david foster wallace: classic or dud

The space in which it matters that DFW was an abuser of women is the space of ordinary reality, which we all occupy. This makes it a serious charge, that must be dealt with by real people doing whatever is possible to mitigate the harm done through his abuse. One mitigation is to identify him as an abuser and publically decry that fact and condemn his actions.

As for his books, the thing about writing in general is that no matter how 'realistic' it aspires to be, it occupies its own unreal space that only exists in the mind of the audience as the it plays out. Within that mental space, the author and audience cannot either create or repair real life abuses and it is hopeless to try to do so through direct action against his books, such as denouncing them as the work of a real life abuser. You can only deal with them effectively by thinking about them as clearly as possible.

part of argument in the outline article is that this distinction is particularly difficult to make in DFW's case, though

The question is thornier with Wallace than it would be for most of his contemporaries. Plenty of people love the novels of Jeffrey Eugenides — but how many of them love Jeffrey Eugenides? Wallace’s work overflows with complex and vibrant characters, but of these the most enduring — the only one to transcend his writing, a la Holden Caufield or Jay Gatsby, to become a pop culture figure in their own right — is Wallace himself, the “Wallace” of his first-person essays and reviews.

This Wallace was self-aware, morally engaged, alert to hypocrisy (especially his own), and deliriously funny. You felt like you knew him, even if you knew, and knew he knew, that it was all on some level a ruse, that the ‘I’ on the page was always an invention. There are other reasons for his fandom’s intensity — Infinite Jest’s sprawl has made it the rare literary novel able to generate and sustain genre-style online communities — but it’s the voice that brings his fans two hours south of Chicago to the town of Normal, Illinois, from multiple continents and both U.S. coasts, paying anywhere from $40 (for students/part-time workers) to $150 (for teachers/full-time workers) to get in.

Authors understand very well that the "I" in any well-constructed book is as much of a construction as any other part of their writing.

It's the audience that gets confused about what that "I" is.

you are, unfortunately, a deceased fiction writer

but how many of them love Jeffrey Eugenides

tough of ol jeff

on*

whoever is updating Jeffrey Eugenides' wiki page apparently does not love Jeffrey Eugenides

Jeffrey Kent Eugenides (born March 8, 1960) is an American novelist, nonce and short story writer.

https://en.wikipedia.org/wiki/Jeffrey_Eugenides

I feel like it says something about our era vs his that he once ironically titled a book of thinky essays “Consider the Lobster” whereas today we have a dude whose schtick is unironically to consider the lobster.

"Consider the Lobster" is an unironic consideration of lobsters tho

Very good long essay by Patricia Lockwood: https://www.lrb.co.uk/the-paper/v45/n14/patricia-lockwood/where-be-your-jibes-now