Is Bob Dylan overrated?

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His music's similarity to Axl Rose, Johnny Rotten, Eminem, and Iggy Pop (at least before 1965) is actually vastly UNDER-rated. As are his punchlines (then). After 1965? Probably. After 1975? No question. Though I guess it depends who's doing the rating. He's probably not overrated by plenty of indie rock and techno and hip hop and metal fans. And I'm sure I'm not the first person to say most of this stuff. (Sorry, no time to read the thread.)

chuck, Tuesday, 17 February 2004 22:14 (twenty years ago) link

Jody's contributions to this thread have been outstanding (ie I agree w/ them totally): the early-mid 70s albs are amongst my v. fave Dylan albs (I really love Dylan, for examp, that scuzzy collection of outtakes etc. that CBS rushed out as spoiler, where Bob just sounds incredibly HAPPY) he's one of the funniest singers/performers/icons of all time (deliberately so sometimes, other times MAYBE not), ppl who caricature his voice as this one horrible thing - rather than a collection of horrible and nice and interesting and peverse and clever things - are, more often than not, 'hearing' the cliches abt the voice rather than the voice itself, and his influence - in terms of the way other artists have subsequently written/constructed songs - seems undeniable and practically unavoidable.

Any Dylan alb is automatically 'interesting'

Andrew L (Andrew L), Tuesday, 17 February 2004 22:45 (twenty years ago) link

Seriously underrated Dylan albums: "Street Legal" (1978), "Slow Train Coming, " 1979), "Shot of Love" (1981), "Oh Mercy" (1989) "Infidels" (1983).

If anyone else had written these albums, they'd be considered genius.

And the scary thing is, the stuff Dylan left on the floor, the outtakes, are undeniably better than the official albums!

Tab25, Tuesday, 17 February 2004 22:50 (twenty years ago) link

Anyone ever heard his Vegas-era-Elvis record, "At Budokan"? The most hideous thing he ever put on wax? Or brilliant self parody?

nonthings (nonthings), Tuesday, 17 February 2004 22:50 (twenty years ago) link

I love At Budokan! The reggae "Don't Think Twice It's Alright" is worth the price of admission, as is hearing Dylan say, (Vegas voice), "This is a song that means a lot to me, and I know it means a lot to you too" before playing "Times." Hah.

Yeah, I do like it....the Watchtower rocks, and hey, the band is tight.

Tab25, Tuesday, 17 February 2004 22:54 (twenty years ago) link

But when he plays "I Want You To Want Me" you can barely hear it through all the teenage girls screaming and...oh, wait.

nonthings (nonthings), Tuesday, 17 February 2004 23:01 (twenty years ago) link

Though the pre-'65 stuff is probably the most important in terms of pop-musicology, I have a particular fondness for the '65-70 period, though that may just be because I tend to prefer the sound of a good band to solo acoustic stuff (and he had some great bands in that period). In terms of career turning points and their impact on his output, I think his marriage was the major one, more so than going electric or the motorcycle accident or the conversion.

o. nate (onate), Tuesday, 17 February 2004 23:23 (twenty years ago) link

I probly own more albums by him than by anyone else, but he really is overrated. He is in every single issue of Rolling Stone. Noone should suffer that fate. Also, his big 'voice of a generation' songs aren't that good...blowin in the wind/times are changin'/hard rain falling all kinda suck.
In other words Greatest Hits Vol. 2>>>>>>Greatest hits Vol.1.

Sym (shmuel), Tuesday, 17 February 2004 23:28 (twenty years ago) link

But "Hard Rains a Gonna Fall" is on Vol 2. They're not in chronological order.

o. nate (onate), Tuesday, 17 February 2004 23:34 (twenty years ago) link

I know. But the first volume is mostly the big songs that "defined the 60s", while the second volume is mostly just cool little songs.

Sym (shmuel), Tuesday, 17 February 2004 23:38 (twenty years ago) link

Greatest Hits Vol. 2 does happen to be a fantastic set. (From what I understand, Dylan selected the songs himself.) The songs are from different eras, but they fit together, and flow, like one terrific album. (It would be the one I'd suggest to a complete Dylan newbie, actually.)

morris pavilion (samjeff), Wednesday, 18 February 2004 00:00 (twenty years ago) link

(And I wouldn't throw "Hard Rain" together with "Blowin'" and "Times." It's something very different, I think...)

morris pavilion (samjeff), Wednesday, 18 February 2004 00:04 (twenty years ago) link

(re: Also, his big 'voice of a generation' songs aren't that good...blowin in the wind/times are changin'/hard rain falling all kinda suck.)

morris pavilion (samjeff), Wednesday, 18 February 2004 00:06 (twenty years ago) link

I think he's kind of underrated, by me, anyway. I thought he was a phony when I was a teenager and hated his hippy poetry. But now I can sort of see what a miracle it was that he mated white Jewish cynicism with genuine swinging ... I don't know how to describe swinging rock but you know.

maryann (maryann), Wednesday, 18 February 2004 00:25 (twenty years ago) link

The Budokan record brings up a really interesting point about Dylan that a few other people have alluded to here. I think the sort of universal (and, imo, lazy) complaint about Dylan is along the lines of "Great songwriter, I can't stand his voice." But in many interviews I have read (and granted he has a talent for spewing misinformation), he says that he sees himself more as a singer/guitar player than a songwriter.

This comes through plainly, and I think, brilliantly in the Budokan album (and in his other live albums, esp. Hard Rain and the Rolling Thunder Bootleg). He loves fucking with his songs, changing the cadence and lyrics, changing the whole damn melody sometimes. And its amazing how different the songs can sound. Listen to Simple Twist of Fate from Budokan. Or the Lonesome Death of Hattie Carrol from the Rolling Thunder Review. Or listen to the narrator shift from early versions of tangled up in blue. Or listen to his version of "Make you Feel My Love," then listen to Garth Brooks' version and tell me he doesn't know how to fill a song with meaning. To me, this is not idle fiddling, but reflects his mastery of the form of popular song and its different possibilities.

In case it's not clear yet, my answer to the thread's question is "No. No. No. What? Are you uhh... NO!" and I think live at Budokan is great. I think it is fair to say he is UNDER-RATED as a singer/general performer.

And, yes, I understand that it is people like me that lead to other people asking the question, "Is Bob Dylan Over-rated"

Scott, Wednesday, 18 February 2004 00:30 (twenty years ago) link

Scott, I love what you just wrote because the details you give of what B. Dylan does with music help me to understand what I was trying to say when I said he 'genuinely rocks' god what a terrible way of putting it. Yes, exactly, he is underrated as a singer/performer/musician, whatever. Mind you, probably only by uninformed idiots like me. But supposing that there are a million articles in eg Rolling Stone on Bob Dylan's excellent musicianship, it would be easy for a teenager like I was to distrust them because Rolling Stone's attitude to music is so terribly corrupt that you would just dismiss their comments on 'Dylan's musicianship' as a phony backdrop to their economically driven canon. Gee I guess this is all pretty obvious.

maryann (maryann), Wednesday, 18 February 2004 00:43 (twenty years ago) link

Even after reading all the good stuff on this thread, I say... not overrated.

I like this: Dylan to me seems like someone you don't understand so much as live with, constantly revisiting and rediscovering from spittle's piece. And I also realised that, despite basically growing up to an almost exclusive soundtrack of little Apple Label Beatles 45s, just as someone else said upthread, I rarely listen to the latter yet regularly throw on some Dylan still.

I can't imagine ever getting tired of Dylan. There's always something you've overlooked, or forgotten, about him. Hence the polarized disagreements on so many of his records (Budokan, Planet Waves, Slow Train Coming, Street Legal, etc.).

(Yet, at the same time, i can understand the Boomer adulation/canonization putting a lot of people off, and don't really blame them for their initial responses -- however, I do think it's fair to expect those people to at least give him a chance, as he isn't going away even when he goes away, if you know what I mean.)

David A. (Davant), Wednesday, 18 February 2004 03:34 (twenty years ago) link

What's under-rated is what a terrific rhythm guitar player he is, how much his strum supports his utterances, whcih I mainly enjoy for their sound-mood value.

Ian Grey (Ian_G), Wednesday, 18 February 2004 03:54 (twenty years ago) link

budokan seems like an experimental album to me. most critics just shouted 'dylan goes vegas' and didn't perhaps pick up on the singular dissonance of that concept. i think it's an experiment that mostly fails, not least because its general negative reception might have pushed him in a more conservative direction (musically). one can also hear it as a man in crisis/depression (a la that phil ochs goes vegas record), not least because it was followed by his cross-wielding period.

amateur!st (amateurist), Wednesday, 18 February 2004 10:32 (twenty years ago) link

Am I alone in thinking the sparly Budokan version of Tambourine Man? The album is a very hit-or-miss affair (even by BD live standards) but his singing is mostly inspired for the most part.

Baaderist (Fabfunk), Wednesday, 18 February 2004 10:39 (twenty years ago) link

Dylan as comedian: Underrated.
He's not bad, but apparently Leonard Cohen was better when he did stand up!!!! (Fact!!!!!)

Old Fart!!! (oldfart_sd), Wednesday, 18 February 2004 16:39 (twenty years ago) link

three years pass...
The Dylan and Dead tour in the late 80s, as special as it was, and I got to see almost all of the shows, never reached the heights that Bob and Jerry and all the guys achieved at Front Street and the rehearsal tapes, which was some of the best music ever made...

Bill Walton wrote this on his ESPN chat thing. Does anybody know what he's talking about? Did Dylan and the Dead do some basement tape-style jam session and record it?

QuantumNoise, Friday, 2 March 2007 16:39 (seventeen years ago) link

I've been listening to a lot of theme time radio hours lately.

i honestly thing this show is among his greatest works.

M@tt He1ges0n, Friday, 2 March 2007 16:43 (seventeen years ago) link

Good guitar player, good singer, good songwriter but I can't stand most of his "surreal" lyrics.

Hurting 2, Friday, 2 March 2007 16:47 (seventeen years ago) link

There are a couple of Dylan/Dead rehearsal boots - a two volume San Rafael Rehearsals and one called The French Girl. Check bobsboots.com for info.

EZ Snappin, Friday, 2 March 2007 17:07 (seventeen years ago) link

thanks!

QuantumNoise, Friday, 2 March 2007 17:14 (seventeen years ago) link

I've been listening to a lot of theme time radio hours lately.

Is there someplace to get podcasts of these?

o. nate, Friday, 2 March 2007 20:15 (seventeen years ago) link

o nate-

i don't think we're supposed to post YSI links on ILM...but email me and i'll send you the place:

m@tt@gam3inf0rmer.com

M@tt He1ges0n, Friday, 2 March 2007 20:17 (seventeen years ago) link

Awesome, thanks. Email is coming your way.

o. nate, Friday, 2 March 2007 20:20 (seventeen years ago) link

three years pass...

"hmmm...yes...art"

P oco, Monday, 16 August 2010 16:51 (thirteen years ago) link

*sips cappuccino*

P oco, Monday, 16 August 2010 16:51 (thirteen years ago) link

cups empty imo

markers, Monday, 16 August 2010 16:52 (thirteen years ago) link

overarted

buzza, Monday, 16 August 2010 16:53 (thirteen years ago) link

that scott post up there is great, should be in some liner notes somewhere or other

i think dylan was overrated lyrically at times. something like "it's alright ma" is undeniably brilliant, but Blonde on Blonde, though a great record, suffers from too much jester/clown/random dated imagery that works far less often than it should. and though that record was supposed to capture the "thin...wild mercury sound" that he was after, it's ultimately flat and bloodless-sounding when compared to "royal albert hall concert"

i also never understood why people freaked out over Blood on the Tracks, which to me is sort of boring, with the exception of a couple of tracks (esp. you're a big girl now). the oft-maligned Self Portrait is leagues better, i think

that being said, of course he was amazing. so many little-seeming things, like titling a song (positively 4th street) w/no reference whatsoever to the lyrical content, i think was virtually unprecedented in pop music world up until that point? or suddenly and totally changing his trademark singing voice for nashville skyline?

so, i don't think that he's overrated, necessarily, but more that people rate him for the wrong reasons! but same could probably be said about the grateful dead. or the doors, for that matter...

dell (del), Monday, 16 August 2010 17:28 (thirteen years ago) link

I remember reading that "Boots of Spanish Leather" appeared in the Norton Anthology of American Literature and this seems so appropriate in a way.

jeevves, Monday, 16 August 2010 23:28 (thirteen years ago) link

Blonde on Blonde, though a great record, suffers from too much jester/clown/random dated imagery that works far less often than it should

Surprisingly I kind of agree with this. BoB used to be my favorite Dylan album - but lately it doesn't quite move me like it used to. It doesn't quite leap out of the stereo with the overwhelming brilliance of something like Freewheelin or Highway 61 - you have to be in the right mood for it. Maybe I've just listened to it too much.

o. nate, Wednesday, 18 August 2010 02:13 (thirteen years ago) link

yeah, i mean i like a bunch of songs on blonde on blonde a great deal, but then i'll hear something off of highway 61 and just be delivered those moments where it's truly like whoa, jeepers, no wonder this guy is a legend or whatever

dell (del), Wednesday, 18 August 2010 02:32 (thirteen years ago) link

dunno, i love almost everything about Blonde on Blonde -- all the layers of instruments, the sound of his voice. i can see how some of the lyrics could be dated (mainly becuz they were imitated by others for the rest of the 60s), but so much of it is actually pretty straightforward.

tylerw, Wednesday, 18 August 2010 14:39 (thirteen years ago) link

that scott post up there is great, should be in some liner notes somewhere or other

Got confused for a second because there seems to be a second scott on this thread. Here is that scott piece in full:
scott steward on why baltimore house music is the new bob dylan

The Redd, The Blecch & Other Things (James Redd and the Blecchs), Wednesday, 18 August 2010 14:49 (thirteen years ago) link

thanks for posting that link. great stuff!

dell (del), Wednesday, 18 August 2010 15:36 (thirteen years ago) link

BoB is great, obviously, but the band/performances/production just aren't as good as the previous two.

glitter hands! glitter hands! razzle! dazzle! (Shakey Mo Collier), Wednesday, 18 August 2010 15:43 (thirteen years ago) link

yeah, i like the record lots, but i always feel slightly disappointed by it, production-wise

dell (del), Wednesday, 18 August 2010 15:45 (thirteen years ago) link

BoB doesn't have anything i skip over, except maybe the opening track, 'cause i've heard it so much. but i think "Queen Jane Approximately" is the only song from tha trilogy i actively dislike.

yeah, i like the record lots, but i always feel slightly disappointed by it, production-wise

not sure what you don't like, del, but they did a REALLY FINE job with Bob's reissues - sound jumps out o' the speakers, in a good way
xpost

....some kind of psychedelic wallflower (outdoor_miner), Wednesday, 18 August 2010 15:51 (thirteen years ago) link

three years pass...

Tried watching this last night. It was one of the worst things I've ever seen and I feel embarrassed for everyone involved. The only saving grace is the WTF factor. Like, why on Earth was this made?

Emperor Cos Dashit (Adam Bruneau), Saturday, 23 November 2013 20:58 (ten years ago) link

to finally bring you to your low point in life. it's all uphill from here!!

j., Saturday, 23 November 2013 21:30 (ten years ago) link

Yeah it is definitely the worst project humanity was ever involved in.

nostormo, Saturday, 23 November 2013 21:34 (ten years ago) link

Except maybe ww2

nostormo, Saturday, 23 November 2013 21:34 (ten years ago) link


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