Tom Waits: classic or dud/search & destroy

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I don't think of Waits' settings as imaginary, and along with the Brechtian clank, there's been Brechtian social commentary all along about the impossibilities of staying good in an unjust world, with lots of portraits of self-delusional characters who make the world worse. Anachronistic details, yes, but still addressing the real world. Akin to this

https://www.youtube.com/watch?v=JbYmWrfNJpQ

Mungolian Jerryset (bendy), Thursday, 10 August 2017 14:54 (six years ago) link

> I like Bad as Me too yet superficially it's not much different from MV.

I know! Maybe he just needed time off.

Mungolian Jerryset (bendy), Thursday, 10 August 2017 14:54 (six years ago) link

I don't need political songs from Tom Waits

I was happy to see "Hell Broke Luce" and "Hoist That Rag" on Alfred's list as they're two of the better anti-war songs anyone's written in the last while

a serious and fascinating fartist (Simon H.), Thursday, 10 August 2017 15:28 (six years ago) link

Only Waits show I've ever seen was in a Broadway theatre, prob right after the release of Franks Wild Years. Just great. I'm very fond of the Swordfishtrombones thru Bone Machine period, spotty familiarity with everything else.

ice cream social justice (Dr Morbius), Thursday, 10 August 2017 15:49 (six years ago) link

i have about 10 of his albums but haven't listened to them in a long time

small change, rain dogs, and franks wild years strike me as the best ones. bone machine is good too

marcos, Thursday, 10 August 2017 15:55 (six years ago) link

Heartattack and Vine gets slept on despite some A+ songs, especially the ballads, like Jersey Girl and Ruby's Arms.

Josh in Chicago, Thursday, 10 August 2017 16:01 (six years ago) link

"Hell Broke Luce" is a great example of how to be influenced by hip hop without trying to make hip hop.

Mungolian Jerryset (bendy), Thursday, 10 August 2017 22:22 (six years ago) link

hell broke luce sounds contrived to my ears

cosign on heart attack, that's a great record

niels, Thursday, 10 August 2017 22:26 (six years ago) link

faves: Real Gone, Alice/Blood Money, Small Change

Week of Wonders (Ross), Thursday, 10 August 2017 23:36 (six years ago) link

Hard to pick but if I had to do one per decade:

70s: blue valentines
80s: swordfishtrombone
90s: bone machine
00s: alice
10s:... i suppose bad as me but there's only one album to pick... surprised he hasn't done much this decade.

dance cum rituals (Moka), Friday, 11 August 2017 00:54 (six years ago) link

Never got the love for Mule Variations, but then I'm not into his straighter blues-oriented stuff and much prefer the Brechtian material really

Shat Parp (dog latin), Friday, 11 August 2017 10:44 (six years ago) link

My fave is "Nighthawks at the diner". It is a little bit like his "Take no Prisoners". He is such a great entertainer and the nightclub atmosphere really fits him well. I used to listen to it on dope, it really intensifies the listening experience. I used to think "Bone Machine" was his last peak after that I lost interest. Finding out that his singing voice is not his real voice did not really help in appreciating his music. On the contrary after that I got pretty tired of his shtick.

Ich bin kein Berliner (alex in mainhattan), Thursday, 17 August 2017 20:56 (six years ago) link

real gone is good it's got some siqq ribot playing

kurt schwitterz, Thursday, 17 August 2017 22:33 (six years ago) link

ok the first song on real gone is the worst shit he's ever done

kurt schwitterz, Thursday, 17 August 2017 22:38 (six years ago) link

Finding out that his singing voice is not his real voice did not really help in appreciating his music.

Actually, his speaking voice (I spent about 2 hours on the phone with him) is not that different from his singing voice at all, just slightly more subdued - 'cause he's talking and not singing. But his speaking voice is definitely gravelly and hoarse. The difference is about what you'd expect. I mean, Robert Plant doesn't speak in high-pitched screams, you know?

grawlix (unperson), Thursday, 17 August 2017 22:39 (six years ago) link

Maybe his speaking voice is contrived as well. It could well be that he has "forgotten" his normal voice. There is a sudden change of his voice from the first two albums to the others to a much lower register. Do you really think that was natural?

Ich bin kein Berliner (alex in mainhattan), Friday, 18 August 2017 12:41 (six years ago) link

there's nothing 'natural' about Tom Waits. his entire act is, well, it's an act. but like you say, it's hard to tell how much of it he has absorbed into his natural persona of course

Shat Parp (dog latin), Friday, 18 August 2017 12:58 (six years ago) link

There is a sudden change of his voice from the first two albums to the others to a much lower register. Do you really think that was natural?

I disagree, and I'm listening to Closing Time as I type this. The voice sounds almost the same to me, just a little more singer-songwriter/country and a little less Howlin' Wolf/Captain Beefheart. Maybe a little more nasal and a little less chest/throat. That's all.

grawlix (unperson), Friday, 18 August 2017 13:56 (six years ago) link

he didnt go full howlin' until heart attack and vine, which by all accounts is a great success of an album

kurt schwitterz, Friday, 18 August 2017 15:39 (six years ago) link

His voice on the Glitter and Doom live album is verging on death metal. I was a bit disappointed by the lack of nuance on that one, even though the playing is great.

Shat Parp (dog latin), Friday, 18 August 2017 15:48 (six years ago) link


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