Jazz in the late 70s / early 80s (jazz goes pop, jazz goes disco)

i've been pretty obsessed with this brazilian jazz-funk album from 1979 all summer

antonio adolfo - viralata
https://img.discogs.com/Y3haOPvkGKKbLACf0jgmQBjbu7o=/fit-in/300x300/filters:strip_icc():format(jpeg):mode_rgb():quality(40)/discogs-images/R-1928506-1324126080.jpeg.jpg

found out about it due to it being reissued (link) and apparently the opening track was a dancefloor classic (last song ever played at Plastic People) but, i've kind of burnt out on it. i checked out one of adolfo's other albums from the same era (tropical infinito) but it didn't quite hit the spot. Viralata has just incredible fucking melodies, and perfect playing.

have any of you heard it? can anyone recommend some other classics from that era? tia

brazillian jazz-funk = i'm in, thanx 4 sharing

don't know if it's similar but search: Deodato - Night Cruiser, "Whistle Bump"

bump

whistle bump is nice. bit more disco than the Adolfo, but i'm holding onto it for sure. thx brims

so dope

https://www.youtube.com/watch?v=RMP6AMS5e2Q

hell yes, love that track

Maynard Ferguson- The Fly
Brian Bennett Voyage album

Aquarian Dream-You're a Star

Last year I wrote a three-part series about Sonny Rollins' 1970s albums - lots of funk, even some disco.

Part 1, Part 2, Part 3

Oh yes! Still need to check out several of those, but my gateway back in the day was Nucleus, successfully balancing trans-genre/subgenre accessibility and integrity; Don't Stop The Carnival was fun, although Tony Williams didn't contribute as much as expected (from prodigious teen years on, he set the bar very high); There Will Be Another You, 1965 live set released in '78, was revelatory and relevant, re ongoing saga of well-established stylist implicitly responding to the hairy call of free jazz, challenging self and audience in an engrossing, strenuous, exemplary way, lyrical and hard-edged. (He also challenged its release, but unperson says it very eventually re-appeared as part of a double CD.)

Otherwise, though still controversial among his fans, I liked Ornette w Prime Time, also James White and the Blacks (even got a James Chance box, Irresistible Impulse, which is a bit much, but worth checking out if you find it cheap). Also the Lounge Lizards, young Marc Ribot (briefly a Lizard), and a lot of stuff on the Gramavision label https://www.discogs.com/label/12057-Gramavision

re no wave etc, incl. w discoid dancestand appeal, check a bunch of those ZE Records reissues from several years back, dunno what might still be in catalog, but at least the cut-uot bins if act quickly):
https://www.discogs.com/label/7785-ZE-Records

I've just started checking out the early, early Lounge Lizards material - all I'd ever heard was the live-in-Tokyo album, but the first recordings with Arto Lindsay, when they're reducing Thelonious Monk compositions to shards, are pretty fascinating.

There should be some good boots of early stuff posted here and there. Meanwhile, the best set I've heard is the following (legit) deposit, as nailed by xgau:
Live 79-81 [ROIR, 1985]
Before they were a mediocre jazz group or a hot fusion band they were a mordant postpunk concept, the avant-Raybeats. More than their antiseptic Editions EG album, this captures their raw sleaze, not to mention John Lurie's reptillian embouchure and (on three cuts) Arto Lindsay's cool-defying guitar. (Then he gives it a B+, but always go by the descriptons, if you go by any of his stuff.)
(He liked some of their later stuff too, but yeah this was the shit.)

Speaking of Ornette and Prime Time, the discoid peak (that I know of) is Of Human Feelings: early digital, but the CD (also early, but mine might be remastered) sounds good to me.

I interviewed Jamaaladeen Tacuma last year and we talked about In All Languages, and his tenure in Prime Time, quite a bit. You can hear it here, if you want.

I do, thanks!

search: ramsey lewis' ramsey from 1979. a1 and b1 are disco. the rest is more on the jazz-funk side. production is excellent.

https://www.youtube.com/watch?v=U1UVeNg-2YU

Can't wait to get this on vinyl and slow it down the necessary 10 to 15 BPM.

such a great thread

fascinating era that still feels refreshingly unsettled wrt any standard narrative about jazz, pop, rock, R&B, etc

there's been some reassessment in light of various revivals but a lot of this stuff still seems barely acknowledged esp by jazz types

Donald Byrd would have turned 88 yesterday. I wrote a guide to his stuff which goes from the 50s to the 70s.

ty that is great! I found the sonny rollins one really helpful before

cracking article.
out of all my jazz era collection, other than The Axe (who was not totally jazz, but hey), Byrd is the main man i come back to the most.
such variety and excellence.

Yes, thanks for the Byrding guide; I've only heard "Christo Redentor" and a few other tracks occasionally played on my local jazz station (also remember the Blackbyrds a little bit).
Several thread-relevant albums here: https://daily.bandcamp.com/best-of-2020/the-best-reissues-of-2020 (the Fela prob has considerable jazz appeal too, I suspect). And they're all linked to bandcamp pages: Billy Brooks, Pharoah Sanders, self-funded Shirley Scott, South Africa's Heshoo Beshoo Group, advance bits of which I was totally buzzed by over on Rolling Reissues---the only one I hadn't heard or heard of was Brooks:

Windows Of The Mind Billy Brooks
BUY
GO TO ALBUM
Merch for this release:
Vinyl LP, Compact Disc (CD)

Billy Brooks established himself as a sought after session musician in the 1950’s, rubbing shoulders with Ray Charles, Lionel Hampton, and Cal Tjader. Charles was clearly impressed by the funky trumpeter; in 1974, he signed Brooks to his sub-label Crossover Records, releasing the upstart’s Windows of the Mind LP the same year. Closing song “Forty Days”—famously sampled by A Tribe Called Quest on their enduring classic “Luck of Lucien”—is the album’s best-known track by a wide margin, but Brooks’ legacy runs much deeper than passing references: “Rockin Julius” is a lively flash of fashionable 1970’s funk, while “Jagged Edge” harks back to a more 1950’s film noir style. The album promises glimpses into the various windows of Billy Brooks’ mind. Turns out, they’re all pretty chill, not to mention genius. Album's page adds info that it's co-produced by Charles and featuring such heavy players as Herman Riley, Calvin Keys and Larry Gales. Will check.

I have a friend who is definitely not a music nerd, but got obsessed with Idris Muhammed's 'Could Heaven Ever Be Like This' as part of his frequent midlife fungi adventures. He wanted more and had no idea where to go, so I made him a big playlist and referencing this thread was very helpful, shouts out.

Some relevant stuff on this intriguing, recently revived thread, which I didn't recall having seen before: Miroslav Vitous -- Magical Shepard

Good call, definitely adding New York City on there. And definitely sampling the break on Aim Your Eye. ;)

Cool! Also, come to think of it, way back when Bobby Previte reappeared with Coalition of the Willing(2007) and his group of the same name, I was unexpectedly stimulated to connect with several 70s-80s intersections, trying to balance for new cadets and old hands----archived here:
https://papercomet.blogspot.com/2018/06/

& note link from that to Previte's bandcamp, where he's posted tons ov amazers.

Some of the albums I mention are from a bit later than 70s-80s, but in very much the same spirit.