What's the best Genesis album?

man this would be so difficult, though I'm pretty sure Selling England is #1 and Calling all Stations is at the end of the list

The first live one. Docked one point for leaving off Supper's Ready.

wau @ Foxtrot so high.

― the Rain Man of nationalism. (Alfred, Lord Sotosyn), Friday, July 7, 2017 1:23 PM (thirty-three minutes ago) Bookmark Flag Post Permalink

it's all great. ppl who think "time table" is weak need to get right

'Time Table' is one of my favourites.

ecstatic you two have kissed and made up

Man, the first part of 'Mad Man Moon' is so beautiful.

first side of trick is the best shit on earth

and then side two has the title track and the percussion-tastic 'Los Endos' ...

Hi, Brad.

https://www.youtube.com/watch?v=3AtL_Ko2KNQ

Of the ones I listen to:
Lamb >> Selling England By the Pound > Nursery Cryme = Foxtrot

"home by the sea" is the fuckin best

The Lamb Lies Down on Broadway
Selling England by the Pound
Foxtrot
Wind & Wuthering
A Trick of the Tail
Nursery Cryme
Abacab
and my familiarity with the albums gets hazy after that. I will listen to everything if there's a poll coming up.

The Gabriel albums captured my heart at a formative age so I can't really be objective about them.

The Lamb Lies Down on Broadway is often cited as the pinnacle of early Genesis, but I'm not really convinced that it is. While it certainly contains more music than any other Genesis studio album, there's portions of The Lamb Lies Down on Broadway that strike me as being a bit dull, and the band seem to be lacking in energy throughout - consequently, the whole thing ends up being a bit of a slog for me, even though the album has several highlights. I find the plot of the record to be a bit silly, too. A Trick of the Tail, although it captures a band in crisis due to their lead vocalist leaving, also captures a band that are re-energised and are into what they're doing.

First half of Lamb is great, second half more ... nebulous.

i love basically every part of the lamb

i'll acknowledge that the first half is basically perfect and that the second half is maybe a little more unsolid but that's as far as i'll go

The plot's no sillier than Supper's Ready, Battle of Epping Forest, other tracks where Peter is the main lyricist. I love the music and so embrace the goofiness.

I do think including the prose version of the story was a bad idea though.

I can ignore the lyrics on 'Supper's Ready' completely, but 'The Battle of Epping Forest', which has some nice musical parts, is far from my favourite Genesis epic.

The relative lack of energy (the title track, for example, has always felt like it needs to be a touch faster and more aggressive) and a little too much meandering padding are bigger issues for me on The Lamb Lies Down on Broadway than the lyrics, fwiw.

i love basically every part of the lamb

^^^^

Will admit to not even knowing what the plot is, despite having listened to this many times. A road trip favourite for me.

invisible touch is the best genesis album. not a single bad song on it.

It's about Peter Gabriel wishing Bob Fosse had directed him on stage singing "On Broadway."

xpost

alfred otm

essentially the wall of death falls over new york city and rael meets some wacky characters and then a bird steals his penis iirc

I only really listen to Nursery Cryme and Trespass, think that caught them at a great juncture. & the live sets from around teh time.
& then disown the rest of their catalogue.
Just got a lotof their early BBC stuff from a Demonoid torrent.
But picked up the 2008 remasters when they happened, also Foxtrot which I didn't get into much.

2008 remasters are controversial. Some vocals/instruments mixed down, some mixed way up, iirc.

Sometimes the first half of "Lamb" is my favorite, sometimes "Abacab," sometimes sometimes "Trick of the Tail," sometimes even "Invisible Touch," but never s/t and rarely "Duke" or "And then ..." (for some reason). Usually "Selling England" is my favorite. At the very least, I think "Dancing with the Moonlit Knight" is the band's playing apex, and Peter's lyrical peak (in Genesis) as well. Sort of ... proto Morrissey?

the remasters are also remixes which is why they're controversial beyond the "steve hoffman forum" sense

duke
a trick of the tail
invisible touch
genesis
and then there were three
foxtrot
abacab
three sides live
selling england by the pound
the lamb lies down on broadway
nursery cryme
wind & wuthering

I think you could guess which Genesis era I grew up in from that list. their prog back catalogue was my first deep dive into an artist, but the gabriel albums never spoke to me as much.
I admit to never listening to anything after invisible touch, and I'm not really familiar with anything before Nursery Cryme, so my list is truncated on each side.

On "Selling" and "Lamb" in particular, even "Trick" and "Wind," I find it remarkable how well Phil's drums in particular are recorded. They just sound great. They always do, too, especially ironic for a guy who helped invent the sound of '80s drums.

Until I read his book I never knew much about his pre-Genesis stuff. Like:

https://www.youtube.com/watch?v=jzBYib_Pko8
https://www.youtube.com/watch?v=WwG2lvssEzo

Or

https://www.youtube.com/watch?v=LPOqAHN4T9c
^written and sung by Phil c. 1968

Like a few others here on ILM, i've been running up-and-down their catalog -- seems like i've been listening to nothing else for the last week. Lots of treats buoyed on the back of both decades of reflection and fresh ears. Side note; why "Squonk" wasn't a single, i'll never understand; the title alone?

Faves in two camps:

Trespass from Gabriel-era
Duke from Collins-era

This is lovely. Adore the ToTT and WaW period Genesis. https://www.youtube.com/watch?v=x5Y1L2aFt8M&t=0s

https://www.youtube.com/watch?v=wraejmyAK5w

Let's try that again: https://youtu.be/x5Y1L2aFt8M

is it weird of me to say that i don't think of genesis as an album band? they sounded great when everything came together, but a lot of the time it didn't.

i recall reading a story from the first half of the 20th century that reminded me of the pre-"supper's ready" story printed on the inside of "live". it was only a couple weeks ago but i don't remember what it was exactly. sometimes i think peter gabriel's song introductions were the best part of his era of genesis. few things are more painful than listening to phil collins trying to replicate that style on the '76 tour.

I saw The Musical Box a couple of years ago, and not only were they awesome (at the time they had a balding left-handed drummer who even sang like Phil!), but their singer nailed replicating the weird Pete intros.

This one has the Phil ringer:

https://www.youtube.com/watch?v=pmLLs4EtMAA

Here's a more recent lineup doing all of "Lamb." Apparently Genesis are fans, and lent them their old slides and props:

https://www.youtube.com/watch?v=OlX4moDYEmA

Here's a bit of Phil sitting in. He said it was a struggle:

https://www.youtube.com/watch?v=nWZT0EHKjCk

wind and wuthering
a trick of the tail
and then there were three
selling england by the pound
the lamb...
foxtrot
nursery cryme
duke

no time for the rest...

The only track I'd take off of The Lamb is Ravine, which does feel like a pointless meander at that point in the album. The other instrumentals are solid.

There's a bunch of live Waiting Rooms on Youtube. Genesis would have made a killer krautrock band.

https://www.youtube.com/watch?v=Lmeyb8bX4Uo

there's a great 12-minute rehearsal jam on "fly on a windshield" floating around out there (not on youtube that i can find or i'd link it). kind of reminds me of embryo for whatever reason.

I don't really know their discography very well, but I don't anything is going to top Foxtrot for me, so that's probably why. Supper's Ready has the cutest lyrics of all time.

human bacon

tangent - you used to write on epinions?

actually love Ravine. got fond memories of getting the double Lamb CD and skipping to try and hear The Light Dies Down the second time I played it and getting Ravine by mistake and it scaring the crap out of me. The one album they did where there's this actual undeniable undercurrent of menace to it, simliar to The White Album

yeah i love "ravine" too. lot of harrowing empty space in the second half of the lamb

as much as I enjoy the post-Gabriel era(s), the creepy nastiness which peaked on the Lamb all but disappeared

Ravine gives Peter time to change out of the Slipperman costume I guess.

The menace made it onto Gabriel's first few solo albums. Moribund the Burgermeister is pretty Lamb-like, and there's scary shit on Melt and Security — especially in the German, which gives something like Not One of Us a vaguely fascist undertone. It was all gone, though, by So, and I don't think he's ever recaptured it. Most of Up is just kind of lamely overwrought.

Will have to give the german versions a listen but had never previously felt the need to. Always found the first two solo albums a bit lacking