Post a controversial music opinion

tbf, I am not including RDJ, Froese, Roach, Eno, etc here. I could pick any of those out of a crowd (probably because they at least aspire to a level of artistry that distinguishes their music from their many imitators, plus, you know, actual melodies and ideas)

you could easily say the same thing about classic rock. "Why should I own anything more than Houses of the Holy, Boston, Master of Reality, Who's Next, Abbey Road, Aerosmith Rocks, etc."

People like that genre of music in the same way that people like any other genre of music.

And I would assume that few here want to read your bullying strawman characterizations.

oh dear I've struck a nerve on the "controversial music opinions" thread

there's a world of difference between Oval, Boards of Canada, RDJ, Stars of the Lid, Grouper, etc.

None of those are what I would consider "ambient" artists at all. Would you? Maybe SotL (who I don't really care for), but not even them, really. I love BoC and Aphex.

Ambient music is ridiculous. It will never be as good as the sound of nature. Like leaves in the wind, the birds and the singing frogs.

― Ich bin kein Berliner (alex in mainhattan)

WAZZUP

xp really? diskont94 isn't ambient? what about Wolfgang Voigt?

oh dear I've struck a nerve on the "controversial music opinions" thread

― Paul Ponzi, Tuesday, October 2, 2018 2:16 PM (two minutes ago) Bookmark Flag Post Permalink

So your controversial music opinion is that all albums in a genre you don't like are the same as the worst hypothetical example you can make up?

Yeah, ambient music is almost always worthless

― imago, Tuesday, 2 October 2018 18:15 (one hour ago) Bookmark Flag Post Permalink

why? (genuine question)

― groovemaaan, Tuesday, October 2, 2018 5:49 PM (thirty-eight minutes ago) Bookmark Flag Post Permalink

worthless for me. if you can chill to it then godspeed. it does little-to-nothing for me

xp really? diskont94 isn't ambient? what about Wolfgang Voigt?

― flappy bird, Tuesday, October 2, 2018 2:23 PM (eight minutes ago) Bookmark Flag Post Permalink

prefer Oval in CD skippy mode. Prefer Voigt in high tension mode (ie Freiland Klaviermusik) or as Mike Ink, though I used to listen to Gas a lot when I couldn't sleep.

so did yr roommates apparently

"I enjoy less music than you do" wow congrats

yes, not collecting the synthesizer scraps of every boutique cassette label has really closed me off to a great deal of unforgettable, unique and exemplary music

re walker, i mean i appreciate 30 century man and interviews where he describes his new recording processes but like the drift felt like dental surgery to me...i think when he sampled farts on bisch bosch that kind of says it all

It's like none of you have ever read Sturgeon's Law. ("90% of everything is crap.")

including all our opinions

Yes, of course. But why is all that crap released?

wait til you hear the crap that's not released

something a stoned guy does in an afternoon with a polysynth and some guitar pedals
Why buy 180g vinyl pressings of near-static drones that all sound identical?
the synthesizer scraps of every boutique cassette label

These are not genuine attempts at actually engaging with music or the people who listen to it.

Filled with buzzwords

lol @ Paul missing the point

It's like none of you have ever read Sturgeon's Law. ("90% of everything is crap.")

― grawlix (unperson)

90% of sturgeon's law is crap

TS: ambient vs country vs rap.

go bother Bernie Madoff d00d xxxposts

good one

i think country rap, or "hick hop", generally showcases the best of both genres

I've told my kids that the day I say 'it all sounds the same to me' is the day they're to get the heavy pillow ready.

imago will like ambient fine in a couple of years if the pattern many of us have experienced holds true (get into left-field extreme metal played by people with bonkers technical chops -> notice that once this music's parameters lose the capacity to shock, it's basically ambient -> succumb)

the sheer breadth of ambient music makes a lot of it shit by default

but could a kid do something as good as an ascent by brian eno, doubtful

guys we're not really having the "a kid could do it" discussion. we all understand art better than that. we are not dads in the living room spouting bullshit opinions. we are ilxor. we have to do better. I don't see a whole lot of you stanning for animals as leaders so please stfu with anything about virtuososl barriers to making excellent music

yeah i agree xpost

i was responding to the initial post - i think diminishing a whole genre like ambient or noise is kinda dumb

imago will like ambient fine in a couple of years if the pattern many of us have experienced holds true (get into left-field extreme metal played by people with bonkers technical chops -> notice that once this music's parameters lose the capacity to shock, it's basically ambient -> succumb)

― she carries a torch. two torches, actually (Joan Crawford Loves Chachi)

relevant link

http://loveallday.com/black-construction-paper-a-mixtape-by-josh-bearman/

I don't really know what people mean by 'ambient music' tbh.

imo ambient is stuff like elaine radigue, aphex twin SAW, lappetites (though some borders on noise), stars of the lid, keith fullerton whitman

usually softer than noise and less abrasive

something a stoned guy does in an afternoon with a polysynth and some guitar pedals
Why buy 180g vinyl pressings of near-static drones that all sound identical?
the synthesizer scraps of every boutique cassette label

These are not genuine attempts at actually engaging with music or the people who listen to it.

Maybe this is my controversial opinion, but I don't understand why proper ambient lovers would even buy that kind of music on vinyl, let alone cassette? Ambient is all about sound, so the props and cracks of vinyl, or the distortions and general crappy sound you get with cassettes seem pretty antithetical to appreciating that kind of music... Plus having to change sides every 20 to 30 minutes totally kills the immersion. Most ambient music should be listened in digital formats.

The Aphex Twin is where I started having problems with the definition of ambient music, because hardly anything he described as ambient fitted with what I thought ambient music was.

ArtistsÉliane Radigue couldn't even be properly appreciated on record before the digital era, because her best pieces are pauseless 60+ minute drones.

"Artists like..."

the noises of your body are part of this record tuomas, this has been known for literally 50 years

The Aphex Twin is where I started having problems with the definition of ambient music, because hardly anything he described as ambient fitted with what I thought ambient music was.

Selected Ambient Works II is pretty much his only full-length ambient work, no? The first SAW album is not ambient despite having the word in its title.

Tuomas, one of the most well known ambient projects of past 20 yrs or so is primarily about the effect an imperfect format can have on the playback of the music it stores

virtuoso post

however Tuomas's post could have been done by my kid

I have never thought of Disintegration Loops as "ambient music" more like found sound/field recording or just drone

Tuomas, one of the most well known ambient projects of past 20 yrs or so is primarily about the effect an imperfect format can have on the playback of the music it stores

That's a completely different thing if the producer's intent is to interrogate sound in such a way. The intent of most long-form ambient pieces is to create solid sound states, so breaking them into separate pieces would break the effect.

really great posts by Tuomas

I used to be more liberal about these things when I was younger, but the more I listen to ambient, the more I feel that for it to exist as a thing in itself, it can't be just "music to chill out to". For example, albums with any emphasis on beats rarely feel like proper ambient to me. Ambient is about sounds bleeding to each other, continuous flows, non-discrete pulses. Your typical drum machine beat is too distinct, calls too much attention to itself. Sometimes it's possible to make the beat part of the overall flow, as on those Gas albums, but there aren't so many artists who can pull that off. The "ambient" on many early 90s albums, such as those by Aphex Twin or Pete Namlook or Biosphere is more techno or trance with ambient elements, sequenced in a way that breaks the solidness of the sound. (Though of course they've all done proper ambient too.)

And this doesn't just apply to beats but to any discrete instruments. Max Richter's Sleep is excellent chill-out music, but it isn't ambient, cos you can hear each violin, cello, piano, you can visualise the people playing them. Individual sounds, instruments, players calling your attention. Voigt samples classical music on the Gas albums, but in a way that any such distinctiveness is immersed in the totality, becoming ambient.

I used to be more liberal about these things when I was younger, but the more I listen to ambient, the more I feel that for it to exist as a thing in itself, it can't be just "music to chill out to". For example, albums with any emphasis on beats rarely feel like proper ambient to me. Ambient is about sounds bleeding to each other, continuous flows, non-discrete pulses. Your typical drum machine beat is too distinct, calls too much attention to itself. Sometimes it's possible to make the beat part of the overall flow, as on those Gas albums, but there aren't so many artists who can pull that off. The "ambient" on many early 90s albums, such as those by Aphex Twin or Pete Namlook or Biosphere is more techno or trance with ambient elements, sequenced in a way that breaks the solidness of the sound. (Though of course they've all done proper ambient too.)

Agree with this - a few months ago I profiled Carbon Based Lifeforms and when I was listening to their music, most of which is heavily beat-driven, I kept thinking "how is this ambient? I can't not pay attention to it, which seems like a crucial factor."

post your uncool conservative ideas here

is about sounds bleeding to each other

I'm always surprised I don't have an ambient album that's just forest sounds, and every few minutes someone hits a piano key with a lot of sustain. I know it exists, somewhere.