Top 50 Most Overrated Electronic Albums

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"today" is my jam off wearemonster, so so dope

brimstead, Thursday, 17 May 2018 21:14 (five years ago) link

xp yeah, but someone had that genius idea again in the mid 90s

and thus the cycle of modular synth rises again

(ノಠ益ಠ)ノ彡┻━┻ (mh), Friday, 18 May 2018 14:03 (five years ago) link

btw the coolest niche thing now is the vcv rack software, which in a recursive manner, emulates and gives people a way to build modular synths in software and wire them up. other software has done it but this is a pretty cool framework

link for a nice example https://www.facebook.com/groups/vcvrack/permalink/184204178906401/

(ノಠ益ಠ)ノ彡┻━┻ (mh), Saturday, 19 May 2018 03:18 (five years ago) link

Mark Fell is God, afaic

― brimstead, Thursday, May 17, 2018 5:16 PM (two days ago) Bookmark Flag Post Permalink

^

like for all of the interviews he gives where he's just so anti-dancing (yawn), he sure has made some v. funky (and gorgeous) music

you bet, nancy (map), Saturday, 19 May 2018 03:29 (five years ago) link

Wearemonster generated a lot of buzz at the time but it doesn't seem to have lasted in the critical memory in the way that, say, Alcachofa has. Isolee in general now feels like one of those producers who made so many great, detail-packed records and now gets overlooked in the rush to lay hosannas on Villalobos as the crowning auterish genius of his era.

Matt DC, Saturday, 19 May 2018 09:49 (five years ago) link

(Beau Mot Plage has lasted, obviously, but individual tracks rarely feel over or underrated in the way that albums do)

Matt DC, Saturday, 19 May 2018 09:51 (five years ago) link

I like a lot of early Bicep tracks and remixes but their album was just really formulaic and boring, not in a joyous and familiar way but in a predictable and unthrilling way

Yeah. I bought the album purely on the strength of seeing it appear several times in the ILM 'best of 2017' poll, not previously having heard a note of it. I was quite dismayed by how pedestrian it is. Probably the first time that the hivemind has let me down.

Vast Halo, Saturday, 19 May 2018 11:18 (five years ago) link

"probably the first time that the hivemind has let me down"

If that was only your first time, you're in for a world of hurt

lbi's life of limitless european glamour (Le Bateau Ivre), Saturday, 19 May 2018 11:25 (five years ago) link

challop: SAW 2 is 85% meh

El Tomboto, Saturday, 19 May 2018 14:37 (five years ago) link

I have a bunch of Thomas Koner CDs that I picked up because The Wire was all over them, and I'm still not sure just what the hell I'm supposed to be hearing! (The Porter Ricks stuff is pretty good, though.)

henry s, Saturday, 19 May 2018 14:47 (five years ago) link

Wearemonster generated a lot of buzz at the time but it doesn't seem to have lasted in the critical memory in the way that, say, Alcachofa has. Isolee in general now feels like one of those producers who made so many great, detail-packed records and now gets overlooked in the rush to lay hosannas on Villalobos as the crowning auterish genius of his era.

― Matt DC, Saturday, May 19, 2018 4:49 AM (six hours ago) Bookmark Flag Post Permalink

this to me feels like a better example of 'overrated' than villalobos for that reason kinda? like, i also actually want to listen to achso but not wearemonster

that said 'rest' is pretty awesome to me still in the way that mid 00s villalobos is

Listen to my homeboy Fantano (D-40), Saturday, 19 May 2018 16:20 (five years ago) link

I've always felt that way about SAW2

A True White Kid that can Jump (Granny Dainger), Saturday, 19 May 2018 17:50 (five years ago) link

köner is awesome
thirded on the SAW2 "what gives?"

massaman gai, Saturday, 19 May 2018 19:40 (five years ago) link

I agree with the post upthread to the effect that a lot of the excitement around Wearemonster was catch-up for people who missed Rest the first time around. The former is still a great record IMO, but Isolee's "auteur" period was really in the years leading up to and culminating with Rest (see also the early singles, many of which ended up on Western Stores, and stuff like the remix of Blaze's "Lovelee Dae").

There's still total classic tracks in the following years like the "Lent" and "Sweet Chat Rio" remixes from 2003, and especially the "Cardiology" and "Africa / Brazil" remixes from 2004, but they're more like superb dancefloor articulations of all of the producer's assembled tricks and tactics (no surprises that this stuff is often my favourite Isolee) (actually in retrospect Playhouse really missed a trick by not putting out a remixes collection at about that point).

The fact that Isolee was really an auteur in the years before the microhouse / minimal crossover means that, while Wearemonster arguably was overrated on release, Isolee as an artist is now underrated - perhaps because more people had the luxury of following the tail end of Villalobos' classic era in real time, it's easier to think of his work as "important" in a way that is less obvious for Isolee.

Tim F, Saturday, 19 May 2018 20:17 (five years ago) link


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