Underworld - Drift

todays release is another rehearsal, this one from 2005, with "Silver Boots" (the original "Always Loved a Film"), "Yard Beat", and "Push Upstairs"

https://www.mixcloud.com/UnderworldLive/underworld-230605/?utm_source=ActiveCampaign&utm_medium=email&utm_content=Manchester+Street+Poem+2019+++18+unedited+mins+of+Riverrun-era+rehearsal+for+you&utm_campaign=DRIFT+DROP+-+230605

"Silver Boots" is one from my wishlist so I'm pretty happy with this. just wish I could download it!!

you can download it, it's just 66kbps utm_source=ActiveCampaign&utm_medium=email&utm_content=Manchester+Street+Poem+2019+++18+unedited+mins+of+Riverrun-era+rehearsal+for+you&utm_campaign=DRIFT+DROP+-+230605

hmmm should've figured it would be fairly easy to do that

it definitely doesn't sound great but it's an improvement on the version I cropped from the radio broadcast in 2006

"listen to their no" -> "schiphol test" is a wonderful experience

think ep 4 is my favorite rn

https://www.mixcloud.com/UnderworldLive/atl080328/

direct from soundboard live recording of Born Slippy/Pearls Girl/Beautiful Burnout.

didn't know they were playing the original Born Slippy in 2008

Another live jam, almost 40 minutes this week:

https://www.mixcloud.com/UnderworldLive/leipzig-warehouse-jam-050715/

https://www.youtube.com/watch?v=eB6G7KgBX24

ends about 5 minutes too early if you ask me

yeah it takes a bit too long to get going and then doesn't spend enough time there once it has

the juice was barely shook!

I liked it. wonder if the box will have some longer variations of the many "film edit"s.

I guess that's the big question right now, if they plan to remix/extend the material or leave it as is for the album. As much as I love a lot of this stuff I kinda feel like some of it could have used some more time in the mastering stage - they use a sharp hi-hat sound a lot that can overwhelm the rest of the tune ("Appleshine" being a good example), which is something you wouldn't hear on a proper UW album.

speaking of 'way too short'

https://www.youtube.com/watch?v=E0mwQEtkik0

basically Holding the Moth pt. 2, which I'm totally cool with

Also: https://infiction.bandcamp.com/track/doot-doot-infiction-remix

https://www.youtube.com/watch?v=79bWsFwOZDg

no download this week!

Was surprised last week's was a download, tbh

the last two Episodes have had all the week-2-and-later tracks as free downloads

(Episode 2 had all its weeks as downloads)

13 minute track this week

https://www.youtube.com/watch?v=AG74FOPyijY

no Karl on this one but it's really nice. lotta BF-era sounds here but it's a bit more modern and jazzy.

love this one! I'd been thinking there was way more Karl than not, than they've typically had across their albums. So, good restraint, like.

Someone on the Facebook pointed out that this was heard back in the original trailer with words from Dexter's Chalk over it:

https://www.youtube.com/watch?v=0qDwIDPNdE0

ahhh...that's a good catch...I wondered about that track when I went back to the trailer a couple months ago. didn't recognize it here though

I wonder if all the stuff referenced in the EP2 liner notes has been released now - they reference Toluca Stars there and the with Agata from Melt Banana. should really comb through those

another interesting thing is that I've seen this referred to by the boys a few times as "Drift Series 1" which uh...implies something for 2020

STILL WAITING FOR SUE TOMPKINS (LIFE WITHOUT BUILDINGS), POSSIBLY??? ALLO, UNDERWORLD? :D

this from Karl on the Instagram posting of the "Imagine A Box" preview: "... this way of releasing our music is like a tv series - Drift series 1 has 5 episodes and each episode is made up of tracks with films - if you go to our website you can find them all in the order they came out - I hope this helps - thank you for voicing your confusion though (k)".

So yeah maybe another series?! But how many times have we seen "52 weeks of releases" (from Nov 1 last year) about this... and he's saying 5 episodes... #5 will be ending in a week or maybe two? This is only the 43rd Thursday.

Part of the fun is not having any damn clue.....

would imagine there's 2 more songs to go, especially since "Mile Bush Pride" was so short

meaning either 5-6 weeks of live recordings or mixes depending on whether or not they release anything the week the album drops

I think there was some recent interview where they said they had a good idea of what the album was gonna be and what they'd do next. so something's up

would be odd to go out on vault stuff, though some of it's been awesome

well they're going out on the album release which I'm presuming is gonna get promoted & reviewed in all the usual spots

my guess is there'll be a few new album versions of tracks (like the new version of "soniamode") they'll release in the lead up to the album

Witney, Granby, Rochdale, Preston!

I think if Soniamode is on the album it'll be closer to the original version. The second one struck me as just part of the press push they did when kicking off Episode 4 (being done with the help of a Guardian reporter and all).

I like both versions fine but i wouldn't put it on the album.

What would y'all do with one disc of "drift songs"? It is up for preorder as a double vinyl and single CD, so.. 50-80min?

I just came up with this handful of favorites and tried to make the best sequence I could (I'll be impressed if they wind up putting anything that sounds like an album moreso than most of the episodes have)

universe of can when back
Brussels
pinetum
listen to their no
appleshine
another silent way
Toluca stars
border country

1hr. Would like to have a Necks thing included, hope there is another one with them.

surprised myself only having one from #3.. most days I'd say that's the best one

would've put on "Doris" but it's already on the Manchester Street Poem album that came out that week. Highly recommended for anyone here who hasn't checked that out!

I'm really hoping that there is a new track or two and that the whole thing is remixed heavily. nothing wrong with what we got just hoping for something different since I've listened to the Drift stuff so much already.

it's kind of hard to pare this down to an hour since so many of the tracks are 10+ minutes. not a lot of room for something like "Pinetum" or "Threat of Rain" (which I doubt would have made the album anyway, they don't usually put tracks like that on the LPs proper). I'm not sure if they're gonna aim for a album full of bangers or something more chill, or some combination of both. "Listen to Their No" & "Drum Street" were both played live so I assume they're both on the LP.

personally I'd do something like

Appleshine
Molehill
This Must Be Drum Street
Another Silent Way
Dexter's Chalk
Hundred Weight Hammer
Border Country
Custard Speedtalk
Tree and Two Chairs
Listen to Their No

that's about 75 minutes and it misses a few faves but it works

I would put "Mile Bush Pride" on there but I feel like we don't have the full version of that yet

good point about the two being played live. Going to play your list later!

https://www.youtube.com/watch?v=VohOhpwbk3M

seems to be the last track from "Drift Series 1"

says "penultimate part of episode 5" so one more left? or does that refer to when they put it out as an EP

lol yeah my bad I forgot "penultimate" means there's one left

actually it's on YouTube now, it's called "S T A R" but you can't listen to it until 9/12

email: "Join us for the premiere of S T A R - the final part of DRIFT Episode 5 - Thursday 12th September 12.00 BST"

this week is the "penultimate part"

I figured this meant next week is the last song... but it's true that "star" could be just the name of the episode (it fits well with the other one word titles), with the full episode release to services as usual (and no new song, as usual). Also the email calls this week a "cliffhanger"!

who knows!

the specific premier time is a first?

some TV interface or other is apparently showing the Star video runtime as 3m45s.. and the description includes:

'S T A R' Lyrics LYRICS HERE - - - - - - - - - About 'S T A R' TRACK DESCRIPTION - - - - - - - - -

...

I'm gonna say it is a song!

This week's seems slight at first listen... the sort of new bit you might have heard as a bridge between big songs at a gig

most of the Ep 5 tracks seem that way. lotta jams without much structure. but I like those sorts of tracks

and yeah this does seem made to segue into something. it sounds like they're trying to build up some anticipation for next week's track so I'm pretty intrigued what it is now

CLIFFHANGER

Preview of the last track sounds awesome, I believe that’s the Lenny Penne beat

yup! and then something else and... tomorrow will be interesting.

Early today

https://www.youtube.com/watch?v=gdzeOJc67p8

it was right on the announced time!

I'd been thinking there was way more Karl than not, than they've typically had across their albums.

beware of this one then :)

it sounds like late-90s Underworld attempting to fake a late-90s Fatboy Slim single

Also, looks like they're now calling this whole thing Drift Series One and are going to start Series 2 once it concludes!

DRIFT Series 1 concludes on 1st November, marking 1 year since the start of the epic DRIFT journey of 52 releases in 52 weeks…

"Did any of us ever seriously think there wouldn’t be a DRIFT series 2…?" - Karl

"It’s madness isn’t it?... We’ll do this together until we’re dust" - Rick

Tracklist for the box set is noted as being provisional only, but each disc so far has two unreleased tracks.

Was just going to post.

DRIFT: Series 1 – Track Listings (Subject to Change):

Sampler Edition
Appleshine
This Must Be Drum Street
Listen To Their No
Border Country
Mile Bush Pride
Schiphol Test
Brilliant Yes That Would Be
S T A R (Rebel Tech)
Imagine A Box
Custard Speedtalk

Boxset

CD1 – Ep 1 DUST
Another Silent Way
Dexters Chalk
Low Between Zebras
Universe Of Can When Back
Brilliant Yes That Would Be
Another Silent Way / Drift Poem / Better Than Diamonds (previously unreleased)
One True Piano Need Hand (previously unreleased)

CD2 – Ep 2 ATOM
Appleshine
Molehill
Threat Of Rain
Brussels
Soniamode (Aditya Game)
Appleshiner (previously unreleased)
Roof Off (previously unreleased)

CD3 – Ep 3 HEART
Dune
Custard Speedtalk
This Must Be Drum Street
Pinetum
Poet Cat
Do Breakers Trip (previously unreleased)
Seven Music Drone (previously unreleased)

Wondering if Appleshiner is a shorter version of Appleshine Continuum?

the single disc album is now the "sampler edition" with the following tracklist:
Appleshine
This Must Be Drum Street
Listen To Their No
Border Country
Mile Bush Pride
Schiphol Test
Brilliant Yes That Would Be
S T A R (Rebel Tech)
Imagine A Box
Custard Speedtalk

it's also on iTunes too https://music.apple.com/au/album/drift-series-1-sampler-edition/1479687494 which notes that most of the tracks are remastered (not really surprising) but a lot of the track times are disappointingly shorter than the existing versions, which is strange since it's only an hour long as it is so i'd think there's room for them to have the full versions? weirdly it also includes "brilliant yes that would be" which was released a bit before they officially started drift (though a snippet of it was the intro to episode 1)

the boxset tracklisting isn't fully on that news post for some reason (only three CDs out of the seven) but they do seem to be editing the tracklists of each of the EPs a little in addition to the bonus tracks (not really a surprise that Appleshine Continuum will have its own disc i guess)

presumably that is wrt "appleshine continuum", though i guess they might throw in "a very silent way" on that disc since that was the other necks collab and isn't on the episode 1 disc, as well as other bonus tracks

after 2011.

the death of both the UK and Euro hardcore continuums, the gothification of industrial techno, lo fi house, the victory of tech house.

the rehabilitation of new agey aesthetics, the turning away from degenerecy, filth, smut. airports rather than bunkers. no more friction.

parklife!

their finest moment, darren emerson knew a thing or two about the funk.
https://www.youtube.com/watch?v=jGWx5EPdz7w

Nothing else really like it in their discography.

i'm not going to listen to all 7000 minutes of that […] Nothing else really like it in their discography.

🧐

just listen to paul hardcastle - king tut m8.

Just point yourself in the direction of your dreams
Find your strength in the egyptology melodics
And make your transition into becoming a tyranical pharoah.

It's more that I just don't get the appeal. They had their 90s lager lout moments with the first album and born slippy - which I don't necessarily like but I can at least appreciate as a reflection of a particularly mid 90s British cultural moment. Now they just seem to be piggybacking over whichever populist trend will make them vaguely relevant, which is kind of sad and tryhard.

― toxic psycho "gifted child" asshole (RobbiePires), Sunday, 7 November 2021 23:07 (yesterday) bookmarkflaglink

Can I please come and live in whichever universe you're in, where the delicious 11-minute spoken word beauty of 'Dune' is considered a populist trend.

As far as I'm aware the ritual backlash against trance hasn't happened though as one would expect it to. If anything, it's all over a lot of contemporary techno and house, see that Roza Terenzi album - sounds like a record which would have come out from the English prog superclub scene of the 90s.

― toxic psycho "gifted child" asshole (RobbiePires), Sunday, 7 November 2021 17:15 (yesterday) bookmarkflaglink

the death of both the UK and Euro hardcore continuums, the gothification of industrial techno, lo fi house, the victory of tech house.

― toxic psycho "gifted child" asshole (RobbiePires), Monday, 8 November 2021 00:22 (three hours ago) link

the rehabilitation of new agey aesthetics, the turning away from degenerecy, filth, smut. airports rather than bunkers. no more friction.

― toxic psycho "gifted child" asshole (RobbiePires), Monday, 8 November 2021 00:24 (three hours ago) link

This feels like a convenient narrative folding in the last thirty years of dance music, which could make sense if one is applying a reynolds circa 1995 lens and not directly engaging with events on the ground and/or how sonics change meaning over time as the social context for them also changes.

In particular, I can see how for soapbox purposes it might be tempting to set up this oppositional narrative where trance and new agey aesthetics are opposed to degeneracy, filth and smut ("airports rather than bunkers") - but that rests on a bunch of unspoken assumptions regarding who is currently listening to trancey techno with new agey motifs, why, how, and what all those choices mean.

First, if we're gonna conflate Roza Terenzi with trance or prog-house revivalism (and why single out her? Bicep both make more sense and are a better stand-in for "mainstream" trends; Modern Love sounds more like B12's Time Tourist in truth), it's important to note that her scene is not really about reviving trance (or prog-house) per se but is rather stealing ideas from trance, techno, 2-step, electro, IDM and breakbeat (circa 1999).

That's hardly unprecedented or something that in broad terms wasn't happening in the 90s necessarily, but prog-house and trance went there only briefly and kind of by accident - the East Coast edition of Northern Exposure 2 is my standard reference point here, but even that's not a great fit; certainly we're not talking about Tripomatic Fairytales or An Accident In Paradise or Vorsprung Dyk Technik or Ima or even Northern Exposure 1. A more accurate but more boring comparison might be the Plank and End labels - although again that might well be accidental. Sonically, I tend to think the particular constellation of stylistic influences at least implies a certain exhaustion with house, which as a rhythmic template has been broadly dominant for the last 20 years or so.

None of which is to deny that on occasion artists within this scene play with more overtly trance signifiers, or that there isn't a lot of more (sometimes overlapping but most unrelated) straightforward 90s trance revivalism at the moment within hard techno scenes - though whether it's framed as a fashion thing (say, Charlotte de Witte remixing Age of Love) or as just people doing basically what they've always done (say, Chris Liebling) largely depends on the examples you point to.

What's the attraction of trance revivalism for people at the moment? IME it has been embraced most enthusiastically at clubs and parties that promote themselves as very queer, with a strong emphasis on trans and gender fluid audiences. They're typically very sex positive, costume heavy (craft-ish dress-ups somewhere between ravey and titillating) and druggy - a lot of ketamine, acid, nangs, pills and amyl. They're also often rudimentary / outdoorsy set-ups: bush doofs and illegal parties in parks and nature reserves rather than big clubs (what clubs I've heard this music in tend to the smaller side - and yes, often they're in basements). I read the new age / PLUR vibes as being in part about reviving the pageantry of nineties rave and in part because the utopianism of the music seems to chime in with the "we're making a future society" dreams (or more cynically, pretensions) of a lot of the audience. But a big part of it is probably just that trance is druggy, and in particular works well with ketamine.

I'm not going to make grand claims for any of the above - there's nothing terribly earth-shattering about young people taking drugs and trying to make their home-brand versions of Burning Man - but I'm dubious of attempts to project some binary of dance music which is middle-class/safe/white/sexless/funkless/commodified/ versus the edgy and exciting and sexy music of the intransigent working class youth or whatever - seems like it's a lot harder to make stick in 2021 than it was in 1995. (in any event: "proper hard techno, gabba, psychodelic acidic mayhem, industrial freakbeats, dub abstraction" - this just sounds like a DJ mix for an art gallery installation at this point, other than that I'm not convinced "industrial freakbeats" is a thing).

Not that any of this has that much to do with underworld, mind. But then you seem to be mashing together a whole bunch of only-tenuously-connected-or-reality-based propositions, so maybe that isn't really surprising.

their finest moment, darren emerson knew a thing or two about the funk.

Nothing else really like it in their discography.

― toxic psycho "gifted child" asshole (RobbiePires), Monday, 8 November 2021 00:43 (nine hours ago) bookmarkflaglink

Great track, sure, but isn't it kind of boring / tired / small-minded to just check for their one blatant martian tribute?

Does killfile still work on this thing?

I'm dubious of attempts to project some binary of dance music which is middle-class/safe/white/sexless/funkless/commodified/ versus the edgy and exciting and sexy music of the intransigent working class youth or whatever - seems like it's a lot harder to make stick in 2021 than it was in 1995. (in any event: "proper hard techno, gabba, psychodelic acidic mayhem, industrial freakbeats, dub abstraction" - this just sounds like a DJ mix for an art gallery installation at this point, other than that I'm not convinced "industrial freakbeats" is a thing).
― Tim F, Monday, 8 November 2021

ha. Industrial freakbeats was coined by DJ Kovert (of praxis fame) an area of hardcore I don't think you have ever had much interest in (so I can't take much credit for that one, I'm afraid.)

Again I don't have an issue with trance, my issue is with the pilfering of the most tired and stayed aspects of it, why not for instance reference old 150+ bpm german hardtrance, played by the likes of M Zone at all the big raves? or even if we're chiming in with the queer angle, Tony De Vit style big pianos/hoovers handbag and hard house? Must I remind you of your posts on dubstep vs UK funky in 06-07? Insofar as there is any sort of class dichotomy, it's about dilution rather than an opposition.

This could almost be a thread of its own: whether there is any contemporary dance music that is not apt to be described as insufferably middle class and conservative at this point.
― Tim F, Tuesday, 26 October 2021

I mean this might be completely true, but then cue hungry wives song, where do we go?

also nothing wrong with funklessness, but only and only if the music in question fully embraces it! https://www.youtube.com/watch?v=NuluJnFRE-0

It's possible you spend way more time thinking about trance than anyone else here.
― Muad'Doob (Moodles), Sunday, 7 November 2021

Perhaps. It has mystified me after I dropped 15 tabs of lsd one saturday evening completely in an alternate reality, whizz bang explosions, pyrotechnics, saddam hussain being skewered into a kebab, and yet, still, i couldn't enjoy it when the hosts put it on.

revisiting the drift sampler today. amazing how it's their best record since beaucoup fish and yet only hints at the brilliance of the overall project

my only real nitpick is that a lot of the tracks may have benefitted from a proper studio master...the hi-hats are too sharp and some of the tracks sound kinda thin. like listen to the loop in "Big Bear", it's almost like it was mastered for laptop speakers. though I guess if they'd taken the time to do all that it would've messed with the concept of the project. most of it does sound really good.

curious what they've been up to since this wrapped up. Karl made it sound like they were still in the midst of a big creative outburst but we've heard virtually nothing since the pandemic started.

still haven't listened properly to Drift

Beaucoup Fish was and will always be one of my favorite albums from the 90s

https://www.youtube.com/watch?v=YLDOLgxuii8

Big Bear is such a fucking jam

Spent a while the other day reading about this band on here. Never listened before. Gave Big Bear a try in the evening. The next day,
I listened to the "Space" record (the one that closes with Big Bear) four times. Holy HELL

They have an insane amount of great music out there let me know if you want a Spotify playlist or something

Three playlists in the poll results thread iirc

Frogbs, I'd love to see a "deep cuts" best of since it sounds like there's a lot of top-drawer material outside the major studio albums. Remixes and alternate versions and B-sides and old songs getting remade and picking up slightly different names, those kinds of things...? Or do the two compilations with years in the titles (are they compilations?) mostly have it covered?

Not a hurry in any case, I think I'll be luxuriating in these Drift albums for ... months?? I've been altering Drift 4/Space and Technodelic all day every day. Can't get enough. Yesterday I tried Drift 1 since the consensus seems to be that it's the least awesome one. But it sounds just as good as Space.

I'm loving Karl Hyde's vocals. They remind me of David Longdon from Big Big Train, same early Genesis influence, maybe? Smooth and powerful. I didn't like Longdon at first either -- that kind of delivery is so earnestly emotional that I immediately distrust it. Yeah they can sometimes veer cheesy (not on Big Bear, Karl kills it on Big Bear) but pretty soon the way the vocals work with and against the music becomes interesting. The lyrics are both vivid and vague: striking enough to pull me out of the music's spell at odd moments, so that I start thinking, "Huh, I wonder why he chose THAT phrase for this spot," and then the things I start thinking about as a result get colored by the melody or synth texture or some shift or drop in the beat and then I have no idea where or who the hell I am, there's just this world I'm lost in the middle of... what a rush! And the feeling is addictive! There's seven songs on Space and already I get that "oh hell yes THIS ONE" feeling with each.

But I'm glad I heard Big Bear first. That song is so awesome and the vocals so fierce and the lyrics so good that I thought, "What the hell? People don't like this band because of Karl?" Then heard the rest of Space and thought, "Oh, okay, I see why he's divisive" -- but it was too late, I'd already heard Big Bear. CLEARLY the man knows what he's doing. And sure enough...

It was such a treat when Drift was coming out weekly, just this wonderful endless-feeling stream of great stuff. I hope they do it again.

here's quite a few non-album/obscurities highlights:

Dark & Long (Thing in a Book)
Dark & Long (Most 'Ospitable)
Dark & Long (Dark Train)
Spikee
8 Ball
Twist (Music Bank Jam Take 7)
I'm a Big Sister, and I'm a Girl, and I'm a Princess, and This is My Horse
Why Why Why
You Do Scribble
Born Slippy
Mother Earth (FM Mix)
Airtowel A2778 Live Jam for Web Dec 2000
Oich Oich
Deep Arch
Twenty Three Blue
Please Help Me
Ramajama
Parc
Cherry Pie
Pearls Girl (Tin There)

note that a track being labelled a remix or having is not a reliable indicator of whether it really is a remix - "born slippy" and "born slippy .nuxx" are unrelated, as are "dark train" and all of its 'remixes', but "pearls girl (tin there)" really is a remix of "pearls girl".

i recommend just going through the albums in chronological order firs though, starting with dubnobass. the 1992-2012 and 1992-2002 compilations aren't anywhere near comprehensive

Excellent revive.

If you think this fondly of "Hundred Weight Hammer", I don't think you're going to be put off by really any vocals. I'll be replaying the "Space" disc today.

had not heard Big Bear before, why the fuck did they leave this off the initial release of D4????

their post-Barking era has been really excellent, moreso because that felt like a bit like a veteran act releasing a vv professional, solid, legacy type work vs exploring exciting new terrain. The Eno/Hyde albums, Edgeland, BBWFASF, Drift, the recent singles...just a great time to a a fan.

basically a solid decade of uninterrupted unpredictability

"that felt like a bit like a veteran act releasing a vv professional, solid, legacy type work"

what is "that" here, Barking or the post-Barking era?

Barking imo

ufo’s list is really good, I’d add Bamboo and Puppies off the top of my head. Food a Ready/Back in the Fears is amazing too if you like the more New Wavey side of them. Which I think you would.

I’ve been listening to them since I was 13, so Karl’s lyrics never really struck me as being that unusual…until I started revisiting his work. He’s got sort of an Eno approach, idk how much sense the songs are supposed to make, it’s more a collection of phrases that stuck in his head

i like it well enough but it's not really the Underworld i ever want to listen to though i know for others it's a bit better than that xp

i always associated karl's lyrics with nighttime driving or commuting, everything you might see around you in overheard snippets or on the signs you pass by

yeah agree about Barking, it's a worthwhile listen but hasn't carved out a distinctive spot in my mind

I love the Eno/Hyde records

Also I think they are gonna be announcing a new album very soon and thus far the new stuff they’ve been playing live has been incredible, so nows probably a good time too

Anything very recent to make you think that? The "And the Colour Red" single was 9 months ago!

i was looking at the wrong thing... 13 months ago lol. That was around the time a handful of songs were debuted live.

Denver Luna came out in October

I mean the beginning of this slow trickle. With the Colour Red single they wiped their social medias and all that stuff that might make you expect a new album cycle kicking off. It's been nice anyway. I like the Kettama tracks too.