Why are there so few female film directors?

They were more or less separated for a lot of the '70s.

pauline kael was so mean to barbara loden in her review

cavett is sort of a prick to her too in that interview

sort of in the way of the era

for sure, tho unusual for Cavett

Not really, bcz he's *trying* to be 1970-woke ("It must be harder to raise money for a film when you're a woman") but then puts his foot in it anyway. Similar Cavett moment in the trailer for the recent Toni Morrison doc. He was nailed by Rick Moranis' namedropping impression on SCTV.

on the history of women editors

https://www.criterion.com/current/posts/6582-hidden-histories-the-story-of-women-film-editors

S.C. centennial

https://www.criterion.com/current/posts/6616-celebrating-shirley-clarke

new Lupino set

https://www.vanityfair.com/hollywood/2019/09/ida-lupino-box-set

A woman I grew up with on Fire Island is making quite the name for herself as a director right now and it’s so awesome. Can’t wait to see what she ends up doing. This is her latest project: https://www.google.com/amp/s/www.indiewire.com/2019/09/the-rhythm-section-trailer-blake-lively-reed-morano-1202174816/amp/

That Lupino set was announced maaaaybe a day or two after I bought The Hitch-Hiker. Which was pretty annoying. But the set doesn't contain Outrage which is a bit of an outrage unto itself.

Went to see Hustlers the other night, good stuff

I recommend the pre-Code alcoholic romance Merrily We Go to Hell, directed by Dorothy Arzner (who quit directing features in the mid '40s, but later taught F Coppola at UCLA). Fredric March is a newspaperman turned playwright (a warmup lush for his Star Is Born role), Sylvia Sidney is his 'doormat' heiress wife, and when they end up in an open marriage she takes revenge with Cary Grant (one scene). Recently issued on a Universal disc.

https://www.screenslate.com/features/172

^^^ watching this afternoon on Criterion Channel (recently added).

Just watched Working Girls, which the Criterion Channel just put up as a companion to MWGtH. The screenwriters and director must have worked hard to get a happy ending for foolish sister May and wise sister June, in the big city and surrounded by men of varying morals. But they achieved it.

Related topic: Why do discussions of women in film rarely discuss female screenwriters?

well we all love rio bravo

https://www.criterion.com/films/27854-daisies

Great film! I saw Chytilová's follow-up The Fruit of Paradise but don't remember anything other than bewilderment.

My favourite film! Got to see it on the big screen a few times, the best was last year with a p raucous audience of mainly students who were v nonplussed but loved it

There's already an excellent blu-ray of this from Second Run, a label that's shown far greater commitment to East European cinema than Criterion. They also offer other Chytilová films:

https://www.secondrundvd.com/release_daisiesBD.html