Filmstruck / Criterion Channel

Complete list of films premiering on the Criterion Channel in December:

Alfie, Lewis Gilbert, 1966
Aves, Nietzchka Keene, 1994
The Best Years of Our Lives, William Wyler, 1946
Black Legion, Archie Mayo, 1937
The Black Stallion, Carroll Ballard, 1979
The Breaking Point, Michael Curtiz, 1950
The Cabin in the Cotton, Michael Curtiz, 1932
Dark Victory, Edmund Goulding, 1939
Dead End, William Wyler, 1937
Diamantino, Gabriel Abrantes and Daniel Schmidt, 2019
Dodsworth, William Wyler, 1936
Elles, Małgorzata Szumowska, 2011
Everyone Else, Maren Ade, 2009**
The Forest for the Trees, Maren Ade, 2003**
The Friends of Eddie Coyle, Peter Yates, 1973
Front Page Woman, Michael Curtiz, 1935
Get Carter, Mike Hodges, 1971
Girlhood, Céline Sciamma, 2014
Gold Diggers of 1933, Mervyn LeRoy, 1933
He Ran All the Way, John Berry, 1951
Hell’s House, Howard Higgin, 1932
Hinterland, Nietzchka Keene, 1983
In This Our Life, John Huston, 1942
The Italian Job, Peter Collinson, 1969
Jezebel, William Wyler, 1938
The Juniper Tree, Nietzchka Keene, 1990
Kid Galahad, Michael Curtiz, 1937
Killer’s Kiss, Stanley Kubrick, 1955
The Killing, Stanley Kubrick, 1956
The Letter, William Wyler, 1940
The Little Foxes, William Wyler, 1941
The Lovers on the Bridge, Leos Carax, 1991
The Man Who Came to Dinner, William Keighley, 1942
Marked Woman, Lloyd Bacon, 1937
Mauvais sang, Leos Carax, 1986
The Miracle of Morgan’s Creek, Preston Sturges, 1944
Mr. Skeffington, Vincent Sherman, 1944
Murder on the Orient Express, Sidney Lumet, 1974
Now, Voyager, Irving Rapper, 1942
Of Human Bondage, John Cromwell, 1934
The Old Maid, Edmund Goulding, 1939
Oliver!, Carol Reed, 1968
The Petrified Forest, Archie Mayo, 1936
The Private Lives of Elizabeth and Essex, Michael Curtiz, 1939
Red Road, Andrea Arnold, 2006
Rififi, Jules Dassin, 1955**
Scarlet Street, Fritz Lang, 1945
Something Wild, Jonathan Demme, 1986
The Shop Around the Corner, Ernst Lubitsch, 1940
Still, Nietzchka Keene, 1978
These Three, William Wyler, 1936
Three on a Match, Mervyn LeRoy, 1932
Terms of Endearment, James L. Brooks, 1983**
Tomboy, Céline Sciamma, 2011
The Unbearable Lightness of Being, Philip Kaufman, 1988
Water Lilies, Céline Sciamma, 2007
The Westerner, William Wyler, 1940
The Woman in the Window, Fritz Lang, 1944
Wren Boys, Harry Lighton, 2017
Wuthering Heights, Andrea Arnold, 2011

**Available in the U.S. only

The Juniper Tree is the one starring a very young Björk and it's pretty great, bleak and silent and witchy.

Yeah, I recall seeing that on VHS as a youngster. It stays with you, or at least it stayed with me.

Oh wow, they've also got Aves, Keene's short film she made after the Juniper Tree... not sure there's been any way to easily see that until now.

The Juniper Tree is the one starring a very young Björk and it's pretty great, bleak and silent and witchy.

not VERY young! her first album was recorded when she was 11, and she had another five out as an adult by the time she made the movie (at 25)

(it had a minor theatrical re-release in the US this year, definitely haunting)

some solid Teresa Wright movies in there (esp. The Best Years of Our Lives)

I was trying to figure out the bundles from that list -- directed by Wyler, directed by Curtiz, starring Bette Davis -- I guess maybe a Starring Teresa Wright bundle as well?

Shadow of a Doubt? Pride of the Yankees?

not VERY young! her first album was recorded when she was 11, and she had another five out as an adult by the time she made the movie (at 25)
It was filmed in 1986 (came out in 1990), so she would have been 20 or 21 at the time.

I think we can all agree it is the Icelandic equivalent of watching Baby Yoda

3 Faces, Jafar Panahi, 2018
Antonyms of Beauty, Khalik Allah, 2013
Atlantic City, Louis Malle, 1980
Auto Focus, Paul Schrader, 2002**
Baxter, Jérôme Boivin, 1989
Birdman of Alcatraz, John Frankenheimer, 1962
Black Mother, Khalik Allah, 2018
A Boy and His Dog, L. Q. Jones, 1975
A Clockwork Orange, Stanley Kubrick, 1971
Come Back, Little Sheba, Daniel Mann, 1952**
Conversation Piece, Luchino Visconti, 1974
Cookie, Susan Seidelman, 1989
The Court Jester, Melvin Frank and Norman Panama, 1956
Dark Star, John Carpenter, 1974
Death in the Garden, Luis Buñuel, 1956
Death Race 2000, Paul Bartel, 1975
Demon Seed, Donald Cammell, 1977
Desperately Seeking Susan, Susan Seidelman, 1985
The Discreet Charm of the Bourgeoise, Luis Buñuel, 1972
Elmer Gantry, Richard Brooks, 1960
Field Niggas, Khalik Allah, 2015
From Here to Eternity, Fred Zinnemann, 1953
God Told Me To, Larry Cohen, 1976
Good Intentions, Anna Mantzaris, 2018
Good-bye, My Lady, William A. Wellman, 1956
Hans Christian Andersen, Charles Vidor, 1952
Hardcore, Paul Schrader, 1979
Holy Smoke, Jane Campion, 1999
I Walk Alone, Byron Haskin, 1947
In the Cut, Jane Campion, 2003
The Kid from Brooklyn, Norman Z. McLeod, 1946
L’age d’or, Luis Buñuel, 1930
L’enfant, Jean-Pierre Dardenne and Luc Dardenne, 2005
Le Corbeau, Henri-Georges Clouzot, 1943
Le quattro volte, Michelangelo Frammartino, 2010
Local Hero, Bill Forsyth, 1983
Logan’s Run, Michael Anderson, 1976
Look at Me, Agnès Jaoui, 2004**
Mad Max, George Miller, 1979
The Milky Way, Luis Buñuel, 1969
No Blade of Grass, Cornel Wilde, 1970
The Omega Man, Boris Sagal, 1971
Panique, Julien Duvivier, 1946
Patty Hearst, Paul Schrader, 1988
The Phantom of Liberty, Luis Buñuel, 1974
The Piano, Jane Campion, 1993
The Portrait of a Lady, Jane Campion, 1996
The Professionals, Richard Brooks, 1966
The Rainmaker, Joseph Anthony, 1956
Resurrecting Adam, Paul Schrader, 2008
Rollerball, Norman Jewison, 1975
The Rose Tattoo, Daniel Mann, 1955**
The Secret Life of Walter Mitty, Norman Z. McLeod, 1947
Separate Tables, Delbert Mann, 1958
Seven Days in May, John Frankenheimer, 1964
She-Devil, Susan Seidelman, 1989
Shivers, David Cronenberg, 1975
A Song Is Born, Howard Hawks, 1948
Songs My Brothers Taught Me, Chloé Zhao, 2015
Sorry, Wrong Number, Anatole Litvak, 1948
Soylent Green, Richard Fleischer, 1973
Sweet Smell of Success, Alexander Mackendrick ,1957
The Swimmer, Frank Perry, 1968
The Taste of Others, Agnès Jaoui, 2000
Taxi Driver, Martin Scorsese, 1976
The Terminal Man, Mike Hodges, 1974
That Obscure Object of Desire, Luis Buñuel, 1977
The Train, John Frankenheimer, 1964
THX 1138, George Lucas, 1971
Tristana, Luis Buñuel, 1970
Two Friends, Jane Campion, 1986
The Ultimate Warrior, Robert Clouse, 1975
Until the End of the World, Wim Wenders, 1991
Up In Arms, Elliott Nugent, 1944
Urban Rashomon, Khalik Allah, 2013
Westworld, Michael Crichton, 1973
Wonder Man, H. Bruce Humberstone, 1945
Z.P.G., Michael Campus, 1972**

**Available in the U.S. only

for January obv

Shivers will always be They Came From Within to me.

So weird, I just started watching Death Race 2000, and for the life of me I can't remember ever watching it, and yet I remember every minute of it, so I must have seen it before. Total out of body experience.

Coming to the Criterion Channel in February

- Adaptation, Spike Jonze, 2002
- Alphaville, Jean-Luc Godard, 1965
- Atlantiques, Mati Diop, 2009
- The Bad and the Beautiful, Vincente Minnelli, 1952
- Band of Outsiders, Jean-Luc Godard, 1964**
- The Beast, Samantha Nell and Michael Wahrmann, 2016
- Big in Vietnam, Mati Diop, 2012
- The Big Knife, Robert Aldrich, 1955
- Birthright, Oscar Micheaux, 1939
- The Blood of Jesus, Spencer Williams, 1941
- Body and Soul, Oscar Micheaux, 1925
- Britannia Hospital, Lindsay Anderson, 1982
- The Bronze Buckaroo, Richard C. Kahn, 1939
- Brother John, James Goldstone, 1971
- Buck and the Preacher, Sidney Poitier, 1972
- By Right of Birth, Harry A. Gant, 1921
- La Chinoise, Jean-Luc Godard, 1967
- Closely Watched Trains, Jiří Menzel, 1966
- The Comfort of Strangers, Paul Schrader, 1990
- Commandment Keeper Church, Beaufort South Carolina, May 1940, Zora Neale Hurston, 1940
- Contempt, Jean-Luc Godard, 1963
- Cry, the Beloved Country, Zoltán Korda, 1951
- The Darktown Revue, Oscar Micheaux, 1931
- Daughters of the Dust, Julie Dash, 1991
- David Holzman’s Diary, Jim McBride, 1967
- Day for Night, François Truffaut, 1973
- The Day of the Locust, John Schlesinger, 1975
- The Defiant Ones, Stanley Kramer, 1958
- Dirty Gertie from Harlem USA, Spencer Williams, 1946
- Duel at Diablo, Ralph Nelson, 1966
- The Edge of Heaven, Fatih Akin, 2007**
- Eleven P.M., Richard Maurice, 1928
- The Exile, Oscar Micheau, 1931
- Film Socialisme, Jean-Luc Godard, 2010
- The Flying Ace, Richard E. Norman, 1926
- Footlight Parade, Lloyd Bacon, 1933
- For Ever Mozart, Jean-Luc Godard, 1996
- Le gai savoir, Jean-Luc Godard, 1969
- Gas Food Lodging, Allison Anders, 1992
- The Girl from Chicago, Oscar Micheaux, 1932
- Goodbye to Language, Jean-Luc Godard, 2014
- The Graduate, Mike Nichols, 1967
- The Grifters, Stephen Frears, 1990
- Guess Who’s Coming to Dinner, Stanley Kramer, 1967
- Hail Mary, Jean-Luc Godard, 1985
- Heaven-Bound Travelers, James Gist and Eloyce Gist, 1935
- Hell-Bound Train, James Gist and Eloyce Gist, 1930
- Hollywood Shuffle, Robert Townsend, 1987
- Hot Biskits, Spencer Williams, 1931
- House of Games, David Mamet, 1987
- If …., Lindsay Anderson, 1968
- In the Heat of the Night, Norman Jewison, 1967
- Invention for Destruction, Karel Zeman, 1958
- Jason and the Argonauts, Don Chaffey, 1963
- Lamb, Yared Zeleke, 2015
- Liberian Boy, Mati Diop, 2015
- Light Sleeper, Paul Schrader, 1992
- Lilies of the Field, Ralph Nelson, 1963
- Long Day’s Journey into Night, Bi Gan, 2018
- Made in U.S.A, Jean-Luc Godard, 1966**
- A Man for All Seasons, Fred Zinnemann, 1966
- A Married Woman, Jean-Luc Godard, 1964
- Mercy, the Mummy Mumbled, R.W. Phillips, 1918
- Mustang, Deniz Gamze Ergüven, 2015**
- The Naked Prey, Cornel Wilde, 1965
- The Nun, Jacques Rivette, 1966
- O Lucky Man!, Lindsay Anderson, 1973
- The Official Story, Luis Puenzo, 1985
- Paris Blues, Martin Ritt, 1961
- Pierrot le fou, Jean-Luc Godard, 1965
- A Place in the Sun, George Stevens, 1951
- Pressure Point, Hubert Cornfield, 1962
- A Raisin in the Sun, Daniel Petrie, 1961
- A Reckless Rover, C.N. David, 1918
- Red River, Howard Hawks, 1948
- Regeneration, Richard E. Norman, 1923
- Rev. S. S. Jones Home Movies, Reverend Solomon Sir Jones, 1924–1926
- The Scar of Shame, Frank Peregini, 1929
- The Shop on Main Street, Ján Kadár and Elmar Klos, 1965
- The Slender Thread, Sydney Pollack, 1965
- Some Like It Hot, Billy Wilder, 1959
- Snow Canon, Mati Diop, 2011
- Sunset Boulevard, Billy Wilder, 1950
- The Symbol of the Unconquered: A Story of the KKK, Oscar Micheaux, 1920
- Ten Minutes to Live, Oscar Micheaux, 1932
- Ten Nights in a Bar Room, William A. O’Connor, 1931
- The Image Book, Jean-Luc Godard, 2018
- They Call Me Mister Tibbs!, Gordon Douglas, 1970
- A Thousand Suns, Mati Diop, 2013
- Tuesday, After Christmas, Radu Muntean, 2011
- Tungrus, Rishi Chandna, 2017
- Two Knights of Vaudeville, director unknown, 1915
- Two Weeks in Another Town, Vincente Minnelli, 1962
- Uptown Saturday Night, Sidney Poitier, 1974
- Vanya on 42nd Street, Louis Malle, 1994
- Veiled Aristocrats, Oscar Micheaux, 1932
- Verdict Not Guilty, James Gist and Eloyce Gist, 1934
- A Warm December, Sidney Poitier, 1973
- Within Our Gates, Oscar Micheaux, 1920
- A Woman is a Woman, Jean-Luc Godard, 1961
- Zora Neale Hurston Fieldwork Footage, Zora Neale Hurtston, 1928

** U.S. only

Alphaville is by far the best 60s Godard movie

Christ there's a ton of Godard on there, death notice?

was wondering if they were going to add a bunch of Schrader flicks. Light Sleeper is one of my favorite '90s noirs, he's essentially mining his own previous scripts and turning in a real brooding NYC piece with lots of high-end cocaine atmosphere and terrific performances from everyone involved.

*when rather than if, since he seems like a guy Criterion has taken an interest in a bit more lately.

would like to see LS get a nice blu-ray release, it had a DVD release years ago but it's probably not ideal.

I'm a Criterion Channel person now! I've been making my way through the '70s Science Fiction list, which had a few entries I've wanted to see but never got around to

Christ there's a ton of Godard on there, death notice?

― flappy bird

Between this, the Anna Karina retrospective at the Film Forum, and the Anna Karina retrospective on TCM, I feel like I'm drowning in Godard. I don't know where to turn because I've seen them all already. Maybe I'll check out Le petit soldat at the Film Forum, that's a relatively rare one.

March additions:

$, Richard Brooks, 1971
3:10 to Yuma, Delmer Daves, 1957
The Adventures of Baron Munchausen, Terry Gilliam, 1988
The Anderson Tapes, Sidney Lumet, 1971
Angels in the Outfield, Clarence Brown, 1951
Arabian Nights, Pier Paolo Pasolini, 1974
Art School Confidential, Terry Zwigoff, 2006
Blackboard Jungle, Richard Brooks, 1955
Bob & Carol & Ted & Alice, Paul Mazursky, 1969
The Cabinet of Dr. Caligari, Robert Wiene, 1920
Cactus Flower, Gene Saks, 1969
Caniba, Lucien Castaing-Taylor and Véréna Paravel, 2017
The Canterbury Tales, Pier Paolo Pasolini, 1972
Counterfeit Kunkoo, Reema Sengupta, 2018
Cover Girl, Charles Vidor, 1944
Crumb, Terry Zwigoff, 1995
The Cruz Brothers and Miss Malloy, Kathleen Collins, 1980
A Dandy in Aspic, Anthony Mann, 1968
The Daytrippers, Greg Mottola, 1996
The Deadly Affair, Sidney Lumet, 1967
The Decameron, Pier Paolo Pasolini, 1971
Destiny, Fritz Lang, 1921
Directed by Andrei Tarkovsky, Michal Leszczylowski, 1988
Dr. Mabuse the Gambler, Fritz Lang, 1922
Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick, 1964
Edge of the City, Martin Ritt, 1957
Fail Safe, Sidney Lumet, 1964
Fly Away Home, Carroll Ballard, 1996
The French Lieutenant’s Woman, Karel Reisz, 1981
The Getaway, Sam Peckinpah, 1972
Ghost World, Terry Zwigoff, 2001
Gilda, Charles Vidor, 1946
The Hands of Orlac, Robert Wiene, 1924
The Hunger, Tony Scott, 1983
His Girl Friday, Howard Hawks, 1940
The Girl on the Train, André Téchiné, 2009**
The Golem, Carl Boese and Paul Wegener, 1920
In Cold Blood, Richard Brooks, 1967
Kill the Umpire, Lloyd Bacon, 1950
The Lady from Shanghai, Orson Welles, 1947
The Last Picture Show, Peter Bogdanovich, 1971
Leviathan, Lucien Castaing-Taylor and Véréna Paravel, 2012**
Losing Ground, Kathleen Collins, 1982
Mackenna’s Gold, J. Lee Thompson, 1969
Metropolis, Fritz Lang, 1927
Mississippi Mermaid, François Truffaut, 1969
Nosferatu, F. W. Murnau, 1922
Nostalghia, Andrei Tarkovsky, 1983
Of Time and the City, Terence Davies, 2008**
On My Way, Emmanuelle Bercot, 2013**
On the Waterfront, Elia Kazan, 1954
Only Angels Have Wings, Howard Hawks, 1939
Orlando, Sally Potter, 1992
The Out-of-Towners, Arthur Hiller, 1970
Pal Joey, George Sidney, 1957
Paper Moon, Peter Bogdanovich, 1973
The Passenger, Michelangelo Antonioni, 1975**
A Patch of Blue, Guy Green, 1965
Repulsion, Roman Polanski, 1965
The Sacrifice, Andrei Tarkovsky, 1986
Safe, Todd Haynes, 1995
The Skin, Liliana Cavani, 1981
Stop Making Sense, Jonathan Demme, 1984
Sweetgrass, Lucien Castaing-Taylor and Ilisa Barbash, 2009
Take Me Out to the Ball Game, Busby Berkeley, 1949
Targets, Peter Bogdanovich, 1968
Too Late to Die Young, Dominga Sotomayor, 2018
Varieté, Ewald André Dupont, 1925
Vice and Virtue, Roger Vadim, 1963
Would You Look at Her, Goran Stolevski, 2017
You Were Never Lovelier, William A. Seiter, 1942
You’ll Never Get Rich, Sidney Lanfield, 1941
Young Sherlock Holmes, Barry Levinson, 1985

I only just now noticed that they curate a selection for younger people every month.

one previously mentioned by me upthread -- i rewatched Light Sleeper, since the version i own is a DVD w/a 1.33:1 aspect ratio versus the 1.85:1 it was filmed in. Looks incredible, and one of those films i try to recommend to ppl a lot as a great moody '90s noir and a cut above most if not all others in the genre for its really palpable sense of urban desolation and ennui, and the deglamorized emptiness of certain corners of the high-end lifestyle. it's extremely "1992" in fashion and even w/the brooding Michael Been music, which i know turns off a lot of people but for me you just gotta commit to the experience since i think it's a pretty immersive film and one unafraid of a certain awkwardness and naked emotionality, and that includes the music. The performances are all good to incredible, w/Dafoe and Sarandon falling into the latter camp, as well as some really remarkable supporting work in a couple small key roles from Jane Adams and Victor Garber.

Anything expiring after today that I really need to see? (John Schlesinger, Lina Wertmüller, Jean-Pierre Melville, Bette Davis, William Wyler packages and a few other odds and ends)

Most of the films expiring in a few hours appeared in September, according to post upthread.

Melville's Le Cercle Rouge and le douls are great crime flics.
I just watched Schlesinger's Honky Tonk Freeway. Not sure if I'd call it good. It's like Nashville by way Cadyshack.

Yeah, pretty much love every single Melville I’ve seen, might watch Le Circle Rouge before the chimes at midnight take it away.

That and/or Barbara. Just sped-rewatched Jerichow, not sure if I can get to Yella. the films of CHRISTIAN PETZOLD

I didn't care much for Yella, which I watched when the Petzold films first went up. I watched Wyler's The Letter this afternoon, and I think I'll go for Le doulos tonight.

Surprising number of Melville’s - or Melvilles- survived the purge.

I thought An Elephant Sitting Still was supposed to leave after January but it's still just sitting there.

Army of Shadows is leaving this month, along with Shirley Clarke, Susan Seidelman and Danny Kaye, among others.

I didn't care much for Yella, which I watched when the Petzold films first went up. I watched Wyler's The Letter this afternoon, and I think I'll go for Le doulos tonight.

― Miami weisse (WmC),

otm

But you like Barbara, I think, don’t you?

He's uneven for me, but yes.

And Jerichow? Also, what about her, Nina Hoss?

Not challenging you, just curious

Barbara's my favorite, and Transit gripped me after a second viewing. Jerichow's good.

I skipped Jerichow. Of the ones I've seen, I'd rank Phoenix and Transit > Barbara >>>> Yella. I give Phoenix extra points for audacity -- the plot sounds totally ridiculous if I say it out loud, but he pulls it off.

Mackenna's Gold is one of the worst movies I've seen on a Criterion-affiliated streamer. What a load of crap.

Mackenna's Gold was and remains a very successful film in India.[11] In India it remained the top Hollywood grosser in history until blockbusters like Jurassic Park and Titanic came along. Even worldwide hits such as Jaws and Star Wars would not make as much money in India as Mackenna's Gold did. The film went through countless re-runs until well into the 1980s and could be seen in cinema halls across India, including small venues in the medium-size towns of North and South India.[11]

Complete list of films premiering on the Criterion Channel in April:

5 Against the House, Phil Karlson, 1955
8th Continent, Yorgos Zois, 2017
The Adventures of Marco Polo, John Ford and Archie Mayo, 1938
Affair in Trinidad, Vincent Sherman, 1952
Alps, Yorgos Lanthimos, 2011**
Anatomy of a Murder, Otto Preminger, 1959
Angels Over Broadway, Ben Hecht and Lee Garmes, 1940
Annie Hall, Woody Allen, 1977
Arizona, Wesley Ruggles, 1940
Ball of Fire, Howard Hawks, 1941
The Big Heat, Fritz Lang, 1953
Blind Alley, Charles Vidor, 1939
Bonjour tristesse, Otto Preminger, 1958
The Brothers Rico, Phil Karlson, 1957
Bunny Lake Is Missing, Otto Preminger, 1965
The Burglar, Paul Wendkos, 1957
Captains Courageous, Victor Fleming, 1937
The Cowboy and the Lady, H. C. Potter, 1938
The Crimson Kimono, Samuel Fuller, 1959
The Crossing Guard, Sean Penn, 1995
Dead Reckoning, John Cromwell, 1947
The Devil and Miss Jones, Sam Wood, 1941
Dogtooth, Yorgos Lanthimos, 2009**
Down to Earth, Alexander Hall, 1947
Drive a Crooked Road, Richard Quine, 1954
Ebirah, Horror of the Deep, Jun Fukuda, 1966
Europa Europa, Agnieszka Holland, 1990
Experiment in Terror, Blake Edwards, 1962
The Ex-Mrs. Bradford, Stephen Roberts, 1936
The Eyes of Laura Mars, Irvin Kershner, 1978
A Farewell to Arms, Frank Borzage, 1932
Fire at Sea, Gianfranco Rosi, 2016
The Fits, Anna Rose Holmer, 2015
The Fountainhead, King Vidor, 1949
Foxy Brown, Jack Hill, 1974
Friendly Persuasion, William Wyler, 1956
Godzilla vs. Gigan, Jun Fukuda, 1972
Godzilla vs. Hedorah, Yoshimitsu Banno, 1971
Graduate First, Maurice Pialat, 1978
The Hanging Tree, Delmer Daves, 1959
The Harder They Fall, Mark Robson, 1956
Here Comes Mr. Jordan, Alexander Hall, 1941
Human Desire, Fritz Lang, 1954
I Am Not a Witch, Rungano Nyoni, 2017**
If You Could Only Cook, William A. Seiter, 1935
The Impatient Years, Irving Cummings, 1944
In a Lonely Place, Nicholas Ray, 1950
Irma Vep, Olivier Assayas, 1996
Johnny O’Clock, Robert Rossen, 1947
Kinetta, Yorgos Lanthimos, 2005
Klute, Alan J. Pakula, 1971
Lilac Time, George Fitzmaurice, 1928
The Lineup, Don Siegel, 1958
Listen, Rungano Nyoni, Hamy Ramezan, 2014
Little Lord Fauntleroy, John Cromwell, 1936
Loulou, Maurice Pialat, 1980
Love in the Afternoon, Billy Wilder, 1957
Lured, Douglas Sirk, 1947
Man of the West, Anthony Mann, 1958
The Man Who Fell to Earth, Nicolas Roeg, 1976
Mifune: The Last Samurai, Steven Okazaki, 2015
The Mob, Robert Parrish, 1951
The More the Merrier, George Stevens., 1943
The Mouth Agape, Maurice Pialat, 1974
Mr. Deeds Goes to Town, Frank Capra, 1936
Mr. Smith Goes to Washington, Frank Capra, 1939
Murder by Contract, Irving Lerner, 1958
My Name Is Julia Ross, Joseph H. Lewis, 1945
Nightfall, Jacques Tourneur, 1957
Party Wire, Erle C. Kenton, 1935
The Pawnbroker, Sidney Lumet, 1964
Performance, Donald Cammell and Nicolas Roeg, 1970
Pixote, Héctor Babenco, 1981
Police, Maurice Pialat, 1985
The Pride of the Yankees, Sam Wood, 1942
Public Hero Number One, J. Walter Ruben, 1935
Pushover, Richard Quine, 1954
Raging Bull, Martin Scorsese, 1980
The Real Glory, Henry Hathaway, 1939
Red Sun, Terence Young, 1971
Salome, William Dieterle, 1953
A Scandal in Paris, Douglas Sirk, 1946
The Scar, Krzysztof Kieslowski, 1976
Shaft, Gordon Parks, 1971
Shampoo, Warren Beatty, 1975
Shockproof, Douglas Sirk, 1949
Slightly French, Douglas Sirk, 1949
The Small Back Room, Michael Powell, Emeric Pressburger, 1949
The Sniper, Edward Dmytryk, 1952
So Dark the Night, Joseph H. Lewis, 1946
A Star Is Born, Frank Pierson, 1976
Staying Vertical, Alain Guiraudie, 2016
The Stranger, Orson Welles, 1946
The Strawberry Blonde, Raoul Walsh, 1941
The Talk of the Town, George Stevens, 1942
Task Force, Delmer Daves, 1949
Taxi, Jafar Panahi, 2015
Thank God It’s Friday, Robert Klane, 1978
This Is Not a Film, Jafar Panahi, 2011**
Three Days of the Condor, Sydney Pollack, 1975
Tight Spot, Phil Karlson, 1955
The Two of Us, Claude Berri, 1967
Under the Sun of Satan, Maurice Pialat, 1987
Van Gogh, Maurice Pialat, 1991
Vera Cruz, Robert Aldrich, 1954
Wadjda, Haifaa al-Mansour, 2012**
We Won’t Grow Old Together, Maurice Pialat, 1972
The Wedding Night, King Vidor, 1935
Welcome to L.A., Alan Rudolph, 1976
The Westerner, William Wyler, 1940
What’s Up, Doc?, Peter Bogdanovich, 1972
Whirlpool, Roy William Neill, 1934
The Whole Town’s Talking, John Ford, 1935
The Winning of Barbara Worth, Henry King, 1926
You Can’t Take It With You, Frank Capra, 1938
**Available in the US only

The Eyes of Laura Mars, Irvin Kershner, 1978

siiiick

They really blew it out for their first birthday. Looking forward to seeing Irma Vep, Kinetta, loads more.

Here's a facebook post with the April bundles -- https://www.facebook.com/groups/1089273201186971/permalink/2811169762330631/

Thought about C&Ping it but it's so long.

Pialat rules

"the anderson tapes" is "...and introducing christopher walken" and i started cracking up because literally his first line in the movie is already the most christopher walken line-reading: https://www.youtube.com/watch?v=0xuDmxYJ1AM&feature=youtu.be

also the quincy jones scores are insane

This expanded line-up includes Phil Karlson's THE BROTHERS RICO, possibly the best gangster movie of the 1950s, an absolutely devastating performance by Richard Conte. https://t.co/GYXiGPYiJY

— Peter Labuza (@labuzamovies) March 26, 2020