The Charts: Classic Or Dud

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well put!

fields of salmon, Friday, 5 April 2002 00:00 (twenty-two years ago) link

Fields of Salmon is dead right. The charts are irrelevant in the US because they are fixed and never change. This also maybe accounts for the US/UK music crit schism between tradition/novelty (that and the fact that the UK has no indigenous music heheh).

At this point, a Most Downloaded chart would be the most interesting, I think.

Ben Williams, Friday, 5 April 2002 00:00 (twenty-two years ago) link

Interesting theory, but who'd cop to it, Ben;>?

I happily download music I like, but I doubt the RIAA would suddenly say, "All those who don't buy the CDs raise your hands".....

Since today's US charts seem to be ruled by Limp Bizkit and such ilk, I wonder whether it's really a matter of personal taste....or is it more that a group of people decided to buy an album, just because the charts call it popular?

Despair for fellow independent thinkers....

Nichole Graham, Friday, 5 April 2002 00:00 (twenty-two years ago) link

it's a very tricky situation:

the "charts" constitute the average person's main method of exposure to music, by hearing the songs on radio and in clubs. in that respect, people do buy the limp bizkit album because simply because it's on the chart. can we really fault that? if there are no other avenues for music to be presented, can we blame someone for making what they think is an informed choice?

unfortunately, the charts are rigged. who buys the records? young people, and a lot of them aren't actually buying that crap. there's thousands and thousands of sweaty kids getting down right now to some angular indie rock band in the american midwest. i've never heard of this band, but maybe they'll show up on jade tree in a year or two. how do all those sales on college campuses and record shops figure into the charts? they don't. same with the amazing new house music we've not heard of yet that's getting people really high at clubs. people are out there loving new stuff. people love music and they're curious about it. but there's no reflection of this in mainstream charts because it's a three-ringed circus of record companies, radio stations and media conglomerates.

it's sad to me, but i guess not everyone finds music as important as we do. i guess most people don't think about the politics of music enough to really concern themselves with whether or not the charts are accurate. can we really fault people for being ordinary?

fields of salmon, Friday, 5 April 2002 00:00 (twenty-two years ago) link

Surely the reason people buy singles is because they know what it sounds like and want to be able to hear it whenever they can

Pete talks utter nonsense here. And this the reason I wuv the charts.

Graham, Friday, 5 April 2002 00:00 (twenty-two years ago) link

the anti-chart args here are also all args for not buying or reading newspapers
i don't buy any of these args, they're too often based on vague assumptions about other non-present people, generalised and a bit insulting: BUT ALSO I DON'T BUY OR READ NEWSPAPERS EVER BECAUSE THEY ARE STUPID RUBBISH. Ahem. Is this not somewhat contradictory of you mark s?

So I was thinking about that. Obviously reading the Guardian every day doesn't make Momus a conformist, anymore than listening to the charts every week makes me one. So what exactly is it abt a newspaper that fills me with the same kind of rage that he feels towards the charts?

The only thing I came up with was this: I'm a working writer, and just arbitrarily exposing myself to someone else's agenda — random to ME but yes, perhaps not to them — can be very extremely derailing and distracting; I get annoyed at things that just happen along (the current events that "everyone"s talking about") and then can't focus on what I'm really trying to work on. So I deliberately DON'T read newspapers: and I rationalise this self-cocooning by telling myself that I'm missing nothing, because it's ALL peabrained halfbaked cliche anyway — what the fuck could I possibly learn from it? And I don't have to read it to know it.

Momus is a working musician: possibly quite a lot of anti-chart arguers here are. Maybe working musicians hate the thing I like about the charts — the intrusion of the unexpected, finding you like something you would prefer to hate, because it fucks with your head exactly where you have to be careful about what you let in. Creativity is about being selectively closed-minded: not a bad thing so much as an unavoidable thing. I try to manage and play with my prejudices — when I'm aware of them — so that they push me in unexpected ways. (So yeah, the fickle swiftness of the UK charts IS a bonus there: it's kind of a handy map of "Things a lot of people think they like which they probably won't for long" => I quiz myself: Do I? Could I?)

Right, I'm off to buy some anadin extra, some coffee and the paper. For the Guardian Guide you clowns: Television is where it's really at!

mark s, Saturday, 6 April 2002 00:00 (twenty-two years ago) link

"the thing I like about the charts — the intrusion of the unexpected, finding you like something you would prefer to hate, because it fucks with your head exactly where you have to be careful about what you let in."

The US charts are the exact opposite of this. They are everything you know already. You don't even have to look at them to know what's there.

Ben Williams, Saturday, 6 April 2002 00:00 (twenty-two years ago) link

it's the bbc radio one uk top 40 chart rundown!! hurrah!! back at 7.oo!!

mark s, Sunday, 7 April 2002 00:00 (twenty-two years ago) link

six years pass...

listening to this on iplayer now
http://www.bbc.co.uk/radio2/documentaries/riseandfallofthecharts.shtml

Yentl vs Predator (blueski), Sunday, 7 December 2008 12:47 (fifteen years ago) link

ten years pass...

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