Bands whose most iconic record is their first one, but which is also stylistically an outlier in their catalog

dEUS, 'Worst Case Scenario'. Still the quintessential dEUS album. After that they shifted to more traditional song-writing real quick.

Ride, maybe?

Velvets are maybe the quintessential example. Nico's voice and Cale's viola are two of the most distinctive elements on the first album. Neither reappears in their catalogue.

Ride seems like a stretch...

Jesus & Mary Chain

Lupe Fiasco

Jesus & Mary Chain

Dream Syndicate

good call there

Velvets are maybe the quintessential example. Nico's voice and Cale's viola are two of the most distinctive elements on the first album. Neither reappears in their catalogue.

There's viola on "Lady Godiva's Operation" and "Here She Comes Now".

Ulver, maybe?

There's viola on "Lady Godiva's Operation" and "Here She Comes Now".

Whoa, got me there.

I do feel like the viola is more prominent on a lot of VU & Nico, and the album is also unique in their catalogue in terms of the mix of styles, but, yep, I definitely forgot about those.

Devo?

^^ thread winner.

Dan Deacon - Spiderman of the Rings

The Telescopes

(their early singles and first album immortalized them as shoegaze also-rans but virtually nobody cares about their '00s forays into post-rock and noise/drone)

De La Soul?

I'd say Wire too - Pink Flag is the only one you could describe as a straightforward punk record. I wanted to say The Clash as well for the same reason but I don't think you could argue against London Calling as being their most iconic album.

I don't think you could describe "Pink Flag" as a straightforward punk record tbf.

A punk record, for sure.

So, yes, fits the thread.

Moby Grape? Debut is definitely iconic, second album was a sharp stylistic detour...but I'm not that up on their later records.

Rober Miles is the perfect example of this. A huge crowdpleaser hit with Children and a similar sounding debut album, but everything he did since is completely left field: IDM, jazz and psychedelic rock.

Pavement. They dropped most of the Fall and VU aping after Slanted & Enchanted (not counting the eps)

Wire is a stupid answer, and most of these are heavily debatable at best

License to Ill
The Great Adventures of Slick Rick
Critical Beatdown
Loc-Ed After Dark
All For One
Cypress Hill
Breaking Atoms
Bizarre Ride II the Pharcyde

I don't think slight developments or polishing that may have been achieved by the second album really qualifies an artist for this thread.

Illmatic

Where's that NV post

I don't even know if it was NV

But basically - "Specific-purpose ILM anthology threads basically turn into lists of everyone's favourite bands"

Stop bending the rules to suit whichever signifiers of your awesome tastes you want to list. Every entry here from now on should require a written justification

I don't know where you get the idea that this a place where people discuss music

Basehead, maybe.

Otherwise, Fleetwood Mac, in contention. Feelies maybe (inspiration for this thread, but I discovered them via Good Earth). Men Without Hats maybe, since nobody stuck around for Pop or the later stuff. Patti Smith, Pavement, etc. all had great albums down the road.

Fleetwood Mac? Fuck off. Just fuck off.

Stop bending the rules to suit whichever signifiers of your awesome tastes you want to list.

Not sure anyone was doing that but they certainly will be from now on, hopefully.

Radiohead, because Creep is still totes their most iconic song lol!

The Beatles, because I don't know!

This seems like a good use of your time.

Says the guy who must have spent upwards of an hour on fake Kenny Logging anagrams

Fucking autocorrect

Yeah, that was fun. I had fun that day.

^^^that's an anagram of Kenny Loggins btw xp

I like a lot of Patti Smith, and Horses isn't even my favourite work of hers, but it does feel like a bit of an outlier to me. The next two albums are much more straightforward rock albums to my ears.

I like Peter Green's Fleetwood Mac but it seems crazy to say that this is their most iconic work.

Comus probably counts here, despite not having the most extensive discography.

Steely Dan: I encounter "Reelin' In The Years" & "Do It Again" on the airwaves more than any of their other songs. Pretty stark stylistic divergence from the rest of their catalog, also David Palmer sings quite a bit on that one.

STEELY DAN! BINGOOOOO! I GOT A BINGO

The Cardiacs probably.

:D

basically the only artists who belong itt are ones whose debut albums have more RYM ratings and different primary genre tags than all subsequent albums. there's this little thing called SCIENCE but most of you guys probably haven't heard of it http://i.somethingawful.com/forumsystem/emoticons/emot-colbert.gif

I feel you, imago.

ok, Spiderman of the Rings - Dan Deacon's first real album (there are a handful of EPs and two collections of college assignments and experiments that preceded it), it's the only time he was ever the full on "Mongoloid man-child" (Polish flyer description), spazzy neon freak dude image that people still associate with him. Ever since Bromst, he's made a concerted effort to emphasize his academic background and considerable abilities as a composer and arranger. the party rager dude in "The Crystal Cat" video was his schtick until he got famous and "Drinking Out of Cups" went viral. When the pernicious rumor that he was locked in a closet tripping on acid in that video was going around, I think it really annoyed him, and beginning with Bromst, he started playing with ensembles and recording much more intricate work: player piano, strings, massive productions. Yet he still plays "The Crystal Cat" at every fucking show.

if you're going to call _in the presence of nothing_ the most iconic lilys album might as well go all the way and call _loveless_ the most iconic lilys album.

psssh they were better at capturing the spirit of the Isn't Anything composition style than most of the other imitators at the time that were merely infatuated with the guitar effects on Loveless.

That's why they're mistaken for having no original ideas on that record, because they actually ~understood~ the magic MBV had beyond "Oh I get it! Be loud and bend the strings! It's so easy!"

All that being said, Eccsame the Photon Band is my favorite. I wish it got more credit for being as unique as everyone accuses the debut of NOT being.

does Suicidal Tendencies s/t count?

Eels sorta counts. First album they are a brit-award winning alt-rock trio, then immediately becomes a mr e solo act.

Suicidal Tendencies is a pretty good example, IMO

That's why they're mistaken for having no original ideas on that record, because they actually ~understood~ the magic MBV had beyond "Oh I get it! Be loud and bend the strings! It's so easy!"

― Evan

that doesn't make them not copycats, that just makes them good copycats. _eccsame_ is what really highlights that.

Not many hardcore bands made iconic albums, but Black Flag and Suicidal Tendencies did. A lot did follow the pattern of putting out one LP of loud fast stuff, then changing around 1985 to slow and sludgy, or metallic thrash, or psychedelic. TSOL, JFA, Die Kreutzen, DRI, Corrosion of Conformity might all apply, though I can't recall how many HC albums each made, and they're not exactly iconic bands.

True, I just feel they should get more credit for showing songwriting skill that actually makes them respectable equals more than just a cheap knock off. Kind of like how there are lots of John Fahey imitators but there are also those that are able to successfully capture the spirit beyond the surface similarities.

xp

i kind of think of that record in terms of... safe as milk. safe as milk is a great album, right now the second-best-known captain beefheart record (hell it might even surpass _trout mask replica_ one day). but it's not an original record; it's just a really great white blues record. having said that, i wouldn't go so far as to call captain beefheart a "respectable equal" of howlin' wolf on the basis of _safe as milk_. knockoffs will always trail behind originals in my book.

xpost: I'm not a huge fan of In The Presence of Nothing, but it's definitely the record that put lilys on the map, without question. "Better" had the hit in England, but in the US it was a bust, and nothing else they did ever made a splash. Love them, not a huge fan of their first album, but it's definitely an outlier that was iconic for the band. So good choice.

I don't think they changed too much stylistically on the 2nd album, it just wasn't as good and was a bit over-produced.

― Return of the Flustered Bootle Native (Tom D.), Friday, March 3, 2017 12:28 PM (thirty-six minutes ago) Bookmark Flag Post Permalink

I thought it was a pretty big shift; out went the 3-guitar attack and five-part harmonies, in came sped-up vocals, throwaway novelties, ornate horn and string arrangements, backwards tapes, and Arthur Godfrey introducing a sleepy Skip Spence singing over a swing orchestra.

That said, I don't really think of post-Cale VU as weird and droney, except maybe for "Murder Mystery".

"What Goes On", man

Suicide.

Nas may be the best answer on here so far.

Kate Bush, The Kick Inside.

JAMC strikes me as a good answer. Feelies too.

I didn't think The Kick Inside was more iconic than The Dreaming or Hounds of Love, although I guess "Wuthering Heights" is a pretty iconic song.

Oasis

ban everyone

Surely there can't actually be that many actual examples of this. Imago is right, this often feels like people just listing the usual bands that crop up on these threads 'cuz they can't think of any actual examples. And no, Fleetwood Mac isn't a correct answer. Or Steely Dan.

The Damned

There probably are a lot of examples of this, but nobody cares because the band became completely obscure after the change. Something like The Bravery for instance.

Elastica (ducks)

There probably are a lot of examples of this, but nobody cares because the band became completely obscure after the change. Something like The Bravery for instance.

I would question how iconic the first album is in this case.

"What Goes On", man

I'll withdraw my offhand VU suggestion if no one agrees but I don't hear this song as all that weird and droney. It seems like a pretty straightforward upbeat rock tune to me, based on a variation on a standard 3-chord progression, at least compared to something like "Venus in Furs".

I would question how iconic the first album is in this case.

― My Body's Made of Crushed Little Evening Stars (Sund4r), 4. marts 2017 14:38 (twenty-five minutes ago) Bookmark Flag Post Permalink

It's definitely their 'most' iconic one, though...

Ha, OK

Casket Girls - first one is their best

A lot of shoegaze/proto-shoegaze bands could go here (some, like Ride and JAMC, have been listed already).

Plenty of second wave techno too, e.g. LFO.

blood sweat & tears, obv.

There's a thread of albums that are 20 years old, and I've seen a bunch of recognition for stuff that is turning 30.

But we all seem to have agreed to let 2017 go by without acknowledging that Velvet Underground & Nico turned 50.