Grizzly Bear Painted Ruins 2017 LP

They were great live. Very powerful.

This is absent from a couple of the UK magazine polls - Mojo and Q - which feels a bit odd? Probably one of my two or three favourites of the year.

I don't know, I found it tremendously disappointing, even forgettable, which is not an adjective I'd use to describe their previous records.

all is forbidden -- all is forgotten

^ I would give it a few more spins, pomenitul. I felt the exact same way after two listens. Now, about eight spins later, it's in my top 20 of the year. It's definitely a grower.

And I'm not a GB fan, in general, which maybe you were. I didn't start loving their music until Shields.

I'm not a GB fan, but I at least usually know when they have a new record out. I am only just learning about this now.

Their profile ain't what it once was, is what I'm saying.

^yeah, that's fair. Shields was in my top ten of '12, so I'm more prone to know of a new album.

I felt like this had a big PR push (big Spotify billboards, for instance), strong critical reception, strong fan reception, well-received tour... so why is it absent from so many end-of-year polls? When The National, for instance, aren't? They feel, to me, like they're at similar points in their career in some ways. (Though The National are quite a lot bigger now, I guess.)

i'd bet their curation of the massive day of the dead project (of which incidentally "grizzly bear"'s "terrapin station" cover is my personal favorite) + the dessners' avant-garde activities (cantaloupe records + bang on a can etc) + the lead singer's wife being an erstwhile new yorker editor = ongoing behind the scenes highbrow cred points outstripping whatever aesthetic merits of the new grizzly bear record (which i happen to prefer to the new national record)

hmm I think also the National record is just more accessible, sounds warmer, simpler

At some point The National become like a huge band that gets played on pop radio next to Rihanna, right? I don't claim to understand it, but hey.

It does feel like no one cares about this GB record but it keeps getting a little better every time I hear it.

it's maximal in the best sense

I adore both bands lately, but The National seem an easier recommendation for me to friends who've stopped paying attention to new musics.

lol, bookmarks...

Somehow completely missed this one until now. Not sure if I wasn’t aware it was even out in 2017 or I just wasn’t in a place to care about a new GB record in 2017. But it’s really good!

Up there with their best, for sure

xp

Ok gonna go listen to it and stop knocking them.

― the last famous person you were surprised to discover was actually (man alive), Friday, May 5, 2017 7:58 PM (three years ago) bookmarkflaglink

lol fuck, developing some real internet-induced dementia. I guess I didn't miss it but it also didn't really stick with me at the time

The new Daniel Rossen record is good. It's interesting to isolate his portion of their sound, and it's maybe a little too much of "his thing", but also Christopher Bear SHOWED UP on these tracks. Some really creative & slick drum parts on this.

https://www.youtube.com/watch?v=cKEEbre1-yk

I knew he was a great drummer and also does scoring, but damn, this band had so much talent:

https://www.youtube.com/watch?v=NvycoHMmJkk

might like this more than any grizzly bear album (it's between this and shields)

It starts well but the guitar patterns get gratingly repetitive. Is this just what he does

That fingerstyle flamenco thing? I guess it's just what he does.

Wow, I didn't know Shields was anyone's favorite GB album.

Yeah, Yellow House still feels far greater than anything else they released

I'm a Veckatimest/Painted Ruins guy