago) bookmarkflaglink

7th slip is so weird. It's really weird audio. It starts off weird and then gets weirder.

very weird. some autechre tracks are like a really bizarre cursed image to me. i listen in horrified awe.

Nine is the most cursed of them all

Not Mine, Bine

Argh fecking phone.

I definitely mean Bine. Not Nine. And certainly not Mine, which is a track on their next album

I feel like there's cursed but I dig it, and just plain cursed - lots of NTS 2 & 3 and the entirety of l-event just has me scratching my head.

I think this might be their best

Actually, it's probably NTS Sessions

MODS

was gonna say

no it's this one

Let's settle this:
Latent Poll: Pick your favorite long form Autechre album (2013-2020)

'c16 deep tread' has always been a highlight for me on Elseq. Those high, shrieking, wailing sounds towards the end are so spooky.
Might have already said this, but it reminds me of that penultimate scene in Ben Wheatley's 'Kill List' wehre they get chased through those tunnels by the demonic sect members.

I think "foldfree casual" is their single most beautiful track. Soul-piercing synths