cat person

see: posterboard guy in Love Actually, who maybe is Ted?

Maybe. I think the "friend zone" concept is increasingly recognised as a toxic one these days

these days like in the last few years, maybe
but there are many unaccounted-for years in there where it was not recognized as such
and damage was done during those years -- this seems in part to be about some of that damage?

Yeah he’s a sneaky dude who, as a college student, basically emotionally tortured Rachel and Anna. The woman he threw the glass at him seemed a different casw though—as fgti pointed out, all he did with her was decide to break up with her, unless there is something else Imm forgetting.

*woman who threw

but there are many unaccounted-for years in there where it was not recognized as such

Probably a good move to set this story (the teenage years at least) in the '90s

Originally I thought the idea of a “friend zone” is when two people actually are friends, and have a real foundation of friendship, but one is just secretly in love with the other ne. Now it seems that it’s someone with a secret agenda misrepresenting themselves—which maybe is how it *actually* was playing out most of the time all along

The bigger issue with ted is he never once seems to consider these women’s feelings independent of how they reflect on him. He cares whether he is a “good guy” but he doesn’t really care about the fact that they are feeling hurt.

holy shit though i can't keep track of all of ted's developing feelings because this story is too detailed and boring about anna and rachel and the parties and the moms
it just didn't seem to go anywhere. we are left with idiot jerk ted and that's it

not as good as cat person for sure -- although i do appreciate the girls not being left off the hook. it's not like he's the only bad guy in the story

xp -- which maybe is how it *actually* was playing out most of the time all along no maybe, this is otm -- you can't be secretly in love with someone and pretend to be their friend. you can pretend to yourself that this is what you are doing, but that doesn't make it true. the person who pretends friendship while secretly pining is a person who doesn't care much about the other person's feelings because theirs come first.

“it doesn't seem to occur to him that the disgust he (legitimately) senses from the objects of his affection might rest in the unsolicited/unwanted attention he pays them and/or the way he is objectifying them rather than a reflection of himself”

it might, in part, and it might rest in part on his not being otherwise appealing. Both can be true.

He wants to be Marco who without having to do anything attracts Anna. Without doing anything he “only” attracts Rachel. Desire, our desirability, is partly a function of what we control, and partly not. Ted is learning how to (ab)use the part he can control.

Probably a good move to set this story (the teenage years at least) in the '90s
otm

I just read something where the author said this piece was in response to all the (weirdo) requests to write Cat Person from the man's point of view.

it would have to be the same story then right? i mean, ted is different from [guy in cat person whose name i forget]; they are not the same person? or are they supposed to be the same person?

Oh, i think maybe more a companion piece.

i guess that leads me to my other question after finishing this story -- who is ted then? what is his context? we don't really get much of a clear idea aside from his perspective (from the very beginning) about his sexual performance. i mean, that's a helluva defining characteristic i guess but i don't feel like ted is as real as the people in cat person. idk. maybe some people feel differently if they are/ have been closer to more teds.

Oh wait, I think I read this too fast and I can't find where this came from originally.

The Good Guy https://t.co/4Ysz5MD8fv
From @KRoupenian, the author of the short story Cat Person. pic.twitter.com/HMmXSLDY8D

— AlanPF (@alanpf) January 3, 2019

Ugh, don't know why that is showing up black. Ted and the other guy are kind of the same to me, but Good Guy was just too much of a tedious read right now. otm about reading a whole book of short stories like this but I am not really a short story person. They all have this sense of doom which probably comes from knowing the story is going to end too soon.

like we are plunged into ted's neurosis from the very beginning
in cat people, there was some mystery and the intimate revelations only came up once they went out, etc
ted here is just like pow i think my dick is a sword from the opening paragraph
maybe that was intentional but the difference seems worth noting if this is indeed a "companion piece", like an answer song or whatever.

i can only handle this shit in small blorps -- i don't think i would sit down to read a book of stories about cat people

If you click on that tweet that is blacked out, I misread it and she was writing The Good Guy when Cat Person went viral. She says she sends it to people who ask for Cat Person from the man's point of view.

...unless i or someone i know wrote them and they were true
then maybe i would!

ahhhh that is a very different thing (sending it to people who request "man's pov")
i knew there was more to this!

Yeah, i read it too fast when I was just looking to see if there was any response to the story.

the real story is kind of lol!
and the lack of context/pow with the neurosis makes more sense now!
ted is the guy who wrote the email!

or one of them
i don't really believe we can classify people this broadly tbh

This is making me think there is an audience for Portnoy's Complaint from the piece of liver's viewpoint.

This interview made me more interested in the book: https://fictionwritersreview.com/interview/surprising-things-can-happen-an-interview-with-kristen-roupenian/

It sounds like a lot of it is more horror/magical-realist, not just Cat People studies.

lol at yerac

haven't read this yet:

https://www.newyorker.com/books/page-turner/what-it-felt-like-when-cat-person-went-viral

nyt pan of the book seemed to tell me everything i wanted to know https://www.nytimes.com/2019/01/08/books/review-you-know-you-want-this-cat-person-kristen-roupenian.html

There’s none of the simmer of “Cat Person” or its attention to language in the rest of these stories. Roupenian will work a metaphor until it screams. On a walk in the woods: “The vaginal lips of a pink lady’s slipper peep out from behind some bushes; a rubber shred of burst balloon, studded by a plump red navel knot, dangles from a tree branch, and the corpse of a crushed mushroom gleams sad and cold and pale.”

Yeah, the woods are gross.

So the book is about the destructive outer reaches of human sexuality, not the crushing banality and habituated cruelty of the status quo, it seems.

That New Yorker piece, now I am worried my dog had a UTI at one point in his life and I didn't know.

After “Cat Person” went viral, I sold my first book, a story collection. It’s coming out this month. I’m hoping that the number of monsters and murderers in its pages will put at least some of the autobiographical questions to rest. But, more than that, I want people to read it. I hope they like it. And, at the same time, I don’t want to know what they think about it. I’m sure that sometime, late at night, I’ll go on Twitter and search for my name and try to figure out what people are saying—or not saying—about me and my book.

Her next piece will be how no one is saying a thing about her book and #feelings etc.

the folksy primness of the NYT review was annoying enough to make me want to read the book

Nothing wrong with being folksy or prim

especially when you're an nyt reviewer

Was that a pan? The review read more confused.

I think there were expected something that spoke to the zeitgeist/common experience but found a book that was much more disturbing and less relatable

The man you’re in love with might turn out to be an old thigh bone tied to a mirror (an actual plot point).

We've all been there, amirite?

Actually that plus the wildly reductive summary of the new one ("Ted in “The Good Guy” needs to fantasize about stabbing women to sexually perform") makes me want to read it.

The author says she likes /is inspired by Stephen King types of things so this makes sense.

She's also sold a script for a slasher movie

For sure but her breakout story wasn’t like that

xp

People think her breakout story was from her dear diary so whatevs.

Her breakout story was basically a horror story, no?

I think one of CP's strengths was its proximity to a horror story. Obvs not a Stephen King story but still

xp!

I think there were expected something that spoke to the zeitgeist/common experience but found a book that was much more disturbing and less relatable
lol what's weird is that i can totally relate to the desire to create absurd realities in order to escape the "common experience" which generally sucks

”Ellie in “Biter” bites. Ted in “The Good Guy” needs to fantasize about stabbing women to sexually perform. Laura in “The Matchbox Sign” imagines that her body is crawling with parasites — and her boyfriend participates in the fantasy. These characters remain their pathologies; the curtain falls on them before we can ever ask: Now what?”

is it her job to tell us "now what"?