Oh dang I just listened to A Seat At The Table yesterday for the first time prob since it came out. I love it so much.
― the masseduction of lauryn hill (Stevie D(eux)), Tuesday, 3 July 2018 17:20 (five years ago) link
https://pitchfork.com/news/solanges-new-album-coming-this-fall/
!!!
― ufo, Monday, 15 October 2018 13:42 (five years ago) link
:D
― dyl, Monday, 15 October 2018 18:42 (five years ago) link
nice
― Ross, Monday, 15 October 2018 18:43 (five years ago) link
https://www.nytimes.com/2018/10/15/t-magazine/solange-interview.html
Great article all the way through. But re: new album hype:
Her instructors are wide-ranging and eclectic: Joni Mitchell, in whom Solange found lessons in balancing a career as a musician with the demands of visual creation (Mitchell’s first, never abandoned love was painting); Missy Elliott, whose music videos are genre-defying and imagistically striking. Solange is drawing sonic inspiration from the ’90s singer Aaliyah, the experimental 20th-century musician and composer Sun Ra, the ’60s psychedelic soul band Rotary Connection and Stevie Wonder’s 1979 album “Journey Through the Secret Life of Plants.”
Couldn't tick my "I'm excited for this" boxes much more (unless she added in Arthur Russell to the mix)...
― Soundslike, Monday, 15 October 2018 19:56 (five years ago) link
Omg the return of
― josh az (2011nostalgia), Monday, 15 October 2018 20:26 (five years ago) link
That NYT headline and subhead are fucking awful, wtf
― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Monday, 15 October 2018 20:47 (five years ago) link
I like Solange and have come around on the last album, but this is letting PR flacks influence copy.
― You like queer? I like queer. Still like queer. (Alfred, Lord Sotosyn), Monday, 15 October 2018 20:48 (five years ago) link
I mean, as far as features go that are basically hype for an artist/upcoming work, I thought it had some interesting elements or at least a perspective to take it above standard PR copy/puff piece. The photography seemed a bit questionable to me, and I didn't even look at the headline...
― Soundslike, Monday, 15 October 2018 21:39 (five years ago) link
i didn't find much interesting in this story but solange has been really overcovered as of late
as for the headline/framing of it... t magazine kind of exists to flatter celebrities and artists. i mean, this is for their "greats" issue or something so yeah...
― J0rdan S., Monday, 15 October 2018 21:44 (five years ago) link
really tired of the word "polymath" tho
― J0rdan S., Monday, 15 October 2018 21:45 (five years ago) link
new album (?) "when i get home" appears to be coming very soon
― monotony, Thursday, 28 February 2019 21:06 (five years ago) link
Oh yes tomorrow
― (•̪●) (carne asada), Thursday, 28 February 2019 23:51 (five years ago) link
so hype
― the scientology of mountains (rushomancy), Friday, 1 March 2019 00:25 (five years ago) link
yo
― just sayin, Friday, 1 March 2019 05:13 (five years ago) link
my god the synths on this
― J. Sam, Friday, 1 March 2019 05:40 (five years ago) link
I've tried but I just don't think the Solange of these last two albums is For Me, it sounds absolutely beautiful though
― self-clowning oven (Murgatroid), Friday, 1 March 2019 06:02 (five years ago) link
my fave on first listen is "Sound of Rain"
― Karl Malone, Friday, 1 March 2019 06:25 (five years ago) link
star-studded cast:
Earl Sweatshirt, Panda Bear, Tyler the Creator, Gucci Mane, Playboi Carti, Blood Orange’s Dev Hynes, Sampha, Pharrell Williams, Raphael Saadiq, Metro Boomin, The-Dream, Standing on the Corner, Scarface, Cassie, Abra, the Internet’s Steve Lacy, Devin the Dude, and more are featured.
― Karl Malone, Friday, 1 March 2019 06:49 (five years ago) link
there's nothing as transcendent as "Cranes in the Sky" here and it's generally even more low-key than ASATT but it still sounds very pleasant overall on first listen
― ufo, Friday, 1 March 2019 09:37 (five years ago) link
So far Stay Flo slaps
― (•̪●) (carne asada), Friday, 1 March 2019 13:31 (five years ago) link
wow all kinds of unexpected guest contributors on here .
― (•̪●) (carne asada), Friday, 1 March 2019 14:27 (five years ago) link
Just like the last one, it's so refreshing to hear so many actual (non-808) basslines.
― change display name (Jordan), Friday, 1 March 2019 15:16 (five years ago) link
― ufo, Friday, March 1, 2019 4:37 AM (five hours ago)
^my first impression too, though I'm already looking forward to getting deeper into it
― rob, Friday, 1 March 2019 15:27 (five years ago) link
^ pretty much the same here, upon my drowsy, inebriated first listen late last night. my first reaction was that the production is amazing, it's her best flowing album/set of songs, and excellent performances, but that the songs themselves aren't quite as distinctive as the standouts A Seat at the Table. but it's going to be hard for anyone to top those, even solange
― Karl Malone, Friday, 1 March 2019 16:05 (five years ago) link
is that really The-Dream singing on "Binz"?
― rob, Friday, 1 March 2019 16:06 (five years ago) link
The question: will this be boring in an interesting way (ASATT) or "interesting" in a boring way?
― Let's have sensible centrist armageddon (Alfred, Lord Sotosyn), Friday, 1 March 2019 16:07 (five years ago) link
I'd say it's not boring in an uninteresting way
― rob, Friday, 1 March 2019 16:12 (five years ago) link
there are lots of cool sounds all over this record (what is that guitar tone on "down with the clique"???), and as has been noted, it flows almost too well. but it feels minor in a way that seat at the table definitely did not, despite its low-keyness.
definitely gonna listen to it again. highlights are "down with the clique," "binz," and the one with gucci, just cause it's fun to hear him try to rap in 6/8
― voodoo chili, Friday, 1 March 2019 16:15 (five years ago) link
19 songs in under 40 min, it really zips by
― change display name (Jordan), Friday, 1 March 2019 16:28 (five years ago) link
xp i'm pretty sure that's a moog on down with the clique. i don't think i hear any guitar on it.
― J. Sam, Friday, 1 March 2019 16:46 (five years ago) link
maybe a clavinet in the background in places too. like everyone is saying, this album SOUNDS absolutely amazing
― J. Sam, Friday, 1 March 2019 16:47 (five years ago) link
She has such a great + defined sound world over the last two albums. The drum machines + otherwise live-sounding keys and bass, with such a great sense of space.
― change display name (Jordan), Friday, 1 March 2019 16:54 (five years ago) link
― J. Sam, Friday, March 1, 2019 11:46 AM (fifteen minutes ago) Bookmark Flag Post Permalink
yeah i hear that now, i thought it could've been just a very flanged out guitar
― voodoo chili, Friday, 1 March 2019 17:02 (five years ago) link
shades of franco battiato, see about 50 seconds in:
https://www.youtube.com/watch?v=xhUdyOnzSmc
also early sun ra moog solos:
https://www.youtube.com/watch?v=r_IOhhABIos
― J. Sam, Friday, 1 March 2019 17:05 (five years ago) link
this album feels like one continuous piece to me
― J0rdan S., Friday, 1 March 2019 17:05 (five years ago) link
maybe it really is? Are there any breaks between the tracks?
― Karl Malone, Friday, 1 March 2019 17:09 (five years ago) link
viewing this in the context of her post-seat at the table artistic pursuits i can see where she was going... it feels very much inspired by her foray into installations etc to me. it's much easier to imagine this album being performed in a non-traditional space than a concert venue
i like it the more i listen to it... i think there's enough moments where my ears really perk up that i can accept the album on its own terms from a structural POV. i do hope she loosens up for her next record tho & doesn't get wholly swallowed up by art world pretentiousness
― J0rdan S., Friday, 1 March 2019 17:10 (five years ago) link
also sonically it's of a thread w a seat at the table... it feels like the other side of the coin, exploring the same themes & sounds but burrowing more inward
― J0rdan S., Friday, 1 March 2019 17:14 (five years ago) link
so in that sense i sorta dig it too even if there's only like... 2 "songs" i can even really remember
― J0rdan S., Friday, 1 March 2019 17:15 (five years ago) link
don't touch my snare
― Let's have sensible centrist armageddon (Alfred, Lord Sotosyn), Friday, 1 March 2019 17:17 (five years ago) link
There are a lot of 2-in-1 tracks where it switches to a very different thing near the end, which really helps blur the line between the tracks.
― change display name (Jordan), Friday, 1 March 2019 17:24 (five years ago) link
i do hope she loosens up for her next record tho & doesn't get wholly swallowed up by art world pretentiousness
Really, this record seems defined by looseness! Who knows how much writing and re-writing it took, but it certainly has the feel of jamming over loops a lot of time. I think shooting for hits & hooks would be the opposite.
I do hope that this is a grower though, in terms of individual songs.
― change display name (Jordan), Friday, 1 March 2019 18:22 (five years ago) link
yeah i guess by looser i just mean more limber
― J0rdan S., Friday, 1 March 2019 18:45 (five years ago) link
This is so groovy!
― KevRus, Friday, 1 March 2019 20:19 (five years ago) link
that's a first!
― Let's have sensible centrist armageddon (Alfred, Lord Sotosyn), Friday, 1 March 2019 20:46 (five years ago) link
I think I might prefer this to ASATT.
― Van Horn Street, Friday, 1 March 2019 21:33 (five years ago) link
It's pretty good.
― Ned Raggett, Friday, 1 March 2019 21:37 (five years ago) link
it's much easier to imagine this album being performed in a non-traditional space than a concert venue
or as an album/film:
https://pitchfork.com/news/solange-releasing-new-when-i-get-home-film-tonight/
― Karl Malone, Friday, 1 March 2019 23:40 (five years ago) link
Might be a grower but my first listen (on a train, admittedly) left not a huge impression other than that the first track was frustrating and irritating. INterested in the film though.
― akm, Friday, 1 March 2019 23:50 (five years ago) link