eh i love the horniness of oscar wao. creepy vibe is more from his countless short stories about womanizing professors of creative writing at colleges in Boston. i guess the sister's boyfriend character in oscar wao is sort of close to that
― flopson, Friday, 4 May 2018 20:54 (one year ago) link
yeah that's what i was thinking about
― ( ͡☉ ͜ʖ ͡☉) (jim in vancouver), Friday, 4 May 2018 21:02 (one year ago) link
There's nothing wrong with the creepiness or the raunch or the excess, as long as you're willing to overlook the occasional weapons-grade misogyny - which I was perfectly happy to do when I read Oscar Wao as a younger, much less empathetic reader ten years ago - I couldn't do that now. Also, TIHYLH was a snooze and it didn't make me want to revisit his work.
― Chuck_Tatum, Friday, 4 May 2018 22:08 (one year ago) link
haven't read it for so long i thought the misogyny was the narrator who was the sister's boyfriend and was partly expressed through the "raunch"? maybe i should just admit to myself that i can't remember anything
― ( ͡☉ ͜ʖ ͡☉) (jim in vancouver), Friday, 4 May 2018 22:11 (one year ago) link
This thread is pretty messed up
During his tour for THIS IS HOW YOU LOSE HER, Junot Díaz did a Q&A at the grad program I'd just graduated from. When I made the mistake of asking him a question about his protagonist's unhealthy, pathological relationship with women, he went off for me for twenty minutes. https://t.co/7wuQOarBIJ— Carmen Maria Machado (@carmenmmachado) May 4, 2018
I'm definitely someone who assumed there was some critical distance between Díaz and his characters, but looks like that really i any the case. Even more surprised because he is so outspoken politically.
― Mario Meatwagon (Moodles), Friday, 4 May 2018 22:36 (one year ago) link
*really isn't the case
― Mince Pramthwart (James Morrison), Friday, 4 May 2018 23:51 (one year ago) link