its perfect
― big city slam (Spottie), Thursday, 1 August 2019 21:00 (four years ago) link
Version on Here Is What Is is better:https://youtu.be/DCnBIdOR8_U
― Naive Teen Idol, Monday, 5 August 2019 03:21 (four years ago) link
(I’d vote for Goin’ Back to Harlan)
― Naive Teen Idol, Monday, 5 August 2019 13:16 (four years ago) link
wait, no way that version is better!
― big city slam (Spottie), Monday, 5 August 2019 16:04 (four years ago) link
Points for Lanois version:His best vocal (hers is weirdly one note)Odd, hypnotic Mellotron-y partsBlade playing over Willie Green’s “Maker” beatSweet Hofner bassline
― Naive Teen Idol, Monday, 5 August 2019 21:51 (four years ago) link
Am I the only person who hears the drums backward on this song? I feel like the live and alternate versions have the downbeat in an entirely different place than the album version, although the parts themselves are played virtually identically.
Album version:[ONE]-oh-the (2)streets-are-cracked [THREE, FOUR](1)And-there’s (2)glass-everywhere [THREE, FOUR]
Spyboy etc:[FOUR] Oh-the-streets-are (1)cracked [TWO, THREE] and there’s (4)glass every(1)where [TWO, THREE]
― Una Palooka Dronka (hardcore dilettante), Tuesday, 6 August 2019 17:36 (four years ago) link
You’re not imagining things. Live version is much more straight ahead than either of the studio takes, with the snare on the 2 and 4. Main studio take has the first snare on the upbeat after 2 and downbeat of 3. It’s a very different feel.
― Naive Teen Idol, Saturday, 10 August 2019 13:30 (four years ago) link