twas called "shambling bands" not "jangling bands" at the time iirc; a jaggedness that might be clumsy and/or willed was one of the hallmarks at least as much as velvets/shangrilas indiepop template, or something.
Stump were magnificent.
― anatol_merklich, Friday, 6 April 2018 20:46 (four months ago) Permalink
"It's apples and oranges innit. C86 was a compilation of brand-new artists while the others are retrospective genre compilations."
Well the Cherry Red C86 box is both. But the songs it includes that were not on the tape include (esp CD2) stuff that's like what's on the tape. It's not that everything not on the original tape is a different aesthetic.
"The connection is the use of "C86" for marketing purposes."
But ... given that the original C86 was a particular thing (some pop, some noise, some Fall, etc), why did it become potent for marketing something else? That's the puzzle maybe.
For me the whole thing is to some extent a case study of how culture is reimagined, re-streamlined, etc, retrospectively for the needs of a later time. Though it's not entirely that, as some of what came to be casually thought of as C86 is present in the original.
― the pinefox, Saturday, 7 April 2018 14:04 (four months ago) Permalink
There's a great Stump thread on here
― Mark G, Saturday, 7 April 2018 14:12 (four months ago) Permalink
... and why did the later time have those needs?
And what time was it?
I'm inclined to pin it on the www-driven indiepop revival of c.2008-. I feel like it was around that time and subsequent years that I especially heard a lot of 'C86' as a category for indie discos, influences, etc, not particularly meaning the actual 'C86'. I feel like that was the time that the reinvention / relabelling process really took place. A clear-cut example is the idea (c.2008-) that The Pains of Being Pure at Heart drew on C86, though it would be harder really to point to a Pains record that sounds like what's on C86.
But maybe it was earlier too. Maybe all this was around by eg: the early days of Camera Obscura.
And maybe, even, by say the end of the 1980s, once some kind of idea of indie pop had been more streamlined and solidified (cf. the 87 and 88 compilations which draw on this), it was already tempting to look back and think of this in terms of C86? I can remember reviews of The Primitives in maybe 1989 putting them in this sort of context (ie: saying they were successors to Shop Assistants & Talulah Gosh, who at the time were exotic mysterious bands I had never heard).
― the pinefox, Saturday, 7 April 2018 14:37 (four months ago) Permalink
I'm sure I don't need to remind you all that the first BMX Bandits album, released in '89 or '90(?), was called 'C86'! This seemed kind of hilarious at the time because C86 was like the uncoolest thing imaginable by 1989. I don't know why the BMX Bandits called the album that but it seemed to me they were saying, "Yeah yeah, we know you think it's crap but we still like it".
― Buff Jeckley (Tom D.), Saturday, 7 April 2018 14:55 (four months ago) Permalink
... they might have just thought it was funny though.
― Buff Jeckley (Tom D.), Saturday, 7 April 2018 14:56 (four months ago) Permalink
Yes, I did need you to remind me of that.
BMX Bandits are on CD2 of the Cherry Red version with a song from 1986 itself.
I agree that releasing a record called C86 in 1990 is odd.
I don't think I have ever really heard a song by that band that I liked, but I might not have heard enough.
― the pinefox, Saturday, 7 April 2018 15:00 (four months ago) Permalink
I bought the C86 tape in a second hand shop in 1997, and I was surprised by all the Fall-influenced bands because I was expecting it all to be jangly indiepop, because that's what C86 meant at the time.
― Colonel Poo, Saturday, 7 April 2018 15:02 (four months ago) Permalink
C86 became a millstone for bands included on the album and also for some bands that weren't. BMX Bandits' C86 album is because they were one of the bands cast as and archetypal C86 band yet having nothing to do with it. And possibly because it had taken them almost 5 years to get an album out and some of the songs were from the C86 period. The cover has their skeleton mascot rising from the dead with associated iconography - just like Iron Maiden's Live After Death.
― everything, Saturday, 7 April 2018 17:38 (four months ago) Permalink
But maybe Duglas will show up on this thread to sort it out.
― everything, Saturday, 7 April 2018 17:46 (four months ago) Permalink
Stevie T pointed out to me that MIAOW was CATH CARROLL so I listened to this with new ears.
Previously I had heard or misheard it as some kind of Scritti Politti pastiche.
I also keep playing THE SERVANTS.
Despite my doubts, there is something about this compilation that responds to a lot of listening.
― the pinefox, Monday, 16 April 2018 10:19 (four months ago) Permalink
The Servants is Luke Haines's original band iirc?
― you're my luger not my rifle (Noodle Vague), Monday, 16 April 2018 10:33 (four months ago) Permalink
It was but he hadn’t joined by the time of C86.
― Tim, Monday, 16 April 2018 10:41 (four months ago) Permalink
Check out the Miaow compilation When It All Comes Down that LTM put out; great stuff!
― early rejecter, Monday, 16 April 2018 14:25 (four months ago) Permalink
Yes, that sounds like a good idea.
I have just started on the Cherry Red C87 compilation. It's very good! Better than C86!
― the pinefox, Friday, 29 June 2018 15:13 (one month ago) Permalink
CD2 of C87 is even better than CD1.
One song on it that I never really knew is LAUGH's 'Paul McCartney'. I find this tune quite compelling. Does anyone else remember and like this band?
― the pinefox, Tuesday, 24 July 2018 09:11 (three weeks ago) Permalink
They are on the Video comp "Gimme Shelter" put out by the NME.
― Mark G, Tuesday, 24 July 2018 09:18 (three weeks ago) Permalink
I know and like Laugh - our friend Dan Pantry was a big fan, PF. My favourite of their material is when they went a little dancier on SubAqua ("Good To Feel Good" off their only LP is tremendous, though I think a little less up your street.
They evolved into Intastella, who you may also remember?
― Tim, Tuesday, 24 July 2018 09:35 (three weeks ago) Permalink
Thanks TH! Somehow I associated you with Laugh but could not find any specific evidence of this.
I do remember the name Intastella but not, just now, the music.
The song 'Paul McCartney' - apart from its perhaps appealing title - has a kind of rhetorical and emotional urgency that I find fits well with its melody and music.
― the pinefox, Tuesday, 24 July 2018 10:18 (three weeks ago) Permalink
Bad news update: CD3 seems to be where the bad, gurning, wacky, tuneless sub-Fall would-be-avant-garde bands have been stowed in this compilation. I had hoped that it might be almost free of them. It's quite a disappointment after the heights of CD2.
― the pinefox, Tuesday, 24 July 2018 15:31 (three weeks ago) Permalink
I'd keep going, the first 8 or so bands might be along those lines but I'd be surprised if you view e.g. Jesse Garon & The Desperadoes or the Siddeleys as tuneless sub-Fall (of course I like all the supposedly bad bands at the beginning of disc 3, especially the Dog Faced Hermans and A Witness)
― Colonel Poo, Tuesday, 24 July 2018 15:44 (three weeks ago) Permalink
Yes, A Witness in particular has some great moments.
The next box, "C89", is coming out in a couple of weeks!
― Gerald McBoing-Boing, Tuesday, 24 July 2018 16:53 (three weeks ago) Permalink
I agree, Jesse Garon and (even more) Siddeleys are definitely not in that bad genre. (Though there is a Jesse Garon track somewhere that seems to have some kind of Mark E. Smith pastiche on it?) So yes I will keep going, thanks.
As a friend says, it's good that they put all that stuff together and maybe I can skip past it in future.
I like the idea of C89 but I will need to get to C88 first.
― the pinefox, Tuesday, 24 July 2018 17:44 (three weeks ago) Permalink