Post a controversial music opinion

MatthewK's "Wish You Were Ear" is very good btw

shit why didn't I do Popper at the Gates of Corn, hindsight is 20/20

an album with lots of great vocal hominy

should be The Final Cob

even better: The Final Shuck

A Saucerful of Niblets

I always think of The Wall as an album for moody teenagers. I keep having to remind myself that it was mostly written by a man who was 36 when it was released.

shoulda called it Regretful Expectorations

A Saucerful of Cheese Grits

Astronomy Hominy

I'll stop now

Wish You Wear Heels

"I always think of The Wall as an album for moody teenagers. I keep having to remind myself that it was mostly written by a man who was 36 when it was released."

Why would you keep reminding yourself of that?

Isn't he just writing from a younger person's perspective, like 30-something Salinger writing "Catcher In The Rye"?

Anyway not controversial to love or hate Pink Floyd. Sometimes people even flip-flop

http://classicalbumsundays.com/wp-content/uploads/2017/01/503c5_johnny-rotten-pink-floyd.jpg

"You'd have to be daft as a brush to say you didn't like Pink Floyd," - Johnny Rotten Lydon

PINK FLOYD RULES!

I Love Music.

Isn't he just writing from a younger person's perspective, like 30-something Salinger writing "Catcher In The Rye"?

― nicky lo-fi

ok, comparing roger waters to salinger is taking things a little far

on the other hand, i'm not sure why a 36-year-old rock star should be expected to show the wisdom and maturity of an adult, or why it's a particular knock against him that he's not "mature". this is one of his great strengths as a lyricist. david gilmour "matured" and his lyrics are boring as hell.

The album is about a mid-life crisis, surely? Pink recalls childhood but also recalls his failed marriage and musical career.

Not having an opinion about Pink Floyd at all would be kind of controversial.

Like, I don't know that I find the pov likeable but it does strike me as the perspective of a middle-aged (or close) person. I listened to it most when I was 14 but I think that's more because the sweeping narrative and melodrama seemed most interesting then (or maybe just because I had fewer albums and it was new to me), not because I related to it as such. xp

arrested emotional development or mid-life crisis? maybe one leads to the other?

I think The Who's Quadrophenia (film) seems to deal with, but from the fan's point of view instead of the artist's.

But I mean, that IS the wisdom and maturity of a man in his 30s, a broken and damaged man in his 30s for sure, but certainly the concerns of an adult man.≈

The lyrics of Roger Waters are of no interest to me tbh.

"Shine On You Crazy Diamond" is cringe

I wasn't gonna get in on this but I gotta say in general I find the anodyne, affectless Floyd vocals a v positive feature rather than a bug

"Shine On You Crazy Diamond" is cringe

Yeah, those lyrics have not aged well

i'm increasingly convinced overplay shouldn't affect how you evaluate music but wish you were here is really hard to hear bc of how every song is a classic rock radio staple except "cigar" and the second "shine on"

i still love and am discovering new things about animals however

which really harbors the worst vibes

Maybe I'll relisten to all of Pink Floyd this week. It's been like a decade since I heard most of these albums.

“Crazy Diamond” is good!

I could give a “toss” about the lyrics on Pink Floyd songs, I’ve just generally always enjoyed their sound.

I’ve also always had a bit of trouble figuring out which Pink Floyd dude is singing but I find the vocals always to be good and sometimes great.

boring personal anecdote

in the fall of '89, me and a group of friends, all of us 8th graders, travelled from Wichita, KS to OKC to catch R.E.M. on their Green tour. On the way back, up I-35 in the wee hours, once everyone had talked themselves out and were drifting off, our chaperones put "The Delicate Sound of Thunder" in the CD player of the van. I was only passingly familiar with and of the songs, but the #mood was just overwhelming, and it remains one of the most blissed-out listening experiences of my life. I asked Mrs Brown what CD this was and ponied up for it the next day.

gilmour has a smooth but limited range and waters sounds like he's actively expiring, is the main difference

xp Great story (for real)!

lol thx

for the record i like both too but the first time i heard the wall after dark side i was like "who's this hysterical asshole who can't sing"

(and fwiw that REM show was absolute fire)

Yeah I guess it's Gilmour's voice I like

I like the lyrics to Shine On Your Crazy Diamond. It's all bound up with the story of Syd appearing in the studio. I find the whole package kind of overwhelming.

xxp - I bet, I'm jealous...

xp *You Crazy Diamond, obviously.

I can definitely tell it's Waters when he's in his "i am dying" vocal mode but when he tones it down it's a little difficult to tell the difference and he's a bit more to my liking.

Oh, I actually like the histrionic proto-Arcade Fire vox on Wall stuff like "One of My Turns"/"Don't Leave Me Now". I'd probably like more of that.

Lol at his pitch, listening to the latter now.

"who's this hysterical asshole who can't sing"

LOL, accurate.

love to meticulously write and arrange a double concept album then wail tunelessly over it

I can definitely tell it's Waters when he's in his "i am dying" vocal mode but when he tones it down it's a little difficult to tell the difference and he's a bit more to my liking.

― omar little, Tuesday, January 15, 2019 10:43 AM (twenty-five minutes ago) Bookmark Flag Post Permalink

def true, took me a while to figure out he was singing "brain damage"

Yeah. Like a lot of people, my first Floyd album was The Dark Side of the Moon, and when I think about it Gilmour is pretty much the dominant lead singer on that album. Rick Wright sings parts of 'Time' ("tired of lying in the sunshine" etc.) and does a lot of singing in harmony with Gilmour. Roger doesn't appear as lead vocalist until right at the end of the album on 'Brain Damage/Eclipse' and it's a more reserved version of the Waters Experience that surfaces there - more laid back, in his lower register.

The next Floyd I heard was Animals which is pretty much dominated by Waters in "howl of pain" mode.

Animals doesn't really make sense until you sync it up with Meet Me In St. Louis

I thought it was just me who had hard time telling them apart, cause I do that a lot.
So wait, who sings on Comfortably Numb? I like that delivery