Ionnalee - Everyone Afraid to be Forgotten (2018)

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playing the UK in May. She never tours so any UK fans go if you can

tinnitus the night (Ross), Tuesday, 27 March 2018 20:03 (six years ago) link

one month passes...

My favourite record of 2018. Hope ilm rates it

done and dusted (Ross), Friday, 4 May 2018 05:28 (five years ago) link

Underrated

Main man (Ross), Friday, 4 May 2018 16:47 (five years ago) link

After the love for Kin I’m unsure why nobody gaf

Main man (Ross), Friday, 4 May 2018 16:49 (five years ago) link

one month passes...

Slept on for some reason? No love on Ilx for jonna Lee

Slippage (Ross), Sunday, 10 June 2018 07:34 (five years ago) link

two weeks pass...

nobody into this?

music saved my life (Ross), Friday, 29 June 2018 23:42 (five years ago) link

Own it, like it (though less than past work), but 'lectropop has lost some lustre for me, and I'm mostly listening end of the world dirges and escapist avant jazz of late.

Roomba with an attitude (Sanpaku), Saturday, 30 June 2018 01:34 (five years ago) link

why do y'all like it less than the past work? ask that sincerely

music saved my life (Ross), Saturday, 30 June 2018 02:51 (five years ago) link

one month passes...

i would again recommend the film to anyone trying to get into this, linked above

SPOILERS below

basically it is the story of ionnalee (jonna) who wakes up abandoned, is brainwashed by a white witch radio program in the house and sets out to become part of a back-door occult society. She is rejected and kicked out of the occult club, gangs up with a bunch of drifters like her and tells them her story of being burned at the stake as a witch in the past. The drifters also betray her and eventually she ends up in a massive karate fight in the forest between the black magic witches and the white magic witches, ionna is a white magic witch. The film reaches its conclusion with her going back to the club she was ousted from, stealing the mic and blowing everyone away - onlookers bowing to her. Finally she ends up on the floor again, realizing that she never wanted this narcissistic roadshow of success, fame and the approval of secret societies. unusually ionnalee mostly plays masonic halls, so it does seem weirdly on the nose and this is all my interpretation upon several viewings.

dj screwed (Ross), Friday, 10 August 2018 16:12 (five years ago) link

four weeks pass...

man you all slept on this record hard, so sad

dig me out requiem (Ross), Friday, 7 September 2018 16:15 (five years ago) link

her show out here was packed

kurt schwitterz, Friday, 7 September 2018 19:33 (five years ago) link

Ross's enthusiasm for this record is making me feel that I should listen to this sooner rather than later - I've been playing the iamamiwhoami stuff quite a fair bit over the last month and I'm starting to feel hungry for more of that. Ross, how does it stack up against the iamamiwhoami stuff?

Le Baton Rose (Turrican), Friday, 7 September 2018 19:37 (five years ago) link

There was a melancholy undercurrent to her early material as iamamiwhoami (Blue and Bounty) that speaks to me far more than what came after, alas.

pomenitul, Saturday, 8 September 2018 08:39 (five years ago) link

Turrican - thanks for your interest

I would say thin is the shooting off point of the kind of melancholy on display here - “cat in my hands with its mangled body” is as weirdly introverted and cerebral as that track imo.

Otherwise it’s less overtly synth pop, the more up tempo numbers run in and out of the conceptual feel which is deeply in sync with the films themes of nature, paganism and isolation. The melancholy here is ionnalee disappearing entirely as in “gone” - there was a heroic quality to the earlier Iam feel. I wrote about some of this earlier in the thread, in March I mentioned how the arrangements were more orchestral, though this is synthetic in nature. There’s even a smudge of guitar.

Blazing is as good as anything on blue tho

dig me out requiem (Ross), Monday, 10 September 2018 03:04 (five years ago) link

In many ways it’s like her other work. Still deeply electronic but it’s her most impenetrable work I think. And bigger in scope

dig me out requiem (Ross), Monday, 10 September 2018 03:05 (five years ago) link


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