Yeah, this sort of division is interesting... Based on these answers I might suggest that these lyrics can be divided into three categories:1) Lyrics where the vocalist is doing a narrative about his artist persona, so the name-calling refers to that. Typically they are using their artist name (Bootsy, Madonna, Nas, Flavor Flav, Mr. Mercury, etc) if they have one, and not their birth name. These are very common in rap, and also appear in soul, R&B, and funk, but seem to be pretty rare in other genres, and often the examples in other genres ("it's Britney, bitch") seem to be inluenced by rap.
2) Lyrics where the vocalist is doing a first-person narrative, but it isn't about his artist persona rather than something that happened to him as a "regular" person (rather than as a famous musician). Often the name is only referred to when another person in the narrative mentions it (she started screaming, "Mike!"; but my darling says, "Leonard, just let it go by"; she said, "Gordie, baby, I know exactly what you mean"). Type 2 seems to by way more common in rock and pop than type 1.
3) Lyrics that emulate call-and-response in live performances, where the name-calling is outside the context of the lyrical narrative. Can be found in any genres where call-and-response is common in actual live performances.
Of course there's also overlap between these categories, but IMO it's interesting that type 1 is often associated with "black" popular music, and type 2 with "white" popular music. I'm sure there's plenty of studies on differences between the lyrical styles of, say, rap and rock, so I guess this would be a part of a larger difference in how narratives are constructed in these genres?
I'd still be interested in discussing these differences.
― Tuomas, Tuesday, 5 February 2019 08:49 (five years ago) link