Opinions on Archie Shepp?

I still love his Three For Freedom lp with Mal Waldron and some mystery 2nd pianist called Tchangodei and the other downbeat and bluesy duo albums with Waldron of which I can't remember the names of!

https://www.washingtonpost.com/entertainment/music/how-jazz-legend-archie-shepp-his-nephew-raw-poetic-and-a-cast-of-dc-musicians-teamed-up-for-an-experimental-improvised-album/2020/05/21/9d6e359c-991a-11ea-a282-386f56d579e6_story.html

The lessons he learned from Shepp’s records were finally put to use last year, when Moore and his octogenarian uncle officially collaborated for the first time during one marathon session at Blue Room Productions in Herndon, Va. The result is “Ocean Bridges,” a fully improvised album on which Moore, Shepp and DJ/producer/drummer/vibraphonist Damu the Fudgemunk (a.k.a. Earl Davis), along with several hip-hop and jazz scene stalwarts of the D.C. region, tap into both of those genres’ more experimental sides and ultimately find a sound that isn’t fully aligned with either one.

can't wait to hear this and Damu the Fudgemunk is such an inspired moniker!

http://rabrab.fi/Free-Jazz-Communism

Rab-Rab Press announces the publication of Free Jazz Communism, a new book actualising Archie Shepp–Bill Dixon Quartet at the 8th World Festival of Youth and Students in Helsinki 1962. Including archive material and documents, commissioned theoretical and historical texts, and interviews, the book edited by Sezgin Boynik and Taneli Viitahuhta contextualizes politics of free jazz music in light of global decolonisation movements, anti-war activism, structures of racial capitalism, and forms of avant-garde music.

By focusing on concerts of Shepp–Dixon Quartet, leading avant-garde jazz musicians from the US, in the socialist anti-colonial festival in Helsinki, the book is introducing complexities in the usual Cold War stories about the sixties, and pictures politics of jazz as something transcending boundaries of nation-state and capitalist market regulations.

Apart from the theoretical and historical overview by its editors, the book includes testimonies of the collective and international spirit of the 1962 Youth Festival, translated documents from Finnish press, a new interview with Archie Shepp, commissioned text by Jeff Schwartz on the historical context of political engagement of free jazz musicians, and reproduction of three hard-to-find texts by Shepp.

Wow! Thanks for tip on that. Ocean Bridges is indeed the shit, as I carried on about on Rolling Jazz; that and others are on bandcamp: https://bandcamp.com/search?q=Archie%20Shepp (Note to self;check that New York Contemporary 5 Vol. 2)
Yeah, also I second Attica Blues, much more varied than you might think from title, ditto Fire Music, also dig Steam, Sea of Faces, Little Red Moon, and the duo albums of vintage material w Horace Parlan, Going Home and Trouble in Mind (more of that in duet w Charlie Haden on CH's The Golden Number).

the contents of the book sound more interesting than the intro which reads like a parody of leftist boilerplate

Requested a review copy of that book; sounds really interesting.

do love the title track of Mama Too Tight.

aye, sick track is that!

sick album as well tbf

portrait of robert thompson is a wild ride

That book on the Helsinki festival is incredibly informative about the (apparently very strong) influence of the new music on early ‘60s Finnish youth culture, and the book is worth it for that contemporary perspective alone. The recent-ish Shepp interviews, however, aren’t particularly revealing, and the obvious question — “Given your stated commitment to political causes, why did you scab on the Jazz Composers Guild, telling the members it was now ‘every person for themselves’?” — goes unasked and unanswered.

i see that it's £30 on the rab-rab site, but was €15 on soundohm (now sold out). new copies on amazon start at $75. can anybody find a copy for sale (preferably in USA) for a more reasonable price ?

His embouchure was reportedly messed-up for a while, but I missed that, except the first note of his "Memories" solo is odd, but rest of it works (it better, being historical: first released track by Whitney Houston!)

I didn't realize he was active (or at least sporadically active) on social media, but here's Shepp back in late March:

https://www.facebook.com/ArchieShepp.official/videos/746995829386346/

Can’t believe I ignored Life at the Donaueschingen Music Festival this long

Shepp is on two tracks of this new xpost Raw Poetic alb:
https://rawpoetic.bandcamp.com/album/space-beyond-the-solar-system
And quite a few other joints on Bandcamp, incl. a New York Contemporary Five round-up and their original album: https://bandcamp.com/search?q=Archie%20Shepp

Shepp’s (and everyone else’s) BYG/Actuel recordings are being reissued, apparently mastered from the original tapes. I recently got the CD of Blasé and it does sound better than the older CD issue (and original BYG vinyl pressings were inconsistent at best).

https://bygrecords.bandcamp.com

https://www.bygrecords.com/actuel-series

At least some of the digital versions of the BYG records were taken from noisy vinyl copies.