Which artists legacies have improved/worsened during the 2010s?

Up: Rob Hubbard, Martin Galway and Ben Daglish.

More of an early 10s thing than now maybe, but C-64 chip music was an ovbious influence on the likes of Aviici and Skrillex.

From before that really, from Crystal Castles etc in 2006-07 as well. (Now there's a band whose reputation collapsed this decade).

In general videogame soundtracks are a part of pop DNA these days and the reputation of videogame music is up this decade. Just this week Pitchfork published a Classic Album thing about the Ocarina of Time soundtrack, by a proper electronic music writer.

The big C64 revival was around 2001-2004-ish.

Don't think anyone has said Crystal Castles yet, that is quite a plummet

Obviously there was also stuff like 50 Cent's "Ayo Technology" in the 00s (And even earlier stuff from Orbital) but I feel the C-64 influence was even stronger on some early EDM.

Ten years ago I was pretty reluctant to admit liking Slowdive, now the cool kids love em

The single songwriter writing everything all alone is definitely down although this might have happened in the 00s already

It's Complicated: Weezer

Feel like every move from this band gets them more cultural spotlight and more ridicule, like a continuous New Jersey

^I thought on first reading that you meant the state (but I guess not)

Ed Banger and the whole pre-EDM saturated electro house sound is way down on where it was a decade ago imo

“a faddish style is no longer current” /= a specific artist’s legacy

I stand corrected.

Sebastian, Justice, Uffie and the like have taken a nosedive in recent times.

I already said this but SONIC YOUTH!

― flappy bird, Thursday, 11 July 2019 23:49 (seven hours ago) bookmarkflaglink

has gone way down

― flappy bird, Thursday, 11 July 2019 23:49 (seven hours

They definitely don't get the same amount of critical praise that they got in the late 80s/early 90s, and it would be hard to, but I don't think their stock is lower in 2019 than it was in 2009, and certainly not worse than in 2011? Does anyone still rate NYC G&F as a 0.0 album, for example?

If their stock is lower, it's cuz they ain't releasing new albums we discuss

The only thing is that a lot more people think Thurston is an asshole now

time takes its crazy toll

Throw all his trash away
Look out he's here to stay

I'd also argue that Kim's stock is up, cuz of the book and the Body/Head releases

Interesting, though - I remembered it being earlier than 2007 when nabisco wrote this in Pitchfor0:

Indie fans love Daydream Nation because loving stuff like Daydream Nation is part of how we define what indie fans are.

*Pitchfork

I’ve never known it to be true for that particular album, but whatever

(Maybe N. meant “rock critics”?)

Thurston Moore always came across to me as a 16 year old who scrawls anarchy signs in his school notebook trapped in the body of an aging man.

I guess they've split up now so it's academic - (from Wiki)

In August 2014 Isis changed their name on Facebook to "Isis the band" in order to avoid any confusion with the Islamic State of Iraq and the Levant.[40] The band reunited for a one-off show in October 2018 under the name 'Celestial' at a benefit for the family of Caleb Scofield, the Cave In frontman who died in a road accident seven months earlier.

with SY it's not only the band breaking up, it's Kim + Thurston's acrimonious divorce. in the 00s they were patron saints for indie and noise music, Thurston had Ecstatic Peace, all of the new weird america bands or whatever (cf. that poll whiney made) owed a debt to SY, Daydream Nation was the A1 indie rock record. Kim + Thurston's marriage was an art weirdo fairy tale - when that collapsed, so did their credibility.

man I love daydream narion

nation

My challop: Daydream Nation is good.

It’s great

Sonic Youth remains one of the best american rock bands of the past 50 years

there are some great SY albums but their cultural cache has collapsed

so has the cultural cache of indie rock in general, though

yes, but SY was a special case - and I'd argue Pavement took their place in the canon, their stock has gone up this decade, if that's even possible

and I don't think indie rock's cultural cache has collapsed by any means, but it's certainly lessened

Yeah, from what I have read, the news of Pavement getting back together has been met with “lol, imagine caring about this in 2019” for example

I like pavement but no one cares about pavement more than they did ten years ago. SY’s career and relevancy trajectory after the breakup has been vv normal for any mid-tier band tbh.

^OTM on both counts

so has the cultural cache of indie rock in general, though

― mott the hoopleheads (voodoo chili), Friday, July 12, 2019 1:29 PM (twelve minutes ago) bookmarkflaglink

How many fuckin David Berman articles were written this week alone?

well, published this week, I guess

I have an 8 year old nephew whose favorite band is Pavement. However I don’t think this is representative.

there's plenty of indie rock nostalgia, but bands that play indie rock right now in 2019 don't have the same level of breathless praise or press attention that they did 10 years ago

i should say, predominantly male indie rock bands

I was 19 when SY split. circa like 2006 they were patron saints of not only indie rock but also noise/experimental music, huge gateway band with a lot of credibility that was still active AND giving a leg up to new bands like Black Dice, Magik Markers, Lightning Bolt, having Jim O'Rourke in the band for 5 years, they were revered & relevant to me and my friends, a model of how to have a band last 25+ years.

Totally not the case any more, and TONS of teenagers still listen to Pavement. every indie rock band that got big this decade cited Pavement as a major influence. Pavement's stock has gone up because they get new fans every generation, like a Nirvana and unlike The Who. I think the same would've been true of SY if their split was conventional, but because of the circumstances, the work is complicated.

TONS of teenagers still listen to Pavement

very gratifying to know, if true!

I would say that bands that unabashedly ape some retro style have gone up in status. That sort of thing would’ve been played for laughs in the ‘90s but lots of bands do it now in complete sincerity and are taken seriously. Sounding new and different in indie is less of a goal, unless sounding new is redefined to mean crate-digging some underexposed style to imitate.

Indie rock still has a huge, huge, slobbering presence in all online media except now all the bands have one girl in them

And all have names like POWER NAP and BUSINESS CASUAL

lol

Morning Meeting is opening for Work Retreat at the Echoplex this weekend.

yeah i'm not saying it's gone away completely, but we no longer live in a GAPDY world