Rolling Reissues 2017

10th anniversary reissue and tour performances of Of Montreal's Hissing Fauna, Are You The Destroyer, details here:

http://mailchi.mp/polyvinylrecords/8mbcyn147s?e=e256bac75c

Few will care but this is great news. A reissue of Matt McGinn's first four albums, the first time available in over 40 years. This is not something you hear too often but good ol' Cherry Red!

https://www.cherryred.co.uk/product/the-road-to-aldermaston-complete-transatlantic-recordings-1966-1969/

Just got this from Soundohm

gruppo di improvvisazione nuova consonanza
Azioni/Reazioni 1967-1969 (Deluxe Box Set)
€ 180.00
LABEL: DIE SCHACHTEL
GENRE: Experimental | FORMAT: 5Lp, 4Cd, Dvd, Book BOX | CATALOG N. DS33-Box LP limited | YEAR. (2017)
Pre-Order
Add to Wishlist

**Shipping in mid June - Art Edition of 100 copies** The year 2007 saw one of the most remarkable findings in the long treasure-hunting history of Die Schachtel: the complete set of recordings of the early manifestation (1967-1969) of one of the most legendary improv group of all times, the Gruppo di Improvvisazione Nuova Consonanza. Rescued by the private archives of Mr. Walter Branchi, one of the original founding members – alongside with Franco Evangelisti, Ennio Morricone, Ivan Vandor, Roland Kayn, Egisto Macchi, Mario Bertoncini and John Heineman – the tapes were then restored in their entirety, but only a part of them were published in an epic 500 copies -CD-only boxset titled "Azioni 1967-1969", which also featured a DVD with the original film "Nuova Consonanza" shot by Theo Gallher during the rehearsal and the concert that the group held on March 19th and 20th, 1967, at the Galleria d'arte Moderna in Rome. Spanning from free-jazz to total abstract noise to wild electronic sounds (thanks mainly to the wizardry of Roland Kayn and Walter Branchi), their music was – and remains – one of the most dynamic, original and uncompromising expression of a period defined by intense experimentation and musical bravery, that anticipated a lot of the experiments to come in later years. Or, to put it simple, "They were utterly unique", as per the words that John Zorn – a long time admirer of the Gruppo – expressely wrote for this edition.

To mark the 10-years anniversary of its original release, and to finally make it available for the vinyl aficionados throughout the world, Die Schachtel is proud to present AZIONI/REAZIONI 1967-1969, the complete cycle of improvisations (which in fact means thirteen additional inedit pieces, spanning over 2 and a half LPs and two CDs ), taken from the original tapes, lovingly remastered by Mr. Giuseppe Ielasi and masterly cut to five black vinyls, with a new design and an even more complete information apparatus, that includes a 64 page LP-size book in English and Italian, complete with essays, memories from the members of the Group, a new article by Valentina Bertolani exploring in detail the techniques of the group (based on the enclosed DVD), a chronology and a collection of original reviews by Maurizio Farina, and – to add an additional cherry on the almost rather juicy cake - a set of stunning (and inedit) black and white photos of the group playing in the glorious Venice "Teatro della Fenice" in 1968, taken from the archives of the Venice Biennale.

This is your unique opportunity to grab one of the 100 Limited Collector Edition, the only ones complete with both 5LPs, 4CDs and 1DVD, the coffee-table book, an exclusive large poster and – to add an even more appealing dimension to the whole thing – hosted in a hand made (in Italy) custom wooden boxset designed by Dinamomilano, whose stunning tactile, "arte-povera" inspired artwork (by Dinamomilano as well) is in fact made by two laser-cut pieces of black rubber and white felt, complete with a matt grey foil-stamped title on the side. You can almost feel the weight of the edition (in metaphorical terms too).

To sum it up, the monumental "AZIONI/REAZIONI" boxset includes:

- 5 vinyl LPs

- 4 CDs

- 1 DVD (with English and Italian subtitles)

- 1 large poster on high-quality paper

- a 64-page sewn-bound large book

- handmade wooden boxset with rubber and felt motif

Please consider that this Limited Edition will be followed by a "regular" one, comprised by 5 LPs+DVD+book (hence no CDs and poster), hosted in a standard cardboard boxset, and a 4CD+DVD+book (hence no vinyls) edition. Please also bear in mind that this is going to be a 1-timer pressing: no further pressing are foreseen for the years to come.

We suggest you don't delay and act now... the expression has never been more appropriated.

Wow! Think I'll wait for the 4CD/DVD/book version (no turntable, no place to hang a poster).

Awww man that Haino album is my favorite of his. Psyched.

https://gallery.mailchimp.com/ef973e9c5e109d553648cc178/images/06c2fef3-1e05-4f6a-ba81-60e6698714d8.jpg

Yep Roc is excited to announce that for the first time in decades, you can now own Nick the Knife, The Abominable Showman, Nick Lowe and His Cowboy Outfit, The Rose of England, Pinker and Prouder Than Previous, and Party of One on CD and LP! Bundle all of them together and get a great discount PLUS a limited edition Nick Lowe lunchbox for free!

These albums mark the period in Nick Lowe's career where he was experimenting with numerous genres, ranging from roots rock to country to reggae to the pub rock and power pop sounds that he made so famous. These albums are absolutely worthy of second listen and showcase his collaborations with artists such as Elvis Costello, Huey Lewis, Paul Carrack, and many more.

more info, links: http://mailchi.mp/yeproc/thank-you-for-following-yep-roc-records?e=1acce46fd4

Not a fan of his more recent albums, but seems to be one of those artists who gets better the farther back you go.

So a bunch of vinyl comps coming out on Rhino, mostly well-known tracks, but this one has me curious:

http://image.e.wbr.com/lib/fe8e137075670c7572/m/1/TRANSPARENT_DAYS_2400_PR.jpg

TRANSPARENT DAYS: WEST COAST NUGGETS
2LP Track Listing

Side One
1. "Transparent Day" - The West Coast Pop Art Experimental Band
2. "Time Is After You" - The Peanut Butter Conspiracy
3. "Linda's Gone" - The West Coast Branch
4. "I Could Be Happy" - The Dovers
5. "My Race Is Run - The Motleys
6. "The Happiness Song" - Gerry Pond
7. "Here's Today" - The Rose Garden
8. "Bye Bye Bye" (Warner Bros. Single Version) - The Tikis

Side Two
1. "Make It Easy" - The Collectors
2. "I'll Sell My Soul" - The Allies
3. "Goin' Down" - The Waphphle
4. "Out Of Sight Out Of Mind" - Limey & The Yanks
5. "Where You Gonna Go" - Art Guy
6. "Got Love" - The Front Line
7. "She's My Baby" - The Mojo Men
8. "Going Home" - Butch Engle & The Styx

Side Three
1. "Pandora's Golden Heebie Jeebies" - The Association
2. "If You Could Be Him Instead" - Wayne Stewart
3. "Candlestickmaker" - Ron Elliott
4. "Smiling" - M.C. 2
5. "Momentarily Gone" - The Truth
6. "Degeneration Gap" - Tandyn Almer
7. "Baby Please Don't Go" - The Ballroom

Side Four
1. "Come Alive" - Things To Come
2. "House Of Glass" - The Glass Family
3. "The Eagle Never Hunts The Fly" - The Bonniwell Music Machine
4. "Dawn Lights The Way" - Clear Light
5. "Shadows" - The Electric Prunes
6. "Changes (Tygstl)" - The Ceyleib People
7. "Your Mind & We Belong Together" - Love

info on the series: http://view.e.wbr.com/?qs=cfe9481475b5dc3da9ec21aff234088e6ada30c48119cd62bd9c75f70d097b4b6d860098dacf7073780d0b983a0828f29be1256598186d66dc64e7ab8fc159e8

http://i2.cmail19.com/ei/i/0C/FE8/C91/210725/csimport/newsjr-cd370-boombox-2-cover_1.jpg

Boombox 2
Early Independent Hip Hop, Electro and Disco Rap 1979 - 83
SOUL JAZZ RECORDS
(3-LP, CD, mp3)

Out this Friday worldwide in all good retail and internet stores.

Soul Jazz Records’ new Boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. Featured here are some the earliest hip-hop records that came out of New York City following the enormous commercial success of the first ever rap record, ‘Rapper’s Delight’ by the Sugarhill Gang, in September 1979. Artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. By the end of the year there were 30 hip-hop singles, all released by independent New York labels. The following year there were over 100 more, and so on.

Boombox 2 tells the story of how hip-hop went from its evolutionary roots in the Bronx through DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa through to this second phase where veteran music producers – Paul Winley, Peter Brown, Joe Robinson and others – all based in Harlem, began to put rap on vinyl for the first time.

Harlem is also where the separate worlds of disco and hip-hop met through the styles and influence of earlier ‘uptown’ DJs - DJ Hollywood and Eddie Cheba. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of African-American rhythm and blues, soul and disco.

The album features many early and rare cuts from the first generation of early rap artists including Lovebug Starski (as Little Starsky), Busy Bee, Eddie Cheba, Kool DJ AJ as well as many other little known artists.

Boombox 2 is a triple-vinyl set (+ download code) LP and double CD pack that features extensive text, exclusive interviews and stunning photography by Jamel Shabazz, Martha Cooper and others.

Reviews of Boombox 1:

‘The vital launch pad between hip-hop’s birth and its worldwide impact’ THE WIRE

‘This compilation of early rap is a legit party in a box, one of the best Soul Jazz Records releases in years.’ FACT

‘A brilliant compilation of first wave underground rap records made in New York circa 1979-83' TWISTED SOUL

Release Date
31 May 2017

Tracklisting
1 Harlem World – Let's Rock
2 Lonnie Love – Young Ladies
3 Kool DJ A.J. – Ah, That's The Joint
4 Terry Lewis and Wild Flower – The Peoples Message Take Two
5 Rappers Rapp Group – Rappin' Partee Groove (Club Version)
6 Eddie Cheba – Lookin' Good
7 MC Rock Lovely – One Time Two Time Blow Your Mind
8 Little Starsky – Dancin' Party People
9 Manujothi – Shake Your Body
10 Busy Bee – School Days
11 TJ Swann, Pee Wee Mel and Swann Controllers – Maximus Party
12 Margo's Kool Out Crew – Death Rap
13 Grand Master Chilly T and Stevie G – Rock The Message Rap
14 Zoot II – Dr. Ice Rap
More Info & Audio:
https://soundsoftheuniverse.com/sjr/product/ejyybbqmn

https://soundsoftheuniverse.com/img/VVhPN2h3SVJyWDN2YnBNV21lWUhTZz09/sjr373-lloyd-mcneill-asha-slve.jpg

Lloyd McNeill is a multidisciplinary artist – a painter who lived in Paris in 1965 and was a friend of Picasso, a musician who has worked with Nina Simone, Nana Vasconceles, Ron Carter, Cecil McBee and many more and a music anthropologist, poet and teacher.

In the 1960s he was involved in the civil-rights movement and produced music for ballet, paintings and installations. His music mixes jazz with Latin, Brazilian and African rhythms that McNeill learnt was studying anthropology in his travels through much of Africa and Brazil (where he joined with Dom Salvador, Paulinho da Viola, Paulo Maura and Martinho da Vila).

The album comes with extensive sleevenotes and interview with Lloyd McNeill as well as exclusive photos and text. Vinyl is heavyweight vinyl pressing + download code limited to 1000 worldwide.

Lloyd McNeill features on two earlier Soul Jazz releases, 'New Thing' and 'Freedom, Rhythm and Sound". Soul Jazz Records have also recently reissued Lloyd McNeill's stunning 'Washington Suite' album recorded in 1970.

Lloyd and Nina
https://soundsoftheuniverse.com/img/a21hRk1QVDVDdm1UeWQrcGR2ZGxVUT09/lloyd-mcneill-and-nina-sim-copy.jpg

https://soundsoftheuniverse.com/img/MnVad0JxU2Z3a2xTTXdrUVVKOXlLQT09/lloyd-mcneill-with-mural-1970-2.jpg

Oops, forgot the More Info & Audio link for Lloyd:
https://soundsoftheuniverse.com/sjr/product/lloyd-mcneill-quartet-asha

https://soundsoftheuniverse.com/img/TmpqQWtKSmRBZHJKQ0Q3cGxPS0NrUT09/image003.jpg

Vodou Drums in Haiti 2
The Living Gods Of Haiti : 21st Century Ritual Drums & Spirit Possession
Drummers Of The Societe Absolument Guinin

Soul Jazz Records’ new album features the truly intense, hypnotic and fascinating Vodou drums of Haiti, a stunning collection of trance-like rhythms and beats traditionally used to induce spirit possession in the Vodou religion.

Soul Jazz Records first journeyed to Haiti in 1996 to record a series of three albums about Haitian Vodou music and culture. One of these, ‘Voodoo Drums’, featuring the drum rhythms used to bring about spirit possession struck a striking chord with listeners, and amazingly went on to become one of their best-selling albums.

"I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, very well recorded. Some of the sounds I have no idea how they are getting them! This album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian

In 2016 Soul Jazz Records returned to Haiti once more to record a new second volume of the same intense Vodou drumming. Recorded in the capital of Port-au-Prince, Haiti, some 20 years after their first visit, this album also features the very same musicians, the Drummers of the Société Absolument Guinin.

"This record, which consists entirely of recordings of vodou drumming made in Port-Au-Prince, is one of a series of Soul Jazz releases exploring Haitian music, all of which are worth your attention. Nonetheless there's something about the intensity and virtuosity of this particular drums-based album that's particularly transportive. It captures the extraordinary complexity and sophistication of these ceremonial rhythms, which shift, interlock and switch angle of attack with a logic that's near-indecipherable as a listener unable to see visually how they unfold.

These drum rituals are central to Haitian vodou, their power to awe and mesmerise isn't dimmed through being relatively unfamiliar with the traditions that underlie them; these recordings are dynamic and riveting in their intricacy and power." Quietus

Like the first album, these new recordings somehow manage to walk the line between serious ethnological authenticity and a connection with the energy and intensity of the dance rhythms of techno and house music that make them quite unique:

"Soul Jazz yet again come correct with the roots and culture. This amazing set of ritual breakbeats Haitian style has to be the most phenomenal, left field battle breaks album you could imagine. The rhythms used cause spirits to manifest themselves in the physical world, all powerful, some benevolent, others less so. Enjoyable and really quite mind expanding, this is recommended to anyone who thinks traditional music is not for them. Really unparallelled, both in terms of quality and the competition." Boomkat

This album is released worldwide on heavyweight double LP + download code, deluxe CD and digital.
More Info, Audio:
https://soundsoftheuniverse.com/sjr/product/vodou-drums-in-haiti-2

all over that Boombox 2 thing thx

First one's good too.

https://soundsoftheuniverse.com/img/VFdIcjc5S3dvS3BhQ1FRS0tET0dvUT09/sjr-lp-cd375-skatalites-sleeve.jpeg

The Skatalites
Independence Ska and The Far East Sound - Original Ska Sounds From The Skatalites 1963 - 65

Fantastic new collection of rare and classic killer ska from the legendary Skatalites, one of the most important groups in the history of Reggae.

This album was first released only as a limited-edition collectors 7-inch box set (now deleted) and is now available for the first time as a double LP edition (+ Download Code), CD and digital release - complete with 10 extra bonus tracks and new extensive sleeve notes!

The Skatalites brought the sound of Jamaica to the world. At the start of the 1960s, in the space of just a couple of years Don Drummond, Tommy McCook, Jackie Mittoo, Ernest Ranglin, Johnny ‘Dizzy’ Moore, Lloyd Knibbs, Lloyd Brevett and others defined the exciting beat of ‘Ska’ as the sound of newly independent Jamaica.

As the house band at Clement ‘Sir Coxsone’ Dodd’s newly launched Studio One Records at 13 Brentford Road, the group comprising the finest jazz musicians on the island played on literally 1000s of recordings – Bob Marley and The Wailers, Toots and The Maytals, Delroy Wilson, Ken Boothe, Alton Ellis and many, many more.

During their existence (1963-65) The Skatalites also recorded 100s of their own songs, released either under their own name, or The Studio One Orchestra, or that of band members Drummond, McCook etc. This is the first collection on Soul Jazz Records to bring you some of their finest material – from classics such as ‘Guns of Navarone’, ‘El Pussy Cat Ska’, ‘Christine Keeler’ through to some serious rarities such as Dizzy Johnny and The Studio One Orchestra’s ‘Sudden Destruction’ and Don Drummond’s ‘Coolie Boy’.

The Skatalites’ ska sound brought together aspects of jazz, latin, rhythm and blues, proto-Rastafarianism (tracks such as ‘Full Dread’, ‘Beardsman Ska’) and more. The intensity and energy of their sound was matched by the experimentation of the troubled genius of Don Drummond whose ‘far east’ modal trombone sound added a complex melancholy to the music of the Skatalites (the group split-up after Drummond was charged with murdering his wife, dancer Margarita Mahfood).

More Info, Audio:
https://soundsoftheuniverse.com/sjr/product/independence-ska-and-the-far-east-sound_2

The soundtrack album to Robert Altman's Popeye is reportedly being reissued as a 2CD package, including Harry Nilsson's original demos on the second disc, due July 28.

https://gallery.mailchimp.com/480cdd9e0b390c18e4fc2e8a4/_compresseds/82302e16-58fb-4dfc-a74d-daa4fcc658a1.jpg

CAN

THE SINGLES OUT JUNE 16

LISTEN TO RARE TRACK
"SHIKAKO MARU TEN"

https://www.youtube.com/watch?v=jNnilECnMpw&feature=youtu.be

CAN The Singles - a collection of all of the band’s single releases - is out June 16 on triple vinyl, download, CD and streaming services.

“Shikako Maru Ten” was the B-side to “Spoon,” which was a Top 10 hit in Germany in 1972. The singles on this compilation are all presented in their original 7” version and “Shikako Maru Ten,” which never appeared on a studio album, is available here for the first time on vinyl outside its original release.

This unique document is the first time the singles have been presented together and shows the breadth of CAN’s influential career, from well-loved tracks like “Halleluwah,” “Vitamin C” and “I Want More” to more obscure singles such as “Silent Night” and "Turtles Have Short Legs". Preorder The Singles HERE.

The Barbican in London recently hosted a very special event to mark CAN’s 50th anniversary year: Irmin Schmidt conducted the London Symphony Orchestra, presenting the world premiere of an original orchestral work composed by Schmidt and Gregor Schwellenbach called CAN Dialog while a specially curated supergroup brought together by Sonic Youth’s Thurston Moore and featuring CAN’s first singer Malcolm Mooney performed a set of CAN tracks, including “She Brings The Rain,” “Yoo Doo Right” and “Mother Sky.”

CAN, founded in 1967, released their debut album Monster Movie (1969) which set them apart from the mainstream, carving out a sound that transcended the boundaries of experimental electronic, jazz and modern classical music. CAN’s influence extends from post-punk musicians such as Joy Division and Primal Scream, through avant-garde composers including Bernhard Lang and Radiohead. Schmidt himself began his musical career as a pupil of Stockhausen and Ligeti, and conducted numerous high-profile orchestras in his native Germany and abroad. Hearing the sounds of Jimi Hendrix and Frank Zappa in the ‘60s led to the formation of CAN but Schmidt never lost touch with his avant-garde classical upbringing, and it is to Schmidt that CAN owed much of its musical eclecticism.

In spring 2018, Faber & Faber will publish a new book devoted to CAN titled All Gates Open. The special edition will come in two volumes: one will be the first complete, authorized biography of the band written by Rob Young and the second, CAN Kiosk by Irmin Schmidt, is a collage of thoughts, visuals and interviews (interviews collated by Max Dax and Robert Defcon).

CAN – THE SINGLES TRACKLISTING
1. Soul Desert
2. She Brings The Rain
3. Spoon
4. Shikako Maru Ten
5. Turtles Have Short Legs
6. Halleluwah (Edit)
7. Vitamin C
8. I’m So Green
9. Mushroom
10. Moonshake
11. Future Days (Edit)
12. Dizzy Dizzy (Edit)
13. Splash (Edit)
14. Hunters And Collectors (Edit)
15. Vernal Equinox (Edit)
16. I Want More
17. ...And More
18. Silent Night
19. Cascade Waltz
20. Don’t Say No (Edit)
21. Return
22. Can Can
23. Hoolah Hoolah (Edit)

Dunno deal with link--if don't see it, check youtube.

Why is it that Rhino has put out at least half a dozen Nuggets followups (Nuggets II, Children of Nuggets and the San Francisco and L.A. boxes, plus a few Rhino Handmade single-disc Sunshine Pop comps), but never a sequel to the One Kiss Can Lead To Another girl group box?

Not that it answers your question, but I think they haven't done a various artists box set since the L.A. Nuggets one in 2009. I understand some of the Rhino people went to work elsewhere amidst greater Warner downsizing; some of them I think went to RockBeat Records, where they have done further "nuggets" collections (Surf Age Nuggets, Halloween Nuggets, Los Nuggets).

I pre-ordered the Purple Rain set. It's about damn time!

Thinking of getting Uriah Heep reissues, and this: Doctors Of Madness - Perfect Past: The Complete Doctors of Madness

Doctors Of Madness were the missing link between Bowie and the Sex Pistols. Formed in 1974, they were too early for punk but their music was abrasive, angular and uncompromising. Members of The Adverts, The Damned, Penetration and The Skids were in their audiences. The Sex Pistols were their support band. After they split in 1978, Doctors Of Madness were tagged “punk before punk”: as author Simon Reynolds put it in his 2016 book Shock And Awe: Glam Rock And Its Legacy.

Perfect Past: The Complete Doctors Of Madness is the first ever all-inclusive anthology of this important British band. Over three discs, their three albums – Disc One: Late Night Movies, All Night Brainstorms (March 1976); Disc Two : Figments Of Emancipation (October 1976); Disc Three: Sons Of Survival (March 1978) – are supplemented with never-before-heard recordings from June 1975 and late 1976, along with live recordings of songs they never tackled in the studio, including those with The Adverts’ TV Smith, and a prospective 1978 single made with The Damned’s David Vanian on vocals. All tracks are newly remastered.

In-depth liner notes by MOJO magazine’s Kieron Tyler, the author of Damned biography Smashing It Up: A Decade Of Chaos With The Damned, draw on exclusive new interviews with the band’s charismatic, outspoken frontman and songwriter Richard Strange and their violin/guitar player Urban Blitz.

Presented in a clam shell box, including LP facsimile wallets, and a fully illustrated booklet featuring illustrations from Richard Strange’s personal archives.

The band-approved Perfect Past: The Complete Doctors Of Madness is the last word on Doctors Of Madness and essential for anyone with any interest in British rock and how punk evolved. Watch out for reunion shows in 2017.

DISC ONE:
LATE NIGHT MOVIES, ALL NIGHT BRAINSTORMS (MARCH 1976)
1. WAITING
2. AFTERGLOW
3. MITZI'S CURE
4. I THINK WE'RE ALONE
5. THE NOISES OF THE EVENING
6. BILLY WATCH OUT
7. B-MOVIE BEDTIME
8. MAINLINES

BONUS TRACKS
9. DOCTORS OF MADNESS **
10.BALLAD OF A THIN MAN *
11.WE DON’T GET BACK *
12.B-MOVIE BEDTIME *
13.OUT *

* PREVIOUSLY UNRELEASED DEMO’S
** OUTTAKE

DISC TWO:
FIGMENTS OF EMANCIPATION (OCTOBER 1976)
1. BROTHERS (FOR JOHN & BRIAN)
2. SUICIDE CITY (FOR JACQUELINE)
3. PERFECT PAST (FOR RENE)
4. MARIE & JOE (FOR MARIE & JOE)
5. IN CAMERA (HUIS CLOS)
6. DOCTORS OF MADNESS (FOR ME & YOU)
7. OUT (FOR MITZI)

BONUS TRACKS
8. FRUSTRATION * 9. I MAKE PLANS *
10.TRIPLE VISION **

* PREVIOUSLY UNRELEASED DEMO’S
** ACOUSTIC DEMO

DISC THREE:
SONS OF SURVIVAL (MARCH 1978)
1. 50s KIDS
2. INTO THE STRANGE
3. NO LIMITS
4. BULLETIN
5. NETWORK
6. SONS OF SURVIVAL
7. BACK FROM THE DEAD
8. TRIPLE VISION
9. KISS GOODBYE TOMORROW 10.COOL (LIVE IN THE SATIN SUBWAY)

BONUS TRACKS
11.DON’T PANIC ENGLAND
12.WILLIAM BURROUGHS INTRO TAPE (LIVE)
13.TROUBLE (LIVE)
14.MAKING MACHINES (LIVE)*
15.WHO CRIES FOR ME? (LIVE)*

* PREVIOUSLY UNRELEASED

I was offered a promo of that but I'd never heard of them so I passed.

Yep, they continue to be a band lost between the cracks. Ultravox, Simple Minds and OMD have cited them as an influence.

Got an advance of it -- great set!

Describe please (within discreet bounds, if you might be covering it)!

"the missing link between Bowie and the Sex Pistols" sounds like Cheech and Chong's band from Up in Smoke

Lawl

Too late for glam, too early for punk *kinda* describes it but it's more like these characters would have been weirdos in any scene. But they didn't eschew catchy songs either.

Come to think of it, Mark Sinker once told me that really early on (with Matlock, I take it), the live (and maybe demo?) Pistols did sometimes sound kinda like frayed Bowieoid glam fans---and if them then, why not others?

https://guerssenrecords.bandcamp.com/album/slights-still-unspoken-selected-recordings-1978-1979

Formed in Sydney in 1976, VOIGT/465 was a truly unique band from the exciting days of the Australian post-punk scene. Heavily influenced by such luminaries as the Velvets, Stooges, Syd Barrett, Pere Ubu, Can, Faust, Henry Cow, Slapp Happy and Eno’s Roxy Music, they created an abrasive sound in which Krautrock, DIY, avant-garage, post-punk, psych, art-rock and free improv-noise combined to form a sound unlike any other.

In 1978 they released one of the first DIY 45s from Australia, “State” / “A Secret West”, which showed their “pop-psych” side and was played by John Peel in the UK.

The following year, their bass player Lindsay O’Meara decided to leave the band and join Crime & The City Solution in Melboune. Before parting ways, Voigt/465 decided to record one last album as a testament. “Slights Spoken”, saw the light in 1979 and it’s without doubt one of the most fascinating albums from the post-punk /DIY era. Here it is including the two tracks from their first 45 as bonus tracks.

*LP and CD come with free digital download coupon, featuring the complete album plus five studio / live bonus tracks from '78-79, including killer covers of Faust, Can and Roxy Music.

*Remastered sound

*Insert with rare photos and liner notes by band member Phil Turnbull

RIYL: CAN, FAUST, PERE UBU, ROXY MUSIC, FAMILY FODDER, THE HOMOSEXUALS, SLAPP HAPPY, THIS HEAT, POP GROUP, PRIMITIVE CALCULATORS...

“An interesting schizophrenic mix of punk, krautrock, psychedelia with RIO/Homosexuals/This Heat weirdness.” – Mutant Sounds

“These guys and gals were something like a psychedelic meeting of This Heat, Krautrock and the Homosexuals, with a healthy dose of that good old English-born DIY spirit thrown in.”
- Dominique Leone (Pitchfork)

LP Tracklist:

Side A: 1. State* - 2. Voices A Drama - 3. A Welcome Mystery - 4. Red Lock On See Steal - 5. Imprint - 6. Many Risk

Side B: 1. A Secret West* - 2. Is New Is - 3. 4 Hours - 4. P - 5. F1 - 6. Winchsoul

* Bonus tracks.

CD and DIGITAL Tracklist:

01. State* - 02. A Secret West* - 03. Voices A Drama - 04. A Welcome Mystery - 05. Red Lock On See Steal - 06. Imprint - 07. Many Risk - 08. Is New Is - 09. 4 Hours - 10. P - 11. F1 - 12. Winchsoul - 13. And The Following Page* - 14. So Long As One Knows* - 15. Remake / Remodel (Live)** - 16. Connection (Live)** - 17. It's A Rainy Day (Live)**

*Bonus Tracks
** Digital only bonus tracks.

www.guerssen.com
credits
released June 1, 2017
tags
tags: #post-punk australia d.i.y experimental punk rock can faust improv krautrock noise rock Spain

CHIMERA MUSIC AND SECRETLY CANADIAN ANNOUNCE SECOND BATCH OF YOKO ONO REISSUES

FLY, APPROXIMATELY INFINITE UNIVERSE, & FEELING THE SPACE TO BE REISSUED JULY 14TH

WATCH A TRAILER FOR THE SECOND BATCH OF REISSUES
https://youtu.be/WYhhhBsE19c

LISTEN TO "WHAT A BASTARD THE WORLD IS"
Via SoundCloud - http://bit.ly/2s4g7Ao
Via YouTube - http://bit.ly/2rTUW5x

Secretly Canadian is honored to partner with Chimera Music on releasing Yoko Ono’s musical output from 1968 to 1985. Comprised of eleven studio albums, the reissue project’s focus is to painstakingly reconstruct the original vinyl packaging, to thoroughly excavate and appropriately curate the treasure-laden archives of never-before-seen photos and ephemera, and to re-master the audio, all for the purpose of creating the definitive editions of this timeless work. In addition to making the vinyl available for the first time in decades, each album will also be available digitally for the first time ever.

Secretly Canadian and Chimera Music couldn’t be more proud to be a part of re-introducing Yoko Ono’s seminal work. The first batch was reissued last year and included 1968's Unfinished Music No. 1: Two Virgins, 1969's Unfinished Music No. 2: Life with the Lions, and 1970's Plastic Ono Band. The second batch, which will see release on July 14th, will feature 1971's Fly, 1973's Approximately Infinite Universe, and 1973's Feeling The Space.

In the meantime, you can watch the reissue trailer and stream the re-mastered version of "What A Bastard The World Is" off of Approximately Infinite Universe.

FLY
What you hear on Fly is Ono’s disarming combination of opacity and visceral, personal transparency in full bloom. It’s also one of the most unbridled, most captivating soul albums ever made. And that’s right where she wants you: Vulnerable, wide open to any-and-everything, ready to have your world tipped onto its head. She’s a master of spinning your head around. First, you get the Bar Band from Hell of “Midsummer New York” to kick things off. It’s about the last thing you’d expect from Ono coming off Plastic Ono Band. But here you are, listening to Ono channeling Elvis. At 16-minute-plus, the tranced-out, motorik-inspired boogie “Mind Train” is rough-and-ready for your next basement get down. Movement and perspiration required. Ono’s band of session heavy hitters burrows deep in a sort-of locomotive raga while Ono’s punchy vocables and rhythmic syllables do interpretive dances around one another. If Ono’s voice were Miles Davis’s trumpet, “Mind Train” might not sound totally out of place on Davis’s Jack Johnson or On The Corner. Then, we have the absolutely gutting blues of “Don’t Worry, Kyoko (Mummy’s Only Looking For Her Hand in The Snow).” Full of ache and raw emotion, the song is a love note, a plea for forgiveness, to her estranged daughter Kyoko shot across the universe on a flaming arrow. “Don’t Worry...” is the only song on Fly to feature the truly legendary line-up of John Lennon, Eric Clapton, Ringo Starr, Klaus Voorman — all masters laying down a totally crude assault on the blues form. Ono follows this stampede of emotion with the self-referential torch song “Mrs. Lennon,” a wounded — personally wounded, spiritually wounded — song that gets right into the Universal Loneliness. And so here you are. You’re devastated. You're exhausted. You're exhilarated. And you’re only 1/4 of the way up the mountain that is Fly. Dig deep, traveler, it’s worth the climb.

APPROXIMATELY INFINITE UNIVERSE
There’s a fury at the core of Yoko Ono’s 1973 rock opus Approximately Infinite Universe that was not apparent on previously recorded efforts. Ono has always been a master of turning pain and sadness into art, but here, there’s a clenched-fist intensity that sets it apart in her deep, unparalleled catalogue. Ono is angry. She proved that one can carry a boundless love for humanity and still be furious — furious at male/female relationships, at war, at your partner. Meanwhile, on a sonic level, Ono ups the ante on the more centered rock-n-roll sounds she approached with 1971’s Fly. Backed by members of New York band Elephant's Memory, with limited guitar contributions from John Lennon (listed as "Joel Nohnn"), the album is also one of the most traditional-sounding rock chapters in Ono's sprawling catalogue. There are moments here that absolutely rival Jersey legends the E Street Band, though of course Ono’s vision leads her band down darker, more mystical paths than the E Street Band ever dared tread. Approximately Infinite Universe is an essential and progressive piece of Ono’s output, both in the advancements she made as a songwriter/conceptualist, and as a solidified statement of her staunch feminist role within the very male-dominated mainstream rock ghetto of the mid-1970's. Add this powerful feminist statement to the fact that the music business in 1973 was in its post-Woodstock explosion: A&R men, radio programmers, marketing execs, booking agents: men with a chokehold over the business, and Yoko's entry into it a complete question mark to them all. Ono absolutely intended to boggle the boys' club of the music industry. Fast-forward to today, and Approximately Infinite Universe stands as a template for powerful female artists to follow in the years ahead.

FEELING THE SPACE
The fact that the once-reviled Yoko Ono is inspiring a new generation of activists comes as no surprise if you’ve listened to Feeling the Space, her personal-is-political 1973 album that resonates remarkably forty-four years later. On such songs as the righteous chant “Woman Power,” the empathetic ballad “Angry Young Woman,” the hilarious proto-grrrl “Potbelly Rocker,” and the satirical “Men Men Men,” Ono sings in surprisingly straightforward fashion about the burdens carried by women and the mandate for feminism. Supported by such skilled studio vets as guitarist David Spinozza, sax player Michael Brecker, and drummer Jim Keltner, this is perhaps Yoko’s most accessible album, and her most intimate. Feeling the Space was recorded during the time when the avant-garde visionary artist became estranged from her rock-star husband John Lennon. He plays only briefly on the album (billed as Johnny O’cean); she produced and wrote all the songs. The result is a definitive soundtrack/document of the era of consciousness raising and of radical critique of the family structure. Yoko and company deliver this hard message soft rock style, or as soft as Yoko could get – think of Feeling the Space as Tapestry with talons, or the second-wave godmother of Lemonade. Yoko was on the front lines of the women’s liberation movement. Dedicated “to the sisters who died in pain and sorrow and those who are now in prisons and in mental hospitals for being unable to survive in the male society,” it’s an emotional exploration of the psychological toll of oppression.

YOKO ONO DISCOGRAPHY TO BE REISSUED
Unfinished Music No. 1: Two Virgins (1968) - out now
Unfinished Music No. 2: Life with the Lions (1969) - out now
Yoko Ono Plastic Ono Band (1970) - out now
Fly (1971) - out July 14th
Approximately Infinite Universe (1973) - out July 14th
Feeling the Space (1973) - out July 14th
A Story (recorded in 1974)
Season of Glass (1981)
It’s Alright (I See Rainbows) (1982)
Starpeace (1985)
Unfinished Music No. 3: Wedding Album (1969)

Pre-order Yoko Ono Reissues:
https://yokoonoplasticonoband.lnk.to/fly
https://yokoonoplasticonoband.lnk.to/approximately
https://yokoonoplasticonoband.lnk.to/feelingthespace

Download hi-res images and one-sheets here: http://www.secretlycanadian.com/press/onoyoko

Yoko Ono Online:
http://imaginepeace.com/
https://twitter.com/yokoono/
https://www.facebook.com/yokoonopage/
https://www.instagram.com/yokoonoofficial/

Ingénue: 25th Anniversary Edition
July 7, 2017
k.d. lang's Ingénue: 25th Anniversary Edition marks the double platinum-selling, Grammy-winning album's silver anniversary. The new two-disc set includes remastered versions of the album's original ten tracks, including its huge hit "Constant Craving," along with eight previously unreleased performances from lang's 1993 MTV Unplugged episode, recorded in New York City's famed Ed Sullivan Theater. Nonesuch Store pre-orders include an exclusive, limited-edition print signed by lang.

http://www.pledgemusic.com/projects/shelleyan-orphan
Shelleyan orphan complete works coming out as Limited edition box sets in cd and vinyl.

From THE DRAG CITY NEWSLETTER---as ever, please adjust your shades to dig this prose:

MAGICAL MIYASHITA TOUR
We're always on about the weirdness of time and vagaries of fate, but it's not entirely our fault - time and fate continue to demonstrate new aspects of the improbable way it all works! Take our other July release (yes, please), Fumio Miyashita's Live On the Boffomundo Show. We're not sure what's more unlikely - us putting out edited performances from two thirtysomething-year-old performances by Fumio on LA's obscure cable-access
"Boffomundo Show" or the fact that Fumio Miyashita appeared twice on an LA cable access show in 1979 and 80! Because see, first of all, Fumio Miyashita is a well-known name in Japan, but still a cult figure over here even today. After debuting with Far Out in 1973, then morphing to the equally proggy Far East Family Band
(with Kitaro!) in 1974, Fumio was on his way to a prolific solo career, with over 50 album releases from the eighties through the aughties. Sure, people know what the Far East Family Band were about, and groups like Tangerine Dream were known to be about in 1979. But still! Somehow fate brought Fumio to the attention of Aaron Weiner and Ron Curtiss and he duly appeared, with his synthesizers, tapes, flute and percussion in full flight. A second trip produced a session featuring guitar and bass in addition to Fumio's arsenal. Our good friend Brian Weitz brought this to us, and we absolutely did not say no! A nice combination of seeming amazing on paper and also playing AWESOME in the ear, the "Boffomundo Tapes" are bound to please kraut collectors, new age enthusiasts and just plain ol' tripheads alike! Root Strata blog has remarkably clear video footage of the shows, but even without the pristine black and white images of Fumio attending his keyboards, this music is a deep recital of experimental and spiritual vibes, prefiguring the new age drifts of the decade to come with a nice early edge still on the music. That the sands of time have shifted to allow us all to hear this just tickles us! Hats off to sticking around - the honor of still being here for this is all ours. But the pleasure is something we're determined to share.

PET SHOP BOYS ANNOUNCE CATALOGUE: 1985-2012

http://image.e.wbr.com/lib/fe8e137075670c7572/m/1/PSB+Art+Revised.JPG

Landmark Series Of Remastered Parlophone Studio Albums Packaged With "Further
Listening" Albums Of Additional And Previously Unreleased Material Out July 28

press release: http://view.e.wbr.com/?qs=aa5300a735c9e73da9b720a246bc049be2036895cfdb6042d891deb772f3cd27bb61a5e8138bb75696a14053042708e5207253b3ac0774bf28b2543291a5ac0b

http://i.imgur.com/uFaUS53.jpg?1

At long last, Black Gladiator and Slovenly boldly present the first ever reissue of the infamous “Eat Hot Lead” LP from San Fernando Valley’s PUKE SPIT & GUTS! Fully authorized by the band’s surviving members, this project was ten years in the making, and originally slated for re-release by Alternative Tentacles. Here’s Jello Biafra, as quoted from Re/Search’s “Incredibly Strange Music vol. II” tome:

“Most extreme of all in music and attitude was PUKE SPIT & GUTS from Southern California - their album was subtly titled Eat Hot Lead. They’re none to subtle about how much they hate having to play with punk bands, even though they sound like them. In L.A. they even had a run-in with an original D.C. hardcore band, The Teen Idles (Ian MacKaye pre-Minor Threat; Henry Rollins was their roadie). Seems Ian borrowed their bass amp and blew it up. P.S.& G. chased them all over the parking lot outside Madame Wong’s (a punk club)!”

A crew of spirited So. Cal. weirdos, as opposed to mere punks, Puke Spit & Guts released the LP on their own Important Records label in 1980. Members Donny Death, Captain Worm, Dick Head (real name!), Marie Manslaughter and Stuicide assembled this absurdist and raunchy LP with the unholy shrieks of human victims being fed into a countertop blender between each track. On the opening cut - the PS&G theme - Death declares most bizarrely and brazenly “Sex Pistols couldn’t their liquor, Ramones wear tennis shoes! Alice Cooper is a party pooper, we’re the punk band for youuuu!” On “Kill for Kicks” he proclaims “I’m so tired, I’m so bored, I don’t wanna live no more! Life is a fucker and I’m a whore!” And it only gets weirder from there. Marie Manslaughter lets you know if you wanna get some of her fine lovin’ you gotta self-mutilate on “Send Me Your Ear,” and even then, anal sex is outta the question on “You Ain’t Never.” We’re not even gonna attempt to tell you What Captain Worm is yelling about on the title track.

This one-in-a-million scumbag rarity makes a killer companion to your Mentors, Jabbers, Broken Talent, and We’re Loud records. Check the full story / interview by Laurent Bigot in the upcoming issue of Ugly Things Magazine (#45) and as a Bandcamp ONLY download exclusive, there are 24 rare photos + 10 bonus tracks: live material from 1979, outtakes from the ERRATIC session (Capt. Worm’s post-PS&G project), one track from Worm’s last ever recording session (1984), a KROQ album giveaway aircheck, and a 2001 recording by DONNY DEATH JR. and the PUTZ.

Such a beautiful record, all-time for me.

http://light-in-the-attic.s3.amazonaws.com/uploads/release_image/20459/image/large_550_tmp_2F1497393417705-l8puhb87mk-1053154752618edb41f339a00a69e75f_2FLinkWray.jpg

Available: July 28th, 2017

Recorded in a shaky makeshift chicken shack in rural Maryland, Link Wray’s eponymous 1971 solo album is a compelling and forward-looking piece of honest, handmade Americana. This album is vastly different from his previous work, foregoing instrumentals entirely. Instead, Wray, left with only one lung following a bout with tuberculosis in 1956, gives us his raw voice, full of spit and vinegar, as he blends elements of country, rock ‘n’ roll, roots, folk and gospel marked with fuzzy guitar and booming percussion. He kicks off with a track, “La De Da”, that may be the greatest song the Stones never wrote. Elsewhere, the single “Fallin’ Rain” channels Dylan at his most political, with lyrics about “stabbings and shootings and young men dying all around.” Link Wray proved to be the only album that the guitarist issued in his own name to hit the American charts during his nearly 50-year recording career. Although it didn’t receive much critical acclaim at the time of its release, Link Wray has seen a resurgence in recent years and developed a cult following, with artists from Nick Cave to The Neville Brothers recording versions of its tracks.

Link, along with brothers Vernon and Doug began playing together professionally in 1942, their rowdy instrumental single “Rumble” charting at number 16 in 1958. Following a string of hits on Philadelphia-based Swan Records, Vernon began to serve as the family’s producer, eventually starting his own studio; first in the basement of his home and then–after his wife Evelyn complained about the noise–in a converted shack on the property. It was there that Link, Vernon and producer Steve Verroca found a sound that marked “a return to simplicity.” This carefully remastered reissue will take you right back to that chicken shack, and to sessions so electric you can almost feel the atmosphere.

Release Notes

PRE-ORDER EDITION:
“Juke Box Mama Gold” wax. Limited edition of 400. Limit two per customer.
First official vinyl reissue
Reproduction of original die-cut LP gatefold jacket
New liner notes by Chris Morris
Newly remastered
The 4xLP bundle includes: standard black vinyl copies of Mordicai Jones (TWM06), Beans & Fatback (TWM07), Be What You Want (TWM08), and the gold wax color variant of Link Wray (FDR 633) – See photo below

http://lightintheattic.net/releases/3281-link-wray

pep llopis reissue owns

https://gm1.ggpht.com/n3cMdtWDDBENGKd80djbZtDyHah2f_dcIsPu1rX6rZyqqqlTK4UHkerhnMPFCQp5r0KzcesoyDp0dM7ZEW16LFFZJjXWdOQ7-pBMUN4OKkGYls8FdMcjE0B1DG0RLUQPcvuCctySse_CM08f2qAzJoBPEkEoCE49SXoBZxz0GuM00iyaXdHIgDdfE1NiVSnZkk041CZsIaB0ob47c-eKpbmwaQly64hBjElaGtv1EqHEWkCBCMx85s38qwiXkr7QbKrzVDMaREBosMWBK1qIjkc9l-C7b4OXTGuBfJR2A86muM5nf0ByQnmA9gOEebkKM8bItR9iueXjwcUr6FVddvxt3JbYnyUBpwZkYvHntufWYLyHLJFNo2wU79iqZFJhU2Egw9eFHG16LW-jEOkchvKcDxA7ZX5D-2rSiMdDH07jo9N7zyRx7X0bG5wQff58UZR1ig1z55gqXFyqn9nVYxx761gPbdG12Ei9b5bfZ6GcL5VDlyvNfBDMi0r_CQHiUW1ylZGC8jUETnRbjVS3T1ASCschw00-hnff-QAp828xOBZeVTVBv6LzJyFdr1n_t6ymNn_9_GWjLeCBBGOnNESgv8PDX6lZwi41GjAzqUaEG8Tkv4il1rd4uoLpYAoFFzjSaBsTs67fB2FKQp4MARRDBltbkmpA23lpR9ortOCHiiNi5sQWB_FPzGKlDloB9gx-SMe2VNWOFPNgTAdY0aO1oQ=w440-h440-l75-ft

Noothgrush / Corrupted
Noothgrush/Corrupted split

Release date: Friday, August 25th 2017

Airplay Date: Tuesday, July 18th 2017

20 Buck Spin is proud to re-unleash one of the most corrosive and damaging split albums, and one of the earliest landmark sludge metal releases, with a reissue of the long out-of-print NOOTHGRUSH / CORRUPTED split LP. The album has been remastered by Brad Boatright at Audiosiege (Vastum, Acephalix, Nightfell) and bears new artwork by Hal Rotter of Rotting Graphics (Atriarch, Vehemence, Vallenfyre).

View a trailer for the remastered NOOTHGRUSH / CORRUPTED split LP at THIS LOCATION.
https://www.youtube.com/watch?v=Lf3AJMe7IH0&feature=youtu.be

It's hard to believe that twenty years have passed since two of the bleakest purveyors of doomed psychosis, namely NOOTHGRUSH and CORRUPTED, unleashed thirty-five minutes of suffering on one split LP. Perhaps thought buried by grime and rust, the much sought-after release has now been excavated in 2017 and given a fresh layer of tar via remastered audio and new artwork.

Today there's countless bands mining every single facet of what is mostly incorrectly called “doom.” Initially released in 1997 through Reservoir Records, the NOOTHGRUSH / CORRUPTED split reminds us that “sludge,” doom's most nihilistic offshoot, wasn’t about upbeat warm waves of stoner’ riffs and top dollar vintage tees, but about landfills of hatred, misery, and self-loathing, a total negation of life and a completely uncompromising and untrendy sound. Music that wants to punish you and itself.

Oakland's Hal Rotter has provided this seminal split with new art appropriately conveying the grim atmosphere within, and Brad Boatright's remaster enhances the all-consuming dread that makes even the bleakest Vitus moments sound cheerful by comparison.

The monumental NOOTHGRUSH / CORRUPTED will be resurrected by 20 Buck Spin on LP and digital platforms on August 25th. Find both clear and black vinyl preorders HERE and digital preorders HERE.

NOOTHGRUSH / CORRUPTED Split LP Track Listing:

NOOTHGRUSH - Hatred For The Species
NOOTHGRUSH - Draize
CORRUPTED - Inactive

http://www.20buckspin.com

http://listen.20buckspin.com

http://www.facebook.com/20buckspin

http://www.twitter.com/20buckspinlabel

I tweeted that I hoped this was the beginning of a full-on Corrupted reissue campaign, and the 20 Buck Spin dude replied, "I wish!"

SEPULTURA: CHAOS A.D. AND ROOTS EXPANDED EDITIONS

CD And Vinyl Sets Feature Newly Remastered Versions Of The Original Albums
Expanded With Rare And Unreleased Studio And Live Recordings

Available This Fall From Rhino

expanded track listings got messed up when I tried to paste the whole thing, but here's orig press sheet:
http://view.e.wbr.com/?qs=89aaaafdfb32855ca4c51eef51ba19958b8b2e732bb067c5629a92198bb20fba500ea89de672c5d6c13aadf74b1c1519cc01e864689a0f642590854b00fd00c3

Most of the bonus tracks on the Chaos A.D. reissue were originally issued on a Roadrunner compilation called Blood-Rooted.

Two Ornette Coleman albums that have never been on CD before, not even in Japan, are being released in September. Crisis and Ornette At 12 are coming out as a 2-for-1 from Real Gone Music. Fully remastered, new liner notes, artwork nicely reproduced, etc., etc.

Pre-order link.

I like Emerson, Lake & Palmer a lot, but this is fucking nuts.

FANFARE: EMERSON, LAKE & PALMER 1970-1997

Super-Deluxe, career-spanning Box Set featuring the classic original albums, a wealth of unreleased ELP recordings on CD and LP, hardback book, audio Blu-Ray, 7” Singles, tour programmes and memorabilia

Released by BMG on September 29th, 2017

Pre-order now from the official Box Set Store: www.elpfanfarebox.com

Carl Palmer's ELP Legacy Tour 2017 Summer Tour Dates Announced - Appearing on the Yestival tour


BMG’s comprehensive Emerson, Lake & Palmer release series continues with ‘Fanfare: Emerson, Lake & Palmer 1970-1997’ available from September 29th 2017. This lavishly produced impressive box set collates nearly 3 decades of work from the immense musical talent of keyboardist Keith Emerson, bassist/vocalist Greg Lake and drummer Carl Palmer.

The Fanfare box set offers a wealth of ELP treasure for their ever increasing fanbase: All of ELP’s remastered 11 albums; 5 previously unreleased CDs of never issued recordings; a never before issued triple vinyl set (‘Live In Italy, May 1973’); 1 x Surround Sound Blu Ray audio, plus some high quality memorabilia including a 40-page hardback book with rare band photos, as well as tour programmes and a must-have repro 7” of ‘Fanfare For The Common Man’. An expansive set befitting for one of rock’s great super groups.

ELP were one the most commercially successful rock bands of the 1970s, their wild stage act and dynamic music achieved global sales of over 40 million albums. Their first 7 album releases all made the U.K. chart Top 10 and U.S. Top 20. Their penchant for appropriating themes from classical music and the group's more nuanced, textured approach to symphonic arrangements set ELP apart from their more bombastic guitar-based contemporaries of the time.

Despite the sad recent deaths of Keith Emerson and Greg Lake, Carl Palmer continues to play sell-out shows all over the world with his group Carl Palmer’s ELP Legacy and they will be appearing in the US August 2017 (see dates).

FANFARE 1970-1994: BOX SET CONTENTS:

*The remastered 11 classic original ELP albums (1970-94), on CD, with original sleeve artwork reproduced:
EMERSON, LAKE & PALMER (1970)
PICTURES AT AN EXHIBITION (1971)
TARKUS (1971)
TRILOGY (1972)
BRAIN SALAD SURGERY (1973)
WELCOME BACK, MY FRIENDS, TO THE SHOW THAT NEVER ENDS (1974) (2CD)
WORKS VOLUME 1 (1977) (2CD)
WORKS VOLUME 2 (1977)
LOVE BEACH (1978)
BLACK MOON (1992)
IN THE HOT SEAT (1994)

Previously unreleased, gatefold, triple vinyl LP album:
LIVE AT VELODROMO VIGORELLI, MILAN, ITALY, MAY 4TH,1973 & STADIO FLAMINIO, ROME, ITALY, MAY, 2ND 1973

*Previously unreleased CD albums, mastered by the internationally celebrated studio engineering team of Andy Pearce and Matt Wortham:
LIVE AT POCONO INTERNATIONAL RACEWAY, LONG POND, PA, U.S.A., 9TH JULY 1972
LIVE AT WATERLOO CONCERT FIELD, STANHOPE NEW JERSEY, U.S.A., 13TH AUGUST 1992
LIVE AT BIRMINGHAM SYMPHONIC HALL, U.K., 27TH NOVEMBER 1992
ON THE BBC: THE OLD GREY WHISTLE TEST 1979, POP GOES SUMMER 1993
LIVE AT ÉLYSÉE MONTMARTRE, PARIS, FRANCE, 2ND JULY 1997

*Audio Blu-Ray, containing the stereo 5:1 and surround sound mixes of the albums:
EMERSON, LAKE & PALMER (STEVEN WILSON, 2012)
TARKUS (STEVEN WILSON, 2012)
TRILOGY (JAKKO M JAKSZYK, 2015)
BRAIN SALAD SURGERY (JAKKO M JAKSZYK, 2014)

*Remastered 7” singles with reproduced original sleeve artwork:
LUCKY MAN / KNIFE-EDGE (1970)
FANFARE FOR THE COMMON MAN / BRAIN SALAD SURGERY (1977)

*Deluxe, hardback 12” book with band photos and extensive notes from acclaimed journalist Chris Welch, featuring quotes from Keith Emerson, Greg Lake & Carl Palmer

*Reprinted original 1970 promo poster, 1972 promo brochure, 1974 and 1992 tour programs

*Metal & enamel ELP logo pin badge

We are excited to announce SV's reissue campaign of electronic music pioneer Franco Battiato. Often heralded as Italy's answer to Brian Eno, Battiato turned pop music upside down in the early '70s with perfectly oblique vocals, infectious melodies, analog electronics and his unique, forward-thinking ideas on rock 'n' roll.

Three classic albums – Fetus (1971), Pollution (1972) and Sulle Corde Di Aries (1973) – are scheduled to be released this September, with more coming later in the year!

https://www.superiorviaduct.com/collections/franco-battiato?mc_cid=a89fc490f5&mc_eid=2e56297982

50th ANNIVERSARY EDITION OF ROLLING STONES’
THEIR SATANIC MAJESTIES REQUEST COMING SEPTEMBER 22 FROM ABKCO

LANDMARK 1967 ALBUM TO RECEIVE DOUBLE VINYL / DOUBLE HYBRID SACD TREATMENT, INCLUDING MONO AND STEREO VERSIONS WITH RESTORED ORIGINAL LENTICULAR COVER ART

To commemorate the 50th anniversary of the Rolling Stones album Their Satanic Majesties Request, ABKCO Music is releasing a limited edition deluxe double vinyl/double hybrid Super Audio CD (compatible with all CD players) package on September 22. The set contains both the stereo and mono versions of every song, all newly remastered by Bob Ludwig. Their Satanic Majesties Request 50th Anniversary will include Michael Cooper’s original 3-D lenticular cover photograph, featuring the band in peak psychedelic regalia.

Originally released in December of 1967, Their Satanic Majesties Request is the first self-produced album in the Stones’ vast catalog. Experimental in nature, it was such a departure from the band’s rhythm & blues roots that it threw critics for a loop. Initially derided by Rolling Stone Magazine for being “too infused with the pretentions of their musical inferiors” (namely the Beatles), the record was simultaneously lauded by DownBeat with a five star review declaring the album “a revolutionary event in modern pop music.”* Over the ensuing decades, it has proven to be a highly influential body of work; generations of bands have covered Satanic songs, from punk legends The Damned, Bad Brains, and Redd Kross, to hard rockers KISS and Monster Magnet, as well as indie taste makers Cibo Matto and Arcade Fire. Music from the album can be heard in Wes Anderson’s directorial debut Bottle Rocket.

The title was derived from a pun based on the inside of British passports at the time which read, “Her Britannic Majesties Principal Secretary of State for Foreign Affairs Requests and Requires . . .” Their Satanic Majesties Request was recorded in pieces between February and October of 1967. It was a tumultuous period for the Rolling Stones – Mick Jagger, Keith Richards and Brian Jones were arrested for drug possession, with Jones spending three weeks in a nursing home. Stones’ original manager/producer Andrew Loog Oldham quit halfway through recording sessions, leaving the band to finish the album on their own. A chaotic spring European tour that involved a riot in Poland also interrupted work flow. Very rarely were all five members in the studio at the same time but despite these impediments, Charlie Watts recalled, “The sessions were a lot of fun because you could do anything. It was so druggy—acid and all that.”

Grammy award winning music historian Rob Bowman writes in the liner notes for the new set, “Their Satanic Majesties Request should be recognized as an important stepping stone in the Rolling Stones’ development from an r&b-inspired band to the inventors of modern rock for the 1970s.” Falling between Between the Buttons and Beggars Banquet, it was the first of their albums to have identical tracklists in the U.S. and UK. Satanic Majesties’ ten tunes are saturated with studio effects, non-traditional instruments such as mellotron and theremin, ambient sounds created using oscillators, string arrangements by John Paul Jones (who went on to help establish Led Zeppelin the following year) and more percussive devices than can be named. “Citadel” foreshadowed the direction towards straight-forward rock the Stones would take, while “2000 Light Years From Home” and “She’s a Rainbow” (a minor hit in the U.S.) capture the band in all its psychedelic glory at that moment in time. They remain the only two songs from the album the band has ever played live. “Sing This All Together,” its looser reprise “Sing This All Together (See What Happens),” “Gomper” and “On With the Show” transition from traditional song structure to free form freakout – a trademark of that era, also heard on records by the Mothers of Invention and Pink Floyd.

Offered as a single just before the album’s release, “In Another Land” is the only song in the Rolling Stones canon both written and sung by Bill Wyman, who took advantage of the fact that he was the lone member who showed up to the studio one day. The Small Faces happened to be recording next door, so Steve Marriott and Ronnie Lane were invited to contribute backing vocals, with Marriott also providing 12-string acoustic guitar. With Brian Jones on mellotron, Stones cohort Nicky Hopkins on harpsichord and Charlie Watts on drums, Mick and Keith laid down backing vocals, making it a complete Stones affair.

Michael Cooper, who had created the immaculate art for the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band earlier in 1967, was hired by the Stones to make something equally striking for the cover of Their Satanic Majesties Request. All four Beatles’ likenesses can be seen popping out of flowers, surrounding a photograph of Charlie, Keith, Mick, Brian and Bill in technicolor garb. Cooper used a rare 3-D camera, employing lenticular technology – when the cover is tilted, the image changes, and every member except for wizard-hatted Mick appear to be moving their heads. Reproduction of the lenticular cover proved costly, and it was eliminated from many subsequent pressings of the album, being replaced by a still image. Their Satanic Majesties Request 50th Anniversary restores the original lenticular art, and the discs are housed in a bespoke fold out album limited edition numbered package with a 20 page book including more of Michael Cooper’s photos from the original session, expanding on what the record-buying public saw in 1967.

Their Satanic Majesties Request was originally mixed in both stereo and mono, as was standard practice in 1967. The limited edition 50th anniversary edition will include the entire album on 180 gram vinyl in stereo, another 180 gram vinyl record in mono, and two hybrid Super Audio CDs (one in stereo and one in mono). Each of these discs includes the entire musical content in both Super Audio CD (SACD) as well as standard CD, providing for complete backward and forward hardware compatibility. The discs will play flawlessly on any SACD compatible or standard CD player. In an SACD player, the laser pick-up automatically reads the SACD layer in Direct Stream Digital (DSD) format, while a standard CD player’s laser pick-up will automatically read through the SACD layer to the CD layer in Pulse Code Modulation (PCM) format. Recently remastered by eleven time Grammy winner Bob Ludwig at Gateway Mastering Studios, the SACD audio is the exact product of his work.

Their Satanic Majesties Request 50th Anniversary track list:

Vinyl

Side A (stereo)
Sing This All Together
Citadel
In Another Land
2000 Man
Sing This All Together (See What Happens)

Side B (stereo)
She’s a Rainbow
The Lantern
Gomper
2000 Light Years from Home
On with the Show

Side C (mono)
Sing This All Together
Citadel
In Another Land
2000 Man
Sing This All Together (See What Happens)

Side D (mono)
She’s a Rainbow
The Lantern
Gomper
2000 Light Years from Home
On with the Show

Hybrid SACD
Disc 1 (stereo)
Sing This All Together
Citadel
In Another Land
2000 Man
Sing This All Together (See What Happens)
She’s a Rainbow
The Lantern
Gomper
2000 Light Years from Home
On with the Show

Disc 2 (mono)
Sing This All Together
Citadel
In Another Land
2000 Man
Sing This All Together (See What Happens)
She’s a Rainbow
The Lantern
Gomper
2000 Light Years from Home
On with the Show

Two from Numero:

Jackie Shane: Any Other Way

Recognized by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, Jackie Shane has remained largely unknown outside Toronto, where her career briefly flowered in the 1960s. Ms. Shane is a star without parallel—a pioneer of transgender rights born in a male body, living her entire life as a woman at a time when to do so seemed unthinkable.

Any Other Way is the first artist-approved collection of Ms. Shane’s work, collecting all six of her 45s and every highlight from the legendary 1967 live sessions at the Sapphire Tavern, including three mind blowing, previously-unreleased tracks. Any Other Way marks Jackie Shane’s first communication with the public in nearly half a century. Grammy award winner Rob Bowman’s extensive liner notes tell, for the first time ever, Ms. Shane’s story in her own words, copiously illustrated with never-before-seen pictures from a career and life unlike any other.

Available on limited deluxe double CD, double LP, or digital on October 20, 2017.

Wayfaring Strangers: Acid Nightmares

As the hippie movement hurtled towards its imminent demise, bad vibes infiltrated the rock world. Tainted LSD, loud motorcycles, and a series of brutal deaths spawned inspiration for guitar-wielding teenagers across the globe. Implementing deafening fuzz and satanic screams to create their proto-metal monstrosities, short-lived stoner bands pressed their lysergic experiments in microscopic quantities before blacking out entirely. Lifted from the ashes of the acid rock hell fire are 18 distorted tales of dope fiends, pill poppers, and the baddest of trips.

Deluxe 2LP comes housed in a blacklight poster-style jacket illustrated by Benjamin Marra, replete with flocking and lysergic neon. 24 pages documenting the creeping existential dread of the hard rock underground are tucked into the gatefold pocket alongside two dead dinosaur-heavy LPs. Compact disc is packaged in standard Numero slipcase, with digipak and 40-page book, limited to 2000 copies.

Turn on, tune in, and drop out.

I missed this great reissue last year - Rico - Man From Wareika / Wareika Dub. Double disc has some nice bonus tracks, still waiting for my order after a few weeks. Any other good reggae reissues this year?

http://https%3A//images-na.ssl-images-amazon.com/images/I/61Ls2G8h69L.jpg

https://images-na.ssl-images-amazon.com/images/I/61Ls2G8h69L.jpg

It's been announced (and then not released on said date) before but in this interview Bryan Ferry mentions a box set release of Roxy Music's debut:

This November, we are releasing a new special edition box set of the first Roxy Music album, complete with the original demo recordings and loads of previously unpublished photographs.

About the photographs/cover:

I guess the first Roxy Music album cover is still my favorite. There is a certain purity and simplicity there which makes it memorable. I thought at the time it would be a good idea to have an eye-catching "pin up" kind of image on the cover, rather than a shot of me and the band. This, of course, relates to my Pop Art background, when I studied under Richard Hamilton at Newcastle University in the 1960s. The fashion designer Antony Price, the photographer Karl Stoecker and the artist Nick de Ville all worked with me on this cover. There were numerous outtakes from this session, which are featured in the new box set I mentioned.