I liked the use of color, black & white, and red tinted film to signify mood. All of the dance sequences, the bagpipes and traditional music vocal tracks, the exotic sounding horns and recorders, the religious images and images of lambs and goats were phenomenal.
― Dan S, Wednesday, 1 May 2019 02:50 (three years ago) link
The hyperactive camera was over the top but in a pleasing way, and the story of lost love was moving
― Dan S, Wednesday, 1 May 2019 02:57 (three years ago) link
I was struck by how everyone went around carrying and using axes
― Dan S, Wednesday, 1 May 2019 02:58 (three years ago) link
The Color of Pomegranates is at the National Museum of Asian Art (the Smithsonian is in the process of unpersoning Freer and Sackler) this Saturday. Is anyone else interested in going? Can anyone here convince me to overcome my exhaustion and go?
― Life is a banquet and my invitation was lost in the mail (j.lu), Wednesday, 26 February 2020 16:56 (two years ago) link
i mean, parajanov on the big screen sounds fucking awesome!
― Fuck the NRA (ulysses), Wednesday, 26 February 2020 20:13 (two years ago) link
I first saw The Colour of Pomegranates on a dbl bill with Tarkovsky's Stalker at The Scala in Kings Cross - those were the days!
Because the filmography is so small, I think he's one of those people who never made a 'bad' film - it's all of interest.
― Ward Fowler, Wednesday, 26 February 2020 21:07 (two years ago) link
― xyzzzz__, Saturday, 19 September 2020 13:01 (one year ago) link
yeah just a few subtle allusions
― Fuck the NRA (ulysses), Saturday, 19 September 2020 14:07 (one year ago) link