This is the thread in which we anticipate "Capote"

I've seen this five or six times now--approaching comfort-film status (odd designation, I know). Love the music, Cooper and Keener and Balaban (even though, from what I've read about him, that's not William Shawn), PSH of course.

Came to post pretty much exactly the same post I put here two years ago. I'm watching Shirley (still not finished), and in the middle of that thought this might be a good point of comparison, so I watched this again. I really love the contrast between the Kansas scenes and Capote holding court back in New York--one of the main things the film's about, really.