Oscars 2017

BEST PICTURE:
“Arrival”
“Fences”
“Hacksaw Ridge”
“Hell or High Water”
“Hidden Figures”
“La La Land”
“Manchester by the Sea”
“Lion”
“Moonlight”

BEST ACTOR
Casey Affleck
Andrew Garfield
Ryan Gosling
Viggo Mortensen
Denzel Washington

BEST ACTRESS
Isabelle Huppert
Ruth Negga
Natalie Portman
Emma Stone
Meryl Streep

BEST SUPPORTING ACTOR
Mahershala Ali
Jeff Bridges
Lucas Hedges
Dev Patel
Michael Shannon

BEST SUPPORTING ACTRESS
Viola Davis
Naomie Harris
Nicole Kidman
Octavia Spencer
Michelle Williams

BEST DIRECTOR
Denis Villeneuve
Mel Gibson
Damien Chazelle
Kenneth Lonergan
Barry Jenkins

BEST ANIMATED FEATURE
“Kubo and the Two Strings”
“Moana”
“My Life as a Zucchini”
“The Red Turtle”
“Zootopia”

ANIMATED SHORT
“Blind Vaysha”
“Borrowed Time”
“Pear Cider and Cigarettes”
“Pearl”
“Piper”

ADAPTED SCREENPLAY
“Arrival”
“Fences”
“Hidden Figures”
“Lion”
“Moonlight”

ORIGINAL SCREENPLAY
“Hell or High Water”
“La La Land”
“The Lobster”
“Manchester by the Sea”
“20th Century Women”

BEST CINEMATOGRAPHY
“Arrival”
“La La Land”
“Lion”
“Moonlight”
“Silence”

BEST DOCUMENTARY FEATURE
“Fire at Sea”
“I Am Not Your Negro”
“Life Animated”
“OJ: Made in America”
“13th”

BEST DOCUMENTARY SHORT
“Extremist”
“4.1 Miles”
“Joe’s Violin”
“Watani My Homeland”
“The White Helmets”

BEST LIVE ACTION SHORT
“Ennemis Interieurs”
“La Femme et le TGV”
“Silent Nights”
“Sing”
“Timecode”

BEST FOREIGN LANGUAGE FILM
“A Man Called Ove”
“Land of Mine”
“Tanna”
“The Salesman”
“Toni Erdmann”

BEST FILM EDITING
“Arrival”
“Hacksaw Ridge”
“Hell or High Water”
“La La Land”
“Moonlight”

BEST SOUND EDITING
“Arrival”
“Deep Water Horizon”
“Hacksaw Ridge”
“La La Land”
“Sully”

BEST SOUND MIXING
“Arrival”
“Hacksaw Ridge”
“La La Land”
“Rogue One”
“13 Hours”

BEST PRODUCTION DESIGN
“Arrival”
“Fantastic Beasts and Where to Find Them”
“Hail Caesar!”
“La La Land”
“Passengers”

BEST ORIGINAL SCORE
“Jackie”
“La La Land”
“Lion”
“Moonlight”
“Passengers”

BEST ORIGINAL SONG
Audition
Can’t Stop the Feeling
City of Stars
Empty Chair
How Far I’ll Go

BEST MAKEUP AND HAIR
“A Man Called Ove”
“Star Trek Beyond”
“Suicide Squad”

BEST COSTUME DESIGN
“Allied”
“Fantastic Beasts”
“Florence Foster Jenkins”
“Jackie”
“La La Land”

BEST VISUAL EFFECTS
“Deepwater Horizon”
“Doctor Strange”
“Jungle Book”
“Kubo”
“Rogue One”

Ruth Negga!

Kate Beckinsale!? Snubbed! she just won London Critic's Circle prize as well.

At first glance, that's one of the less objectionable list of nominees I've seen in some time.

Is this the first year Pixar was shut out of Best Animated Feature?

oh god -- I just noticed Mel Gibson.

As usual, a few things I'm looking forward to (Arrival, Manchester by the Sea, Moonlight) and a bunch more that I have zero interest in ever watching.

The biggest surprise, for me, glancing at the list is that the love for the mediocre Hell or High Water lasted all the way to Oscar season.

b luck next time Marty

Prieto and that's it, right?^

I forget, are foreign language films excluded from best picture as a rule?

No, not always (Life Is Beautiful immediately comes to mind).

(And Crouching Tiger.)

they are excluded as a habit.

Amour most recently

Huppert's is the only nomination I cared about, Negga's too to a lesser extent

A couple of milestones I noticed:

- first time there's been a black nominee in each of the four acting categories
- first time that black actors have been in the majority in a category (supporting actress: Davis, Harris, Spencer)

First time Afrocentric entries have dominated the doc feature category?

on that score, “Fire at Sea” is largely about North Africans attempting to perilously emigrate to Europe.

How the fuck did Mel Gibson worm his way back into acceptable society

Jodie Foster's powers are unstoppable

@labuzamovies
Reminder that if Isabelle Huppert gets an Oscar nom she's legally required to play Lady Iron Man in IRON MAN 4 sorry thems the breaks

how the fuck did the studio get away with getting Dev Patel into Supporting? He plays the titular character!

there's a kid who also plays him, though

how is Viola Davis a supporting actress?

Answer: #politics

that's one of the stronger best documentary lineups I've seen

La La Land, with 14 nominations, ties the record of "most nominations ever" with Titanic and All About Eve

Wow, I didn't realize it was one of the greatest films ever, but I guess Oscar has spoken!

there's a kid who also plays him, though

the kid is only in the first 10-15 mins.

No way, the kid is the star for half the movie. Dev Patel doesn't show up until a full hour in.

20th nomination for Robostreep; she'll keep getting em after she expires if they digitize her into new things.

First year a John Williams score hasn't been nominated since '92.

have you seen her last couple movies? She's digitized already.

the kid in the first 45 minutes >> Patel

Kidman's nod is a joke too.

Posted in the wrong thread--very glad they had the good sense to nominate O.J. They've overlooked many other documentaries for the most specious of reasons (not sure if the television angle always kept Wiseman out), so it's good that they got this one right.

No Beckinsale or Grant, now that's a turn up as I'd bet they'll win the BAFTA in their respective categories.

the critics are raving about HACKSAW RIDGE!!!

Rex Reed of Observer rated the film with four stars and called it "the best war film since Saving Private Ryan. It is violent, harrowing, heartbreaking and unforgettable."

Michael Smith of Tulsa World called Hacksaw Ridge a "moving character study" and praised both the direction and acting. He observed: "It’s truly remarkable how Gibson can film scenes of such heartfelt emotion with such sweet subtlety as easily as he stages some of the most vicious, visual scenes of violence that you will ever see. ... Hacksaw Ridge is beautiful and brutal, and that’s a potent combination for a movie about a man determined to serve his country, as well as his soul."

IGN critic Alex Welch gave the film a score of 8/10, and praising it as "one of the most successful war films of recent memory" and "at times horrifying, inspiring, and heart-wrenching."

Mike Ryan of Uproxx gave the film a positive review, praising Gibson's direction, and saying: "There are two moments during the second half of Mel Gibson's Hacksaw Ridge when I literally jumped out of my seat in terror. The film's depiction of war is the best I’ve seen since Saving Private Ryan."

Peter Travers of Rolling Stone gave the film 3.5 stars and praised it as "the best war film since Saving Private Ryan and wrote: "Thanks to some of the greatest battle scenes ever filmed, Gibson once again shows his staggering gifts as a filmmaker, able to juxtapose savagery with aching tenderness." He added: "[I]t is violent, harrowing, heartbreaking and unforgettable. And yes, it was directed by Mel Gibson. He deserves a medal, too."

Matt Zoller Seitz for RogerEbert.com gave 2.5 stars out of 4 and described it as "inept and beautiful, stupid and amazing."

The first half of Hacksaw – about all I could stand before sticking the screener in my blender – was so awful that I can't imagine I care about "realistic" battles.

guess everyone is trying to frame Gibson's ability to not get caught saying anything antisemitic or racist on tape in a few years as a "comeback"

http://cdn.skim.gs/images/crlzcuzusx2egemggnxv/best-golden-globes-gifs-2017-mel-gibson-vince-vaughn

It’s truly remarkable how Gibson can film scenes of such heartfelt emotion with such sweet subtlety as easily as he stages some of the most vicious, visual scenes of violence that you will ever see

yeah, weird

The Gibson thing is wild to me because it's obvious that movie clearly doesn't have a fucking chance against Moonlight or La La Land or Manchester by the Sea, so they could have given that slot to Kubo and the Two Strings or whatever

easily the worst of the nominees (Lion is conventional lachrymose Oscarbait).

It's probably telling that I heard about Hacksaw Ridge loooooooooong before I heard that it was directed by Mel Gibson.

Lion was very not good

I heard Hacksaw Ridge, outside the theater -- BOOM BOOM BOOM

The trailer I saw only said "from the Oscar-winning director of Braveheart"

I was expecting Lion to be much much worse tbh

Lucas Hedges!

La La Land wishes it were as good as Titanic.

Okay! I already don't wanna see it!

The Handmaiden too good for that bunch, but production design at least, maroons

max martin's first oscar nom is a song from trolls

Lion was fine, if melodramatic, but the kid was amazing.

catching up on movies that didn't get nominated, watched Edge of Seventeen, that was a thrillingly entertaining little film, hailee steinfeld should have been nominated along with annette benning and either of them were more deserving than emma stone

<<this is the first outright queer film to win an Academy Award for Best Picture>>

This isn't outright queer enough for ya?
https://s-media-cache-ak0.pinimg.com/originals/d7/74/b5/d774b507761e71b6bd11ac0880db5e96.jpg

https://www.youtube.com/watch?v=9MZuFX6CuNo

"But that's not OUTRIGHT queer!! They're just friends!!!!"

https://twitter.com/cobblehillis/status/836778478779392000

welcome back, KJB.

Now the traditional Oscar thread transformation into a simulacrum of the gay ones is complete.

Simulacrum was robbed

http://www.vox.com/first-person/2017/3/1/14777110/typography-oscars-2017

With a modified card, even if the presenters had gotten the wrong one, none of this would have happened because the presenters would’ve looked at it and one of two things would’ve happened: Their eyes would’ve read “Best Actress” or “Emma Stone.” Reading either of those would indicate that this wasn’t the card for Best Picture, and they would’ve asked Jimmy Kimmel or a producer to the stage to get it corrected.

The card needed to be written and designed in a way that makes it clear to the reader only the essential information.

damn...

https://www.yahoo.com/celebrity/a-guy-that-barely-looks-like-ryan-gosling-crashed-a-german-awards-show-as-ryan-gosling-221325262.html

icymi the Academy passed a rule so another TV series can never win the doc feature award again; too bad it took OJ to get that done.

http://deadline.com/2017/04/oscars-academy-new-documentary-eligibility-rules-disqualify-o-j-made-in-america-1202064536/