LCD Soundsystem

does he sound a bit like bono on the police track?

He does.

I dislike this person, and the music he makes, greatly.

I find him very sympathetic, if you're interested in changing your mind perhaps this interview will be of interest:

https://www.youtube.com/watch?v=yYCz06bS380

but I mean also just the guy who wrote Someone Great has to be a nice person

Call The Police sounds a bit like Oasis or Kasabian by the time it gets to the outro.

I've generally been happy with most LCD stuff but let's all acknowledge for a moment that the pre album 12"s, culminating with the besthingever "Yeah", is the real shit.

top 3 tracks are pretty easily Beat Connection/Thrills/Yeah, nothing else he did in the Beat Connection/Yeah sort of mode later really came close

I like the synth tone in Call the Police that's really evocative of YMO's Cue, but unlike when he's done this style in the past, it's not more than the sum of its New Order + "Heroes" parts - this time sounding a ton like Procession

the biggest change in either of these tracks is the way the drums are produced

https://www.youtube.com/watch?v=JiC7SEkQX9U

Obviously going to be scorching thing to experience live.

call the police really grew on me—i think i've settled on really liking how it goes back and forth from romantic to punky, since the bass motorik is always there to keep you grounded

Yeah, that was great. Alas, I saw them on one of last year or so's reunion/club shows, and man, the crowd was so gross I don't think I can handle it again. That's my problem, totally, they were fine otherwise. Maybe the influx of new songs will change the dynamic.

what was gross about the crowd? were they wearing TEVAs?

I'm really enjoying Call The Police after that performance. I'm getting massive Ultravox vibes from it, especially the keyboards in the "and we don't waste time with love" part.

Who's the synth dude bopping away in the back?

Gavin Russom:
delia gonzalez & gavin russom - the days of mars

lol jed!

if you're going to tell us about it then do so. if you're not you may as well just post "i've got this records and you've not bitches!". whatever, i'm looking forward to this being released. i like these guys.

― jed_ (jed), Tuesday, August 23, 2005 3:24 PM (eleven years ago)

Ha!What a wideo.

I suspected that was GR but he's unrecognisable these days. I wonder what made him change from weirdo wizard to... guy in a baseball cap and t-shirt.

It looked like more of an ethnic fez or something to me....?

what was gross about the crowd? were they wearing TEVAs?

Essentially. Just total bro-dudes, light up sunglasses and baseball caps, collared preppy shirts, double fisting beers. Just ... gross.

I really was into LCD Soundsystem at the beginning when it was Murphy screwing around and liked that the project evolved into a live band and was good live, but it's one of those situations where I enjoy the music but feel like it's a consensus pick. As in, I wouldn't turn down seeing them live and appreciate new music, but I'm not clamoring for it?

Having a really broad, annoying crowd is one of the problems with consensus favorites. In closing, LCD Soundsystem is the 00s brooklyn party version of dave matthews band. thanks for listening

mh tell us more about your other favorite band, the dave matthews band

never got into those dudes, people seem to love them

I was there ... when Dave Matthews convinced his really good drummer to join his shitty band over drinks at Miller's Bar in Charlottesville, Virginia.

I wonder what made him change from weirdo wizard to... guy in an ethnic fez and t-shirt.

baldness

Watched that clip again, that truly is a ton of analog synth gear for like literally six or so notes. They should give Gavin maracas or something, like Bez.

Bez in a fez.

xp lmao i thought the same thing, i wonder how much of it they just did for prop value

LCD Soundsystem is the 00s brooklyn party version of dave matthews band. thanks for listening

lol this really sums up how i feel about this band anymore

I'm fine with bands being a consensus thing, just kind of weird that I became a mainstreamer

Love the band but especially the early 12"s.

Who's with me that "Shame On You" is one of the greatest things he's ever recorded and it's been criminally relegated to the shoes EP (and the middle of the live thing)...

https://j.gifs.com/1jlmYo.gif

Everything DFA/LCD/Murphy related has got worse the longer it's got since the departure of Tim Goldsworthy.

"Call The Police" sounds really busy and unfocused, how you gonna retire to run your wine bar for four years and come back with some half-assed bullshit

the interesting thing about the band to me was how they sounded like being in your 30s - music is so much about the teens and early 20s, the weariness of becoming an adult in dance/rock guise felt unique

and boring

fittingly

wait what is "the shoes EP (and the middle of the live thing)"?

those are 45:33 and The Long Goodbye

Shame On You is one of his best yeah

ah ok, I didn't realize they split the tracks up on The Long Goodbye

I also think "Freak Out/Starry Eyes" is in his top 5 best ever

pretty much every track over 8 minutes is great

Everything DFA/LCD/Murphy related has got worse the longer it's got since the departure of Tim Goldsworthy.

― mickcsmith (micarl), Thursday, May 11, 2017 1:56 AM (seven hours ago) Bookmark Flag Post Permalink

I was thinking about this on the way to work this morning after nostalgically putting on Primal Scream's XTRMNTR, which I think was where Murphy and Goldsworthy first worked together

Goldsworthy was definitely the production/dance tracks guy and his work really shines on all the early DFA releases but once LCD started to break as a band, I feel like the perception of DFA became less about a label/dudes doing cool dance 12" releases and production work and more "that label with LCD Soundsystem and friends"

kind of borne out by LCD turning into this live act that's incorporated people making it seem like it's the label that coalesced into a band

WAIT Murphy and Goldsworthy worked on XTRMNTR?!?!

Goldsworthy's influence on Hercules and Love Affair LP was probably the high water mark really.
https://www.discogs.com/Hercules-And-Love-Affair-Hercules-And-Love-Affair/release/1272757

xp just one or two songs

what are the direct influences on XTRMNTR /PRML SCRM

ha, i'd forgotten about that.

I thought David Holmes's 'Bow Down To The Exit Sign' was Murphy's credit but XTRMNTR would make sense in that context.

Murphy's first credit, even.

afaik Murphy is not credited on XTRMNTR, only Goldsworthy (of the two)

iirc the implication is the work by "david holmes" is him getting writer/producer credit for his engineers, who were tim/james?

v hazy but iirc it's production on blood money, think that's tru re: credits but i heard they were on it way back when