WIll Oldham

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I could really use a CD80 / POX or something covering the best of his output from the last 10 years or so. I lost track after The Letting Go.

wayne trotsky (Simon H.), Thursday, 1 November 2018 02:44 (five years ago) link

SoLaH is a very pleasing listen to me,,, nice re-workings

bodacious ignoramus, Saturday, 3 November 2018 23:54 (five years ago) link

Was having a drunken wander around Oxfordshire farm tracks, listening to "Sings Palace Brothers" on my MP3 player and my various thoughts included a) if Oldham releases an album, how many is he likely to sell (and what does that equate to in income for him?); b) he seems to do the "releasing lots of music" in a more dignified way than Kozelek; c) SoLaH sounds like it involved very little effort (though may have done) - does that matter?

Obviously, on my walk I had far more interesting thoughts than that but here isn't the place.

djh, Sunday, 4 November 2018 20:11 (five years ago) link

Oldham hasn't released any original material for quite a while

badg, Monday, 5 November 2018 16:23 (five years ago) link

Has anyone seen the book? Is it annotated?

djh, Thursday, 8 November 2018 22:12 (five years ago) link

eleven months pass...

took over Drag City's Instagram account for the day and is currently posting a bunch of pictures of creatures like frogs and stuff flattened dead on pavement.

thanks?

circa1916, Monday, 4 November 2019 20:54 (four years ago) link

right? i guess i just don't appreciate his art, man.

soaring skrrrtpeggios (jon /via/ chi 2.0), Monday, 4 November 2019 21:20 (four years ago) link

This is even more abrasive then when Olzone took over the Third Man insta and posted a bunch of memes about how grumpy Jack White is

chr1sb3singer, Monday, 4 November 2019 21:22 (four years ago) link

He's extolling the virtues of Crocs on twitter.

Jersey Al (Albert R. Broccoli), Monday, 4 November 2019 21:33 (four years ago) link

one year passes...

The GQ piece with him and Sweeney is a hoot, but this story at the end is ace:

There is a recurrent subgenre in Oldham's work where he revisits and reinterprets a catalog of music, usually music that is fairly obscure. An example is the album he released in 2013, along with singer Dawn McCarthy, of lesser-known Everly Brothers songs, What the Brothers Sang. A while after it came out, his record company let him know something odd—that one song, “Devoted to You,” was doing hugely better online than any other song on the album. Better, in fact, than pretty much anything on the label. And they couldn't figure out why.

Oldham decided to try some experiments. Theorizing that maybe it was because “Devoted to You” was somewhat of an outlier in that it actually was a hit for the Everly Brothers, he decided to test out some other cover versions. He recorded and released his takes on modern country hits by Luke Bryan and Tim McGraw, hoping to repeat the success. Nothing. Now he was in full swing, so he turned his hand to contemporary modern pop and R&B hits by Drake, Ne-Yo, Kesha. Still no response. On the off chance that the success of “Devoted to You” might be down to a confusion with Olivia Newton-John's Grease hit “Hopelessly Devoted to You,” he recorded “There Are Worse Things I Could Do,” another song from the Grease soundtrack. No. “Just wanted to see if folks loved buying big songs,” he says. “It was a lot of fun doing all those, but nothing worked.” And the mystery of why one song had done so well in the first place remained unsolved.

A year or two later, a neighbor in Louisville put a note on Oldham's windshield. What she wrote was this: She was a keen practitioner of Jazzercise, and a song of his, “Devoted to You,” was part of their official warm-up routine. She was leaving the note because there was an upcoming event for Jazzercise instructors in town, and she wondered if he was available to come and play the song.

When Oldham tells me this, I must confess that I harbor some suspicions that I am being spun some kind of yarn here. But I check into it, and I am shamed for my doubts: “Devoted to You” is indeed the final song on the Jazzercise playlist R3–13. It comes directly after Britney Spears’s song “Ooh La La,” from the movie The Smurfs 2. Its appearance on this playlist is, it seems, why the song had become mysteriously popular. And that, one might assume, is where this story should end: a weird tale about where music does and doesn't find a home in this strange modern world.

Josh in Chicago, Thursday, 25 March 2021 15:07 (three years ago) link

one month passes...

new record is really great, really all over the place. the lyrics are wild and weird and funny.

intern at pepe le pew research (Simon H.), Saturday, 1 May 2021 02:26 (two years ago) link

xp That’s a really cool anecdote… But wouldn’t he have (hopefully) received Jazzercize royalty statements that would’ve tipped him off?

smoking grass, poor caddying. (morrisp), Saturday, 1 May 2021 02:56 (two years ago) link

(or does Oldham have uncashed $70,000 checks lying around his pad like Ty Webb)

smoking grass, poor caddying. (morrisp), Saturday, 1 May 2021 03:00 (two years ago) link

Maybe they just got folded into his regular streaming and radio (lol) royalties? He knew it was a hit.

Joe Bombin (milo z), Saturday, 1 May 2021 04:18 (two years ago) link

I'd imagine Jazzercise pays in to BMI

I'm enjoying Superwolves... it has a mellow, 40-something dad vibe (which I guess fits my own vibe).

Coffee Bean & Tea Leaf (CBTL) stan (morrisp), Friday, 7 May 2021 18:26 (two years ago) link

the lyrics are wild and weird and funny

God can fuck herself
And it does, hardcore

Coffee Bean & Tea Leaf (CBTL) stan (morrisp), Friday, 7 May 2021 18:28 (two years ago) link


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