I feel like more time passed than is apparent. At least from the states perspective....the timeframe between the release of SAW and it's press/hype, and the eventual us wax trax/tvt release of Surfing felt like a different era to me.
― dan selzer, Wednesday, 24 April 2019 03:14 (three months ago) link
Surfing on Sine Waves was stickered saying it was Aphex Twin
in the US, too? (Dan?)
(it's a moot point re this thread bcz Josh knew anyway, I'm just curious)
― blokes you can't rust (sic), Wednesday, 24 April 2019 09:10 (three months ago) link
It's been a looooong time, but while I *knew* that Polygon Window was Aphex Twin, I really don't remember it stickered as such. I just thought it was a side project of sorts, and tried to determine how it was different from the "real" thing. I did know about Aphex Twin beforehand, but I'm not sure what I'd heard of his, if anything, so I must have based my purchase on a review I read somewhere (The Wire?). I'm not sure when I first saw SAW in the shops here, but I know I didn't feel like paying $30 or whatever for it on CD. I don't think I heard SAW until after the release of SAWII, but again, it's been a looooooong time.
― Josh in Chicago, Wednesday, 24 April 2019 11:59 (three months ago) link
I don't know if the US version was stickered. The album was very heavily promoted and written about here in the UK and "Quoth" had already been a very big club hit. Not sure The Wire would have covered it though - i can't recall if they had quite got to this kind of thing yet by that point.
― stirmonster, Wednesday, 24 April 2019 12:32 (three months ago) link
also, the track "polygon window" was on warp's artificial intelligence compilation which had been a big deal.
― visiting, Wednesday, 24 April 2019 14:52 (three months ago) link
As memory serves this stuff was coming out fast and furious as soon as labels like TVT started distributing. There was like a backlog that kept hitting the shelves. At the school paper I remember being excited every time something from TBT arrived, even though it was often forgettable stuff like Rise Robots Rise iirc.
― Josh in Chicago, Wednesday, 24 April 2019 15:08 (three months ago) link
― Josh in Chicago, Wednesday, 24 April 2019 15:33 (three months ago) link
My memory is that SAW and SAWII received a wider critical reception, had better distribution and had generally remained widely available. Surfing On Sine Waves, stop me if I'm wrong, actually went out of circulation at some point, and while not rare exactly, was a bit trickier to find... the early AFX and Caustic Window records were somewhat similar in that respect. I don't remember people not realising that it was all being produced by Richard James at the time, at least in my circle of DJ friends.
― MikoMcha, Wednesday, 24 April 2019 15:42 (three months ago) link
“It’s these people called Aphex Twins” 😭 pic.twitter.com/G6aygIiaFL— arj (@shempiii) April 27, 2019
― Jersey Al (Albert R. Broccoli), Saturday, 27 April 2019 19:04 (three months ago) link
Great retrospective SAWII review by Sherburne: https://pitchfork.com/reviews/albums/aphex-twin-selected-ambient-works-volume-ii/
― blokes you can't rust (sic), Sunday, 5 May 2019 21:27 (three months ago) link
It was a great piece, provides lots of context.
― Josh in Chicago, Sunday, 5 May 2019 21:40 (three months ago) link
trying not to take the bait on that rating
― but everybody calls me, (lukas), Sunday, 5 May 2019 22:20 (three months ago) link
what sort of maniac reads a numerical rating on a record review
― blokes you can't rust (sic), Sunday, 5 May 2019 23:08 (three months ago) link
Good piece. (I think the album deserves a 10, if any album does...)
― get your hand outta my pocket universe (morrisp), Monday, 6 May 2019 00:22 (three months ago) link
in the unlikely event anyone wants Collapse but doesn’t have it, send me a webmail and i’ll send you a download code
― but everybody calls me, (lukas), Monday, 15 July 2019 22:00 (one month ago) link