rolling Afropop / Afrobeats / Afrodance 2019

https://www.youtube.com/watch?v=B4_xrzuPgDU
Danish remix (by Nandu) of a South Sudanese song (by Nyaruach) on the inevitable MIDH afro-house label. One day I'll just check all their catalogue.

Was just looking at the Shazam charts for Atlanta and fall by davido is currently at number 2?

Very interesting. More here:

https://www.rollingstone.com/music/music-features/davido-fall-us-radio-shazam-780079/

Seems consistent with someone (here? I forgot) mentioning hearing Davido blaring from cars in New York all the time these days.

After a disappointing 2018, “Cette Année” things might be looking up for Serge Beynaud:

https://www.youtube.com/watch?v=TObwKz8RjvM

(I am a bit shocked by the fact that he seems to have lost his dance crew though)

The new Vanessa Mdee is interesting in that it’s the first time Distruction Boyz venture across the border (apart from a Mr Eazi remix) and also the first time they’re doing a pop production:

https://www.youtube.com/watch?v=QI3SlwH_dXc

Vanessa Mdee ft. Distruction Boyz, DJ Tira & Prince Bulo • That’s For Me

Naija Dance Special, Vol. 1

“Change your style, another style”:

Things are moving really fast - DMW and Davido have traded in the FreshVDM sound for that brand new Rexxie + Zlatan thing:

https://www.youtube.com/watch?v=TBs9vrPS9oc

DMW feat. Davido & Zlatan • Bum Bum

I like Rexxie (and hey, there’s Zlatan again) better on stuff like this:

https://www.youtube.com/watch?v=i2jLq7aKxqk

Akintunde feat. Zlatan • Capable

I can see this sound burning out real fast with all the exposure it’s getting. Better enjoy it while it lasts!

The wonderful thing is that there are all kinds of crazy dance tunes coming out of Naija right now. Check this one with an almost Ghanian feel (compare it with Eddie Khae’s “Speak In Tongues” upthread, for instance).

https://www.youtube.com/watch?v=0h_B8liZdEQ

DJ Wizziano ft. BaseOne, Mr. Real & CeeBoi • Malokako

I love that skittery hi-hat or whatever it is, and what’s that brass thing doing there?

Those Rexxie tracks sound to me a lot like the circa 2012 "afrobeats" that kicked off ilm's interest in this stuff: Lapaz Toyota, Skelewu, etc. Things got so lush last summer, I'm not surprised if there's a swerve back toward these lower-fi, dancier sounds

61: Wizkid (Starboy) – “Soco” – 180 points – 6 votes – 1 first place vote in ILX 2018 top 77 tracks vote

Cause for celebration, for sure.

But still: Too fucking low!

https://www.youtube.com/watch?v=hMuFO9nhtfA

this is from last year but just discovered it and i love it, chill nigerian rap

Yeah, nice one, and alté at that!

(for searching purposes, that’s “Rapid Fire” by Santi ft. Shane Eagle & Amaarae)

I like this Ghanaian rap track, “Pawa” by Worlasi:

https://www.youtube.com/watch?v=AIeRrgRSr_E

Naija Love & Blessings Special:

• Teni is going from strength to strength. Here she is helping out Boj on “Obe”: https://www.youtube.com/watch?v=Ao5yjF_qZoQ

• Adekunle Gold and Simi celebrating their marriage on “Promise”: https://www.youtube.com/watch?v=iXZBrx_H-yA

• Simi solo, produced by Legendury Beatz: https://www.youtube.com/watch?v=W3dymeqbtOU

• Tekno low-key celebrating gender equality on “Woman”. It’s a good look for him: https://www.youtube.com/watch?v=obadozWVeCo

ok I think that's the first Teni song I've really liked, was really wondering what I was missing with her

(btw, the title of the Simi is “Ayo”)

BREAKING NEWS:

The Sun-El Musician - Africa to the World thread has been repurposed. From now on, and with immediate effect, it will be known as THE HOUSE OF SUN-EL: Sun-El Musician, Simmy, Mlindo The Vocalist, and other related artists, I repeat: “THE HOUSE OF SUN-EL: Sun-El Musician, Simmy, Mlindo The Vocalist, and other related artists”. And if you don’t know, now you know.

Nice.

Interesting P Sherburne piece on "Township Funk": https://pitchfork.com/thepitch/the-strange-story-of-township-funk-the-unlikely-hit-that-helped-south-african-dance-music-go-global/.

I had no idea about Dissensus's role in its popularity, that is wild

This was playing in a sneakers shop here in Oslo today:

https://youtu.be/K3zRmjY6Vcg

It’s nothing special but I was delighted to hear the Spellz drop while I was trying on shoes.

Ha, did you get bored during the rollout too, longneck?

Narrator: longneck posted Bils ft. Kida Kudz & WavyTheCreator • DND

Lol, yeah. I’m afraid the best part of the poll is over now.

lol hence my reviving the soca thread yesterday

Mayorkun’s voice and the Killertunes sound gel really well, so this is fun:

https://www.youtube.com/watch?v=djHBEqabUhE

Busta Pop ft. Mayorkun • Masha Kilo

Naija Dance Special (Interlude)

Fuji gqom anyone?

https://www.youtube.com/watch?v=YsvAJ69YNvA

Qdot • Gbese

Damn, this is a GREAT video. I remember “complaining” a year ago that Naija shaku shaku dancing was kids play compared to what the Angola kuduro crews were doing, but they’re catching up!

Gqom fuji would be more apt, I guess. Anyway, great track, and once again, GREAT video.

Mayorkun - Sope (from his nov. 2018 album)
https://www.youtube.com/watch?v=TwIdk6EWbEg

only just started delving into Kenya's Muthoni Drummer Queen album but it's terrific so far

https://youtu.be/KpgCf5ZlDqk

I’m going to personally will Serge Beynaud into a great 2019. His new one (so quickly!) is a lot more fleshed out than mission statement “Cette année”. Most importantly, the dancers are back!

https://www.youtube.com/watch?v=hv7zREjc9f0

Serge Beynaud • Kota na Koto

Any thoughts on this Okayafrica piece?

Call Us By Our Name: Stop Using 'Afrobeats'

It does seem to me to be a very reductive name, but at least it's better than "world music."

"kota na koto" rules so much, glad serge is as great as ever

that piece is interesting and pretty agreeable. it would also make it easier to talk about and dig further into african pop in general beyond my current dabbling if i knew what all the various genres and regional scenes were actually called, hopefully i'll get there eventually

A much simpler and respectful solution, is to refer to what is currently known as Afrobeats as pop music from a specific country (i.e. Ghanaian Pop Music) and to other established musical styles by their local names—"highlife," "fuji," "gqom," "bongo flava" and so forth, equipping new listeners with the right vocabulary to experience the varying cultures.

This seems pretty inarguable; the comparison to k-pop/j-pop/c-pop is also a good point. We talked at one point last year about separate threads for different scenes/countries but the feeling was that ilm couldn't sustain it. Idk, maybe we should have done it anyway?

I guess it's really down to context isn't it? I mean, I have trouble explaining to most people what I mean when I say I like 'afrobeats' or 'afro-pop', so trying to describe it in terms of 'Gqom' and 'Shangaan' etc (not to mention my own dilletantism when it comes to the various countries and genres) can be a bit dizzying. Of course in the context of journalism and online discourse, yes be as accurate as possible.

A general afrobeats thread is suitable for ILM and it's great we've seen spinoff threads for Sun El Musician and Burna Boy etc etc

Yeah I retract my thread question--generally everyone is good about identifying which country tracks are from. And I was going to mention I don't know what "bongo flava" is so I'm not sure how reasonable "call it what it is" is in practice. On the other hand I usually tell irl people I like "Nigerian (pop) music" rather than "afrobeats," which tbh doesn't have a lot of currency in north america afaict but obvs may be different in UK

I live in fear of needing to pronounce gqom in real life

oh gqod yeah

I though 'afrobeats' was a fine name when it was specifically referring to pop music from Ghana and Nigeria that was being played at parties with West African immigrants in London. But it quickly became meaningless, and even more so once everything from Serge Beynaud to Sauti Sol and Sun-El Musician was included.

That's true, and in that case the connection to Afrobeat was an intentional if ultimately wrong-headed nod to afrobeats being West African

Of course they (=OkayAfrica) are absolutely right. Afrobeats has always been an extremely clunky name. Afropop is more neutral at least, even if it’s even more of a catch-all term really. I understand it to mean “African pop music in all its many forms and manifestations”, not as a single type of music.

Having said all that, I’m continuously in two minds about this when it comes to ILM.

As I wrote just last week on the repurposed Sun-El thread: “In a perfect ILM world we would have separate Rolling South African, Rolling Nigerian, Rolling Ghanaian, Rolling East African, etc etc threads, but with the current level of participation/enthusiasm being what it is, one catch-all Rolling Afropop thread is enough imho.”

My fear is that the low-level focus there currently is will dwindle into insignifance, with two or three people frequenting the Ghanian thread, one person occasionally posting Tanzanian stuff [there’s your bongo flava, rob] elsewhere, etcetera. But maybe I’m just (self) concern trolling here. For all I know, it could actually ground and nurture posters who like to focus on one particular sound or region.

Country vs genre is another interesting issue.
I would prefer a Naija Pop thread to separate threads for fuji, highlife, etc (unless of course we’re down for some real hardcore specialisation) because all these genres coexist and mix and mingle so much within Naija’s ever fluctuating music machine.
South Africa feels different (to me anyway). It will be interesting to see what the repurposed Sun-El thread will become: will it remain a thread for the extended Sun-El family, smooth Afro(!)house plus smooth SA r&b (which is a misnomer, but I’m not familiar with the SA genrefication) of the likes of Mlindo (Sjava has already shown up)? But how about gqom? Where will I post the next banger? And how about SA rap? I’m still leaning towards the Rolling thread, but it’s becoming more and more arbitrary.

(I wrote this after rob’s first post, some of you may have addressed some of these points already)

Country vs genre is another interesting issue.
I would prefer a Naija Pop thread to separate threads for fuji, highlife, etc (unless of course we’re down for some real hardcore specialisation) because all these genres coexist and mix and mingle so much within Naija’s ever fluctuating music machine.
South Africa feels different (to me anyway). It will be interesting to see what the repurposed Sun-El thread will become: will it remain a thread for the extended Sun-El family, smooth Afro(!)house plus smooth SA r&b (which is a misnomer, but I’m not familiar with the SA genrefication) of the likes of Mlindo (Sjava has already shown up)? But how about gqom? Where will I post the next banger? And how about SA rap? I’m still leaning towards the Rolling thread, but it’s becoming more and more arbitrary.

(I wrote this after rob’s first post. Some of you may have addressed some of these points already)

Sorry for double posting!

Gqom and other SA house are starting to blend a bit too - Club Controller seems like a good fusion

Re: thread splitting, I immediately changed my mind and dog latin is otm with: "A general afrobeats thread is suitable for ILM and it's great we've seen spinoff threads for Sun El Musician and Burna Boy etc etc".

separate genre threads would be madness, though iirc there actually is a highlife thread

If you're curious: Tell me stuff about highlife music

I wouldn’t say so. While it’s true that some old-school kwaito/house producers and artists are incorporating gqom in their sound, there is a world of difference between the (mainstream) gqom of “Banomoya” and for instance the recent Busiswa album, and the Sun-El sound of “Akanamali” and everything Simmy.

And then we haven’t even mentioned people like DJ Sumbody and your beloved Master KG who are doing something else altogether, somewhere halfway the smooth <> hard-hitting spectrum.

xps to dog latin

well yeah, can't argue with that - there's definitely a spectrum of sounds

The thing with highlife: there’s “classic” “old school” highlife - that’s what that thread is about, I think, and there’s highlife as it is understood within current West African pop music (which is what OkayAfrica was referring to). In Nigeria, Kiss Daniel brought highlife back to the pop frontline with “Woju” and “Laye”(not that it’s ever not been a presence), and I guess Teni would be highlife as well.
In Ghana, Bisa Kdei is modern highlife, but Kidi and Kuami Eugene are pop highlife as well (and then if course there’s hiplife).

Same thing with fuji in Nigeria. There’s classic fuji for the older generation, but it’s also changing and adapting with the times (a lof of “street music” is in fact just that afaiui). I posted a gqom-informed take on fuji just yesterday. Do treat yourself to Qdot’s “Gbese”!

A general problem for me with all of this music is that I'm reasonably informed about 60s/70s (esp. the latter) African music--not every country of course--but I really don't know what was going on in the 90s and 00s. So while I noticed you calling that song fuji, the lineage is pretty hard for me to discern. (I'm also not trained in music, so if the connections are more abstract things like rhythm patterns I'll probably miss that too.)

Like I think I have a decent sense of what 70s highlife is and could identify previously unheard tracks as highlife, but it wouldn't have occurred to me to call Kiss Daniel highlife as much as I recognized what he was doing sounds older/classic-al compared to say D'Banj or Wizkid

I live in fear of needing to pronounce gqom in real life