K Punk: classic or dud?

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https://www.residentadvisor.net/reviews/24137

Since Mark Fisher's death in 2017, his acolytes have cemented his legacy in philosophy, literature and music. They've done so through anthology books, public talks and now, with the release of On Vanishing Land, vinyl records. The album comes courtesy of Hyperdub's Kode9, who has launched a spoken-word sub-label called Flatlines. The label's first release is this audiovisual essay, made in 2006 and exhibited in 2013, which Fisher worked on with the philosopher, writer and sound artist Justin Barton.

On Vanishing Land is a 40-minute narration of a walk Barton and Fisher took along the Suffolk coast. It also includes snippets from interviews they conducted that introduce themes of long-lost societies and the machinations of capital to the piece's main subject: the idea of the eerie. These voices accompany an ambient score that features contemporary experimental musicians such as Gazelle Twin, Raime, Skjølbrot, Baron Mordant and Ekoplekz. But unless you're familiar with the artists' hallmarks, it won't likely be clear whose music is playing when.

j., Saturday, 21 September 2019 19:50 (four years ago) link

In W.G. Sebald's footsteps? Either way, I'm very curious to hear this, thanks for the link.

Le Bateau Ivre, Sunday, 22 September 2019 11:40 (four years ago) link

KP deeply disliked sebald, so no (but yes)

unless you're familiar with the artists' hallmarks, it won't likely be clear whose music is playing when

as a way of glossing "it all sounds exactly the same" this made me lol a bit

mark s, Sunday, 22 September 2019 11:53 (four years ago) link

You're right, I hadn't remembered that. From the Wire:

Rob Turner writes of Mark and his hauntological partner-in-crime Justin Barton:

The pair’s wonky tour guide, shifting from nerdy digressions on Brian Eno to enthusiastic riffs on TV horror shows, is a reply to WG Sebald’s celebrated study of the same coastline The Rings of Saturn. In a 2011 essay for Sight & Sound, Fisher described that book as a trudge through Suffolk that entirely failed to look at the place, offering instead “mittel-brow miserabilism, a stock disdain, in which the human settlements are routinely dismissed as shabby”. Here, in apparent solidarity with the humans trapped in this realm, the narrator is gripped by the features of the landscape, reading lost poems of late capitalism in the stacked iron containers of Felixstowe terminal.

I agree that Sebald's Suffolk 'trudge' wasn't about Suffolk or that coast per se, but that wasn't really Sebald's point to begin with. Either way, I'm looking forward to this.

Le Bateau Ivre, Sunday, 22 September 2019 11:58 (four years ago) link

He is kinda right. Austerlitz > Rings of Saturn in my book. Though I must say, after spending a few days in Great Yarmouth this summer, it was kinda funny reading his description of Lowestoft. But also really harsh.

Frederik B, Sunday, 22 September 2019 17:36 (four years ago) link

Harsh is ok, though.

Just listened to the record. It wasn't off putting - it was rather special to hear Mark's voice in this way - but as a spoken word album, well, it is what it is, and nothing more: you hear it once, enjoy it, but probably will never listen to it again. I hate that this is how it goes, but it is how it goes.

Le Bateau Ivre, Monday, 23 September 2019 20:18 (four years ago) link

I've been really enjoying On Vanishing Land and have listened to it repeatedly. It reminded me a bit of Patrick Keiller's films, Robinson in Space particularly.

neilasimpson, Tuesday, 24 September 2019 16:30 (four years ago) link

three months pass...

RIP Mark Fisher on the anniversary of his death. I taught Capitalist Realism this fall, and was pleasantly surprised how much students connected with Fisher's ability to connect the ongoing crisis of capitalism with depression and anxiety. He saw something.https://t.co/vONLSBLuSA

— Jason Read (@Unemployedneg) January 13, 2020

j., Monday, 13 January 2020 19:01 (four years ago) link

I liked him as a lecturer.

tokyo rosemary, Tuesday, 14 January 2020 05:28 (four years ago) link

one month passes...
four months pass...

:(

man, really feels like these trajectories have sped right up pic.twitter.com/j2ZV0G2ESf

— michael (@Sisyphusa) July 6, 2020

xyzzzz__, Monday, 6 July 2020 21:09 (three years ago) link

nina power is now writing in the telegraph about cancel culture

plax (ico), Tuesday, 7 July 2020 16:58 (three years ago) link

lol, didn't click yr link before posting

plax (ico), Tuesday, 7 July 2020 16:59 (three years ago) link

honestly fisher would have been on her side

this isnt a big development, nina has been on youtube with some very dodgy people over the last couple of years, she always has that look on her face where she's just said something a bit naughty,

Anti-Cop Ponceortium (Camaraderie at Arms Length), Tuesday, 7 July 2020 20:59 (three years ago) link

only a finite amount of books you can read in a lifetime, and an infinite amount of tedious and horrible writers!

calzino, Tuesday, 7 July 2020 21:05 (three years ago) link

^^^ truth.

pomenitul, Tuesday, 7 July 2020 21:06 (three years ago) link

Still working my way through “Capitalist Realism,” so grateful for his provocations. https://t.co/N19DxsR7Dp

— Zoé (@ztsamudzi) July 12, 2020

xyzzzz__, Sunday, 12 July 2020 14:45 (three years ago) link

two years pass...

https://crackmagazine.net/2023/01/kode9-releases-previously-unheard-conversation-with-mark-fisher/

Kode9 has shared a previously unheard recording of a conversation between himself and the late Mark Fisher, 6 years after his passing. The recording is from a conversation between the producer and theorist from 1998.

According to a note shared on Kode9’s Instagram, the conversation “was the first of a series of recorded conversations whose aim was to explicate/clarify/transmit the embryonic mythos.”

He continued: “Due to the mnemonic fade and/or nonrecovery of other minidiscs, it is unclear whether subsequent recordings existed”.

"Spaghetti" Thompson (Pheeel), Tuesday, 17 January 2023 22:58 (one year ago) link


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