Smashing Pumpkins: Fresh Fruit or Rotten Veg?

... particularly in the way that it was originally envisioned, this massive double CD album with a Ziggy Stardust-inspired concept...

Oh, that's true, but the song writing doesn't match the ambition. Loose riffs sink ships.

(and again, I like the album, but it's not up to par with anything they'd done previously).

But it's an incomplete work. It would've been a "very serious" epic if D'arcy had stuck around for the planned album cycle where they were going to (oh my god...) stay in character as Glass, etc. once that all fell apart, Billy just sort of ran out the clock. he's said as much

I think there's a great double album there though, I've really warmed to the Machinas in the last couple years... "I of the Mourning" especially, I love this verse:

I blow the dust off my guitar
In the attic with the star
I read your letter to feel better
My tears upon the faded ink

but again, many of the best songs are on Machina II (Vanity, If There is a God, Slow Dawn, Real Love, Dross, Home, Try v1...)

There's a couple of tracks I don't like on there - 'The Crying Tree of Mercury' and 'Heavy Metal Machine' particularly, but also 'Blue Skies Bring Tears' ... I love the rest.

yeah those are trash, although when I saw him do Crying Tree of Mercury in 2015 I was sort of won over... for once he put his guitar down and just sang, did almost like a lounge singer impression, wandering around the stage, it was cool...

I know some old heads love the Arising version of BSBT but I still find it hopelessly dull. Heavy Metal Machine is bar none the worst SP1 song.

"crying tree" rules, "blue skies" rules as a fast song and feels ponderous and overwrought when it's slowed down, "heavy metal machine" imo is the only real bad song on that record and it's soooo bad

xpost:

Yeah, I agree... I find 'Blue Skies Bring Tears' dull in all versions. I'd probably like 'The Crying Tree of Mercury' if it had been arranged/produced differently, but on the album it drrrrrrags, which is strange given that it's pretty short by Pumpkins standards.

it's also got that honking synth trumpet at the beginning, it's just an instant turnoff... like the very beginning of Raindrops + Sunshowers (RAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYNE)

the demo/work version of Raindrops rules, perhaps pedestrian for this era of Pumpkins but fuck man Billy's instincts were so off at this point. song starts at 51:33

https://www.youtube.com/watch?v=eI_wQAO5Qn8&t=3093s

whoops. 51:33

https://www.youtube.com/watch?v=eI_wQAO5Qn8

Yeah, the synth trumpet is quite obnoxious... I like 'Raindrops + Sunshowers', though!

Love the chorus of "Heavy Metal Machine" and you cannot gainsay me.

I remember a few folks taking the "if I were dead/would my records sell?" thing as a Cobain slight, even when aware that Corgan was singing in character for a lot of those songs...

i was wondering why there was so much recent activity on this thread. if they do get back together i might have to move up the Smashing Pumpkins artist poll to celebrate.

I had somehow missed this from his teashop web page. I hope he's always there at the bar like that. "CAN I HELP YOU."

https://static1.squarespace.com/static/523dcb12e4b0534df7dd3dc4/t/597246dc20099e6089a55970/1500661469550/?format=750w

"What...uh...tea is on off--"

"THIS IS MY INTENSE BLOOD TEA. I MADE IT FROM FORMER BANDMATES."

the place is pretty cool. i was in Chicago two and a half years ago and goaded my bandmates into going. the stimulus tea is really good. i got a copy of the Adore reissue there, Billy wrote all the price tags on everything.

If the Smashing Pumpkins hadn't taken off that may very well have been a pic of Corgan's daily existence. It's just as well Corgan went into music, because I sure as hell struggle to picture him in pretty much every other line of work.

"Uh, Billy, these photocopies aren't very cle..."

"I AM AN ARTIST AHEAD OF MY TIME. CALL ME WILLIAM."

He looks like he's trying to scare neighborhood kids away from his shop.

Going back to the theoretical setlist, I'd like to see them come out to "Mellon Collie" in the background and open with "Cherub Rock." They'd have to do that, right? And then something from Gish, maybe "Bury Me," then ideally bounce around a lot from the different eras...hell, I could even do with "Tarantula" and "The Chimera" (some of the later stuff is good!). And if they did "Whir," "Porcelina," "Mayonaise" (obviously), and some of the pretty songs from Machina II (of which there are several), I'd be very happy.

pass out strawberry margaritas to the crowd and open with an Echo & the Bunnymen cover

Billy could sub for Chris Cornell in Soundgarden how great would that be

that "crush" rehearsal video is amazing

― ToddBonzalez (BradNelson), Wednesday, July 26, 2017 1:09 PM (two days ago) Bookmark Flag Post Permalink

All I needed to hear tbrr

Haha ok thats from the early 90s nm

6:52 = pinnacle of all rock music

https://www.youtube.com/watch?v=NdjIdc9-13U

lmao hoooooly fucking shit, he listed that Strat at 1 MILLION DOLLARS 😂

https://reverb.com/shop/the-official-billy-corgan-reverb-shop

lol, and that drum machine used for "1979"? i got it new from Amazon a couple months ago for less than a hundred bucks. this is so fucking funny ahahahahhahahahahaha

Well, at least he's got "Make An Offer" activated.

For reference on the guitar price:

http://proguitarshop.com/andyscorner/10-most-expensive-guitars-ever-so-far

the drum machine is killing me. you can buy that exact same model right now - new - for a hundred bucks or so. the "1979" beat is pretty simple, anyone can recreate it. ahahahhahahahhhahah this is so great

The most expensive item to sell thus far is an Ovation acoustic for $15K. It was used to record Mayonaise, which is my favorite jam of theirs, so seems reasonableish, maybe? It's about a tenfold markup.

https://reverb.com/item/6319266-ovation-elite-1758-12-string-1990-owned-by-billy-corgan-siamese-dream-mayonaise

yes that's very reasonable, Mayonaise is one of their most famous & beloved songs. I didn't expect any of this stuff to be listed above 50k but wow, Bill surprises again.

'Mayonaise' is okay - probably wouldn't make a list of my 30 favourite Pumpkins tracks, but I like it fine. Awful title for a song, though... I've never liked it.

I've never cared much for it either, never understood the intense love for it. even for Billy, "I - JUST - WANT - TO BEEEEEEEEEEEEEEEEEEEEE - ME!" is just a little too on the nose. then again, do birds fly? Good song, but it wouldn't even make my top 50.

agreed abt the title but y'all are crazy, crown jewel of the album imho

otm

It is a terrible title and an even worse foodstuff.

The title rules!

all relative with SP1 for me, imo they never released a bad song. Mayo rules, there's a lot I could say about it (that clean lead intro, the glorious phased out gtr solo, the main chord progression), but it's not a red letter song for me.

Disarm as arranged and recorded on SD is prob my least favorite SP1 song. The solo mellotron drone version Billy did last year at the In Plainsong shows was beautiful & soaring - the SD arrangement imo is too saccharine & cliched.

how is the title good or bad it's just a word

it's an amazing song too, you probably just overplayed it

I mean a random non offensive word

Never overplayed it, I always found it overwrought and too long. Hummer is a minute longer & goes so much further than Mayo, which has the same chord progression throughout & just drags.

But those feedback squalls are incredible

just one of those "random word that's not in the lyrics" titles that bugs me, along with "soma" and "silverfuck" it's one too many and meant it took me forever to actually learn which song was which by name. "rocket" is the only one of these that really kills it imho in catching the feel/point of the song.

otm, humbly disagree about soma and silverfuck tho. rocket is the best example of this on SD for sure

huh fair enough to each his-her own

"Mayonaise" is by far my favorite Smashing Pumpkins song, expect it to be in the Top 10 when ILM does their poll.

Mayonaise is the most MBV song of the Pumpkins' - at least I think that's why I like it. Apart from the vocals and the solo it could slot right into Loveless.

There's plenty to like about 'Mayonaise', particularly the guitar sounds/use of feedback, but while it undoubtedly rules as much as anything the Pumpkins were doing at the time, I can think of plenty of SP tracks that mean more to me.

Siamese Dream is all about the epics for me at this stage - 'Hummer', 'Soma', 'Silverfuck' ...