ILX Gonna Shine in My Backdoor Someday (new post-Fahey folk for ppl posting in Takoma/Tompkins Square threads Pt II)

hare krishna 1 & bossa nova 2 are much more like I imagined: full blooded and bright and more rhythmic, with a slight Latin tinge a la sandy on earth. makes me daydream abt the parallel universe in which Fahey kept his health and his audience in the 80s and went off to make more south american influenced music

does anyone know who owns these recordings? the quality is so terrible I wonder if they could be cleaned up/if a better quality copy exists. would love a professional release

man there are some great moments in that long "melody brennan"

man this is great. definitely expands the vernacular he was operating in during this period. much like 'god time and causality' contains stuff unlike anything else he did.

This is very exciting to me

https://www.temporaryresidence.com/products/trr336?fbclid=IwAR3zYd1RYApG6RPDKCfB6IZSWIvUzSa02F88cJGocJr2_YeSFvau8XauXQE

sounds great -- almost a cocteau twins vibe.

it doesn't quite fit here or anywhere else but I think some of you would really enjoy the Kumio Kurachi album, Sound of Turning Earth that's been put out on Bison. he's been going for decades but this is his first release outside japan. very nimble, fresh, flowing playing with a clean sounding electric guitar using koto tunings. produced by jim o'rourke. the most beautiful CD packaging I've seen in a long time. been gradually growing on me.

https://bison-records.bandcamp.com/album/sound-of-turning-earth

https://f4.bcbits.com/img/a1225969011_10.jpg

This is fantastic!

I love that artwork.

what do ppl make of the latest Hayden Pedigo album Valley of the Sun? he's got such a distinctive tone. this one is darker & has a lot more good atmospheric gumpth but still has that same gorgeous sleepy feel. not sure I like it quite as much as Greetings from Amarillo yet, but I came to really love that one over time.

Not a connoisseur of this subgenre by any stretch and I've yet to hear his previous releases but I quite like Valley of the Sun.

somehow haven't checked out hayden's new one ... will have to fix that.

I feel like I never hear about his records until they've been out for a few months

keep coming back to Isasa's Insilio, it's so simple but there's a beguiling timelessness to it

https://www.youtube.com/watch?v=JZakgIJw0B0

Psyched to see Isasa live this week and catch some of that beguiling timelessness in action! Really looking forward to it.

^^yes—wish I could see it as well. everyone who can should try to catch him and Magic Tuber Stringband on their US tour. Evan and Courtney's MTSB material is v good.

there's been a dude named Jon Monday who worked at Takoma that's been posting some really cool stuff on Fahey/Takoma/the general intersections of weirdo ppl in the late 60s/early 70s on the John Fahey Facebook group

Also---- CHECK THIS SHIT OUT...another dude who posts a lot of old scans posted this from '65 Berkeley....So it looks like Fahey played a show with Bob Dylan in disguise billed as "Tedham Porterhouse" - a pseudonym he used on a Ramblin' Jack Elliot record....if so, what a fucking crazy show

https://i.postimg.cc/YSHxLkcR/68767931-2796884800324865-5760716845304774656-o.jpg

holy fuck this kumio kurachi rules

xp lol, wonder who the dylan impersonator was ... bob himself was in chicago
http://www.bjorner.com/DSN00785%20(65)-filer/image215.jpg

haha ah too bad, Dylan is so weird you never know

I bet it was Fahey doing a second set

Conrado and Magic Tuber String Band both played great sets. Really complimentary and excellent playing all around. Was psyched to grab a copy of "Insilio" and the MTSB tape on Blue Hole as well. Think I will listen to "Insilio" a lot, as the compositions are very sturdy and interesting without being as fatiguing (for lack of a better word). While I like a lot of more active / wild / technically proficient players, for repeated listening I can really appreciate records that sit in a more measured, casually artful place. Not saying this well, but just noting that I think I will return to this one a lot.

glenn jones set (with two new songs!) from last fall

https://southernjukeboxmusic.bandcamp.com/album/glenn-jones-100918

nice!

Cool!

Also was listening to Chuck Johnson - Crows In The Basilica again (one of my favorites) and it really is amazing how deliberate every note is, yet it sounds so effortless and there doesn't seem to be a single flaw.

yeah! that one really is one of the best solo guitar LPs of the decade, I think.

in other news pertinent to this thread, Nathan Salsburg played a set in my living room last night! it was great.

Speaking of flawless guitar playing... that's awesome! I want him to teach me everything he knows. I love his very underrated solo records.

One of my students gave his folk presentation (required part of class) on Fahey (at my suggestion, he said he likes guitars) and in making my playlist for them to use on their midterm, I chose Sun Gonna Shine in My Backdoor Someday as my Fahey track bc it seems like a classic and appealing choice.

I'm sitting here in the exam and making sure everything is good before they get to that part of the test and guess whose youtube account I linked to for the Fahey track?

that's right, our own global tetrahedron. lol!! the internet must know we are friends or maybe this is the most recent version of the song?! anyway, small world, <3 to all folkies nu- and old.

awww that's awesome 😊

I love this story, thanks for sharing it! Long live this thread and all of its various expanding adjacent activities.

aww, that's great. i uploaded that because my favorite version wasn't easy to find, glad it's getting some use!

apparently yahoo is scrubbing yahoo groups, so there goes the fahey group. it was nigh unusable and mostly inactive but it had a trove of great information and posts from a lot of the OG folks stretching a fair ways back. i hope there is a way to archive that information easily

there's the FB group but there's definitely something about the modern social equivalents to boards/groups that doesn't seem to be as good for getting real information

such a bummer about yahoo groups, they are such a rich archive and a link to the disappearing first generation.

new bill orcutt is so good! his technique is so gorj but some of his earlier stuff felt claustrophobic to me at times, like trying to get out of a tied sack as you're thrown in the canal. the fire is still there in his playing but it feels a little more strung out, a bit more balanced, slower burning. once or twice it shades into bluez jamz but I have some time for that and the whole thing has such supreme autumn energy.

think it's been the strongest year for this sort of guitar music since we've had a thread for it, so many interesting and great records. was listening to the australian guitarist julia reidy, whose new album on oren ambarchi's new label has a kind of wild mix of things (inc autotune !) feeding into this big glittering clunky sound, it's not quite my bag but it's p unique & fresh

That's entirely my experience with Orcutt up until now but this is gorgeous. Thanks for the heads up. 'All Your Buried Corpses Begin to Speak' has to be song title of the year.

like trying to get out of a tied sack as you're thrown in the canal

this is such a great description of Orcutt's sound/style (which I dig, but not quite as much as the best Harry Pussy stuff, totally different though)

Julia Reidy is great, thanks for the heads up...

I'm probably more drawn to the un-hip side of the whole thing, but old folks dude Bruce Cockburn released an album of all acoustic instrumentals that is really great imo, he's quite a player, I think it would appeal to fans of Nathan Salsburg, James Elkington....very nice composition

er drawn more than MOST to the un-hip I'm still VERY hip, pass me the Sun City Girls record

By the way, I saw Orcutt live not too long ago (apologies if I said this upthread already ....) and it was very much in the vein of this new record. It was less knotty and restless than usual and jaw-droppingly gorgeous quite frequently (with less vocalizing throughout as well). There are of course no guarantees that that would be your experience, but I highly recommend going if he is coming through your neck of the woods.

when i first heard that orcutt album, i almost wondered if it was a deep put-on of some kind ... but it is gorgeous for sure — love the way he kinda dances around the actual melody of "moon river."

Well I mean Bill kind of sets you up for the idea that it is all a put on in one way or another (the album art, some of the song titles, his past output ....) but then the experience of listening generally knocks all of that out of your head as it is so powerfully delivered (whether you like it or not he is certainly offering what he does up at a consistently high level). Pretty much love the way he presents and delivers his stuff across the board.

Cool find from someone on the FB group - American primitive influenced stuff from Japan...really digging this on first blush, unique voice

https://senrirecord.bandcamp.com/album/broken-woods-some-prayers?fbclid=IwAR3SVlyCN--soRGJKx1IrV6nFu5KBU9ynyv03rLL0SNR2RYYAp45yT3NnW8

yeah, that's interesting!

^I knew that name looked kind of familiar, he had a release on Scissor Tail a while back—towards the tail end of a time I like to think of as the communities' salad days, lol... not in a 'peak' sort of way (at all) but more so in an idealistic innocence kind of way. Maybe it's just adulthood that hit me way too fast!

Thanks for posting that. I am really enjoying that (the "Broken Woods Some Prayers" tunes). Will go check out that Scissor Tail release too. And Neal I was by no means young when this thread and its predecessor got rolling, but I had that same feeling in re salad days. I will always remember that early run fondly as it was just nice to roll through all those releases as they came out and commune with the folks here that were into them. Was a good time.

think it's been the strongest year for this sort of guitar music since we've had a thread for it, so many interesting and great records.

would love to see some quick/short lists of things not to miss as we head into list-making time, if anyone's willing

Yeah in that case I'm definitely missing out. Not because I disagree but because I'm simply not as on top of it.

that Isasa record might be my fave purely solo acoustic guitar record from 2019

there have been gorgeous records that are kind of straight down the middle - Hayden Pedigo, Bill Orcutt - but also ppl reworking the centre or drifting away to explore new territory - forthcoming Steve Palmer, Sarah Louise - as well as ppl shading towards similar territory from different directions - Kumio Kurachi, and who knows what's going on with the Julia Reidy records. lots of good players plugging away at their own thing - some tasty live improv collaborations from Tashi Dorji and Susan Alcorn, Marisa Anderson must be due something new soon, & I saw DBH play a bossa novaish track live the other week !

and yeah, Insilio by Isasa is probably just my favourite record of the year and he deserves more recognition. it's unassuming, stripped back and very gentle, but it has that peculiar quality I love so much about the best solo guitar music where the intimacy and the control of time through phrasing and space (so much space on the record) start to evoke strange feelings, like someone else's memories or dreams. it changes the atmosphere in the room, and sends you inside yourself, or inside something. it reminds me of Glenn Jones a little in terms of tone and how personal and expressive it is, but it has an elusive quality to it too. I love all the delicate accompaniments but the two solo pieces named after districts in Montevideo are the clear stand outs, I feel like they've been playing somewhere in the back of my mind for months.

Co-signing on the Isasa record. Picked it up when I saw him live and I think Ogmor's description above really nails it for me. The space and phrasing is really great, very easy to listen to but very rewarding in regards to the repeat value.