the (second) Bon Iver album

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Don’t care for this one at all; I did like the last one though. This just seems like a less interesting retread.

akm, Friday, 16 August 2019 20:51 (four years ago) link

two weeks pass...

Good tip-off re that Pioneer Works show, Doug.

djh, Friday, 30 August 2019 22:47 (four years ago) link

eleven months pass...

Curious to know how other Bon Iver fans received the Taylor Swift duet "Exile"

https://www.youtube.com/watch?v=osdoLjUNFnA

Indexed, Thursday, 30 July 2020 15:54 (three years ago) link

seven months pass...

still sticking on 22, A Million on the reg

in twelve parts (lamonti), Friday, 26 March 2021 23:36 (three years ago) link

ten months pass...

Not massively feeling the new S Carey, so far:

https://www.youtube.com/watch?v=UWvRRwJOfY4

djh, Wednesday, 9 February 2022 19:16 (two years ago) link

one year passes...

Flagging this for my fellow Vernon fans: https://pitchfork.com/reviews/albums/deyarmond-edison-epoch/

Epoch begins with a dilemma. To explain why the avant-Americana quartet DeYarmond Edison is worth remembering, the box set would have to start with the recordings they made closer to the end of their mayfly lifespan. But to tell the whole story, it would have to start with Mount Vernon, their precociously professional teen band, whose songs, as the accompanying book gently concedes, may grate on the adult sensibilities at which this handsome shelf-buster is aimed. That they appear at the beginning anyway shows just how hard Epoch comes down on the side of storytelling. It’s a work of music journalism as much as a portfolio of songs, excavating how Justin Vernon, Joe Westerlund, and brothers Brad and Phil Cook grew up together in Wisconsin, rampantly evolved in North Carolina, and split off asymmetrically, with three of them earning modest acclaim as Megafaun and one earning Grammy awards and Taylor Swift guest spots as Bon Iver.

The box is divided into six chronological parts, beginning with All of Us Free, an LP that captures DeYarmond Edison taking shape in the late 1990s and early ’00s. The second LP, Silent Signs, reproduces their second album, which they recorded just before leaving Eau Claire. That Was Then consists of four CDs documenting the performances in which they dynamited their newly refined sound, and these discs form the messy, brilliant heart of the box and the band. The LP Epoch, Etc. is the sound of them breaking apart under the stress, and hazeltons is Vernon breaking out on his own. The set concludes with the LP Where We Belong, with an A-side of recrimination and a B-side of reconciliation.

Epoch was executive produced by Grayson Haver Currin, a Pitchfork contributor who also wrote the 114-page accompaniment, Time to Know. When DeYarmond Edison moved from the Chippewa Valley to the Southern capital of Raleigh in 2005, Haver Currin became a friend and fan, and the project is such a close study of their bond that it becomes a monument for friendship writ large—how it fits people together, changes them until they fit no more, and then, with patience, rejoins them at new seams.

Indexed, Tuesday, 22 August 2023 19:28 (seven months ago) link


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