Definitely.
― Kiarostami bag (milo z), Saturday, 31 December 2016 03:15 (seven years ago) link
Currently on HBO Go
― Kiarostami bag (milo z), Saturday, 31 December 2016 03:21 (seven years ago) link
Had no idea it was a financial failure
― Οὖτις, Saturday, 31 December 2016 03:35 (seven years ago) link
overrated (by me at first too)
― Supercreditor (Dr Morbius), Saturday, 31 December 2016 03:51 (seven years ago) link
i havent see this movie in ten years and it still haunts me
― 6 god none the richer (m bison), Saturday, 31 December 2016 04:01 (seven years ago) link
^^^ the ambush scene on the road
― sleeve, Saturday, 31 December 2016 04:06 (seven years ago) link
on some weird instinct i watched this like 3 or 4 days after the election and my unconscious otm
― Clay, Saturday, 31 December 2016 04:10 (seven years ago) link
I watched it with the film class that I'm TA'ing a few months back, and while I acknowledge that a second viewing cannot possibly have an impact that an initial one does, I still think its a masterpiece.
(on the whole, my students didn't seem too wild about it, though)
― rhymes with "blondie blast" (cryptosicko), Saturday, 31 December 2016 04:12 (seven years ago) link
incredible film
― marcos, Saturday, 31 December 2016 04:12 (seven years ago) link
"overrated (by me at first too)
― Supercreditor (Dr Morbius),"
why am I not surprised
― akm, Saturday, 31 December 2016 04:34 (seven years ago) link
Watched it again this week. Still love it.
― dan selzer, Saturday, 31 December 2016 05:03 (seven years ago) link
so glad this piece reminded me of that sigur ros song that was in ALL the ads
― flappy bird, Saturday, 31 December 2016 05:25 (seven years ago) link
Even a big screen TV diminishes the impact slightly vs. seeing it in the theater.
― Kiarostami bag (milo z), Saturday, 31 December 2016 05:58 (seven years ago) link
Was Saving Private Ryan the first movie whose sound design mimicked ear damage from a loud explosion, a high-pitched buzz or ring? Obviously this movie does it, too, but it shows up in pretty much every action movie now.
― Josh in Chicago, Saturday, 31 December 2016 14:21 (seven years ago) link
Come And See did the same kind of thing in 1985.
― めんどくさかった (Matt #2), Saturday, 31 December 2016 14:25 (seven years ago) link
Huh, don't know that one. Did any film that you know of do it between Come and See and Saving Private Ryan? How did the sound design of Come and See, well, sound? Are there clips?
― Josh in Chicago, Saturday, 31 December 2016 14:47 (seven years ago) link
Here it is!https://www.youtube.com/watch?v=EMxI6YERzQU
Around the 40 minute mark, maybe?
― Josh in Chicago, Saturday, 31 December 2016 14:50 (seven years ago) link
Man I've been wanting to see Come and See for years. Not going to watch it on youtube though.
― dan selzer, Saturday, 31 December 2016 16:37 (seven years ago) link
oh I can rent it on amazon. SD though.
― dan selzer, Saturday, 31 December 2016 16:38 (seven years ago) link
Good movie.
― The burrito of ennui (Alfred, Lord Sotosyn), Saturday, 31 December 2016 16:38 (seven years ago) link
"Soviet Definition"
― The beaver is not the bad guy (El Tomboto), Saturday, 31 December 2016 16:40 (seven years ago) link
Even scrubbing through it on Youtube I can tell that's not a film I need to watch right now in my life
Come and See is certainly a bucket list film, and I still remember scenes like Glasha's dance in the woods or the einsatzgruppen commander putting his helmet over his marmoset clear as day a dozen years after my last viewing.
What I remember from Children of Men at a similar remove are the two extended single takes (the ambush, & finding preggo Joy in the Bexhill tenement under attack), and an attention to background detail that's up there with Gilliam. Its the background detail fleshing out the world that rewarded a second viewing at the time. nerdwriter1 did a recent praise video on this, in fact:
https://www.youtube.com/watch?v=-woNlmVcdjc
― Least-satisfying overall (Sanpaku), Saturday, 31 December 2016 17:35 (seven years ago) link
The aforementioned reappraisal brings that up, how Cuaron wanted to include background stuff in every scene to avoid awkward exposition, which always seems to sink dystopian stuff.
Together, they hit on the idea of loading up the background with information — graffiti, placards, newscasts — and thus limiting the kind of expository dialogue that often plagues dystopian stories. Cuarón recalls Lubezki declaring, “We cannot allow one single frame of this film to go without a comment on the state of things.”
― Josh in Chicago, Saturday, 31 December 2016 18:13 (seven years ago) link
Rewatching it again recently, knowing the plot and dialogue very well made it easier to pay attention to all those details.
― dan selzer, Saturday, 31 December 2016 18:23 (seven years ago) link
― Josh in Chicago, Saturday, December 31, 2016 8:47 AM (three hours ago) Bookmark Flag Post Permalink
Cop Land does, Stallone's character is already deaf in one ear and someone shoots a gun next to his other one
― mh 😏, Saturday, 31 December 2016 18:28 (seven years ago) link
(Cop Land being a 1997 release, Saving Private Ryan in 1998)
― mh 😏, Saturday, 31 December 2016 18:29 (seven years ago) link
Wow, that's right!
― Josh in Chicago, Saturday, 31 December 2016 19:03 (seven years ago) link
I should research that. Recall Sly's character as really sad but richly drawn.
Gah, rewatch.
― Josh in Chicago, Saturday, 31 December 2016 19:04 (seven years ago) link
Rescreen
― "I must believe that my charm was not in my ass." (C. Grisso/McCain), Saturday, 31 December 2016 19:26 (seven years ago) link
Cop Land is p good, lot of Sopranos alumni in the cast iirc
― Οὖτις, Saturday, 31 December 2016 19:46 (seven years ago) link
Lots of lots of people, iirc. And lots of Springsteen on the soundtrack.
― Josh in Chicago, Saturday, 31 December 2016 19:55 (seven years ago) link
what a great movie copland was. seems very forgotten now
― akm, Saturday, 31 December 2016 21:38 (seven years ago) link
Got me into Darkness on the Edge of Town.
― dan selzer, Saturday, 31 December 2016 22:15 (seven years ago) link
there's at least one film writer on twitter who loves Cop Land. finally watched it a couple days ago -- which is why i knew about that hearing loss scene. i'm not really capable of pulling references like that out of a hat!
― mh 😏, Saturday, 31 December 2016 23:59 (seven years ago) link
― Οὖτις, Friday, December 30, 2016 9:35 PM (yesterday) Bookmark Flag Post Permalink
same! that's...really surprising? i remember hearing a lot about it, and assumed it had done well
― jason waterfalls (gbx), Sunday, 1 January 2017 01:05 (seven years ago) link
It's a bit weird, the put it mildly, that that nerdwriter video doesn't credit or even mention Zizek's own film essay on CoM. I mean Zizeks's film was an extra on the first DVD release.
― Acting Crazy (Instrumental) (jed_), Monday, 2 January 2017 22:23 (seven years ago) link
and the blu-ray I have.
― dan selzer, Monday, 2 January 2017 23:22 (seven years ago) link
As someone with actual tinnitus, I hate the tinnitus sound effect, it's always pitched on a note I find unbearable to listen to. It's always magical how it disappears so quickly too.
― Chuck_Tatum, Monday, 2 January 2017 23:32 (seven years ago) link
Haha yes
― Οὖτις, Monday, 2 January 2017 23:33 (seven years ago) link
yup. At least one TV show has it at the end of the opening titles every episode too, I hate it.
― kinder, Monday, 2 January 2017 23:37 (seven years ago) link
Can anyone recall which reviewer slammed the tracking shots as being overly showy? It's bothering me that I can't recall if it was another director etc.
― Everything Moves Towards The Sun (Ross), Monday, 2 January 2017 23:41 (seven years ago) link
Mikey D.A. (AV Club, ex-Dissolve): http://www.avclub.com/article/ichildren-of-meni-35640
― Stupor Fly, Tuesday, 3 January 2017 02:31 (seven years ago) link
^ Thanks!
― Everything Moves Towards The Sun (Ross), Tuesday, 3 January 2017 02:41 (seven years ago) link
I have nothing against lengthy shots per se—there are certainly times when a steady, unblinking gaze is the most effective choice, even if I believe to my core that the essential power of cinema lies in how shot A cuts with shot B.
I'm trying to come up with an analogous statement from the ILM end of things and I'm stuck.
― The beaver is not the bad guy (El Tomboto), Tuesday, 3 January 2017 04:47 (seven years ago) link
Dynamics? If you don't build to something and release or vary your tempo then it all just fades into background music?
― Kiarostami bag (milo z), Tuesday, 3 January 2017 05:19 (seven years ago) link
To which point, I'd say that something like Children of Men's long shots are effective precisely because so many other films are either whipping you back and forth with cuts or so boring cinematically that you're just watching people talk back and forth in shot and reverse.
― Kiarostami bag (milo z), Tuesday, 3 January 2017 05:21 (seven years ago) link
I get the annoyance with conspicuous use of long takes, but I save my annoyance for things like True Detective. Those scenes in Children of Men are great, and they wouldn't be the same if they were full of cuts. I'm not going to complain about something that works.
― jmm, Tuesday, 3 January 2017 05:31 (seven years ago) link
I don't buy that essay. He even says the average viewer most likely wouldn’t even recognize its technical virtuosity
It's like, it ONLY bothers people who notice it and think it's showing off. The rest of us find it effective.
― dan selzer, Tuesday, 3 January 2017 05:31 (seven years ago) link