Bottomless Bellybutton by Dash Shaw

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^ i liked this + am hyped to pickup cosplayers christmas

also hey what is this v bottomless bellybutton wave sketch-

schlump, Friday, 30 December 2016 23:12 (three years ago) link

I ordered the Cosplayers collection ages ago, was supposed to get it before xmas and got two to give one as a gift, but it's been pushed back.

dan selzer, Saturday, 31 December 2016 02:12 (three years ago) link

three months pass...

6 years ago i contributed to dash's The Ruined Cast kickstarter - his first feature animated film. today i got this update:

Hi Everyone,

Thanks so much for all of your patience!

Sometimes the path from a film’s development (which this campaign supported) to production takes unexpected turns. In this particular case, along the way to putting together The Ruined Cast, Dash had an opportunity to make another movie, also written by him, applying the techniques and lessons learned during the work that you supported.

The outcome of this campaign meets — and hopefully you’ll agree, exceeds — the bar that we intended, of Dash making his first animated feature film.

The movie is My Entire High School Sinking into the Sea, which played to rave reviews over the past several months at the Toronto International Film Festival, the New York Film Festival and Fanastic Fest. It opens on 4/14 at the Metrograph in NYC and the Nuart in Los Angeles. Dash will be at the Metrograph screenings throughout opening weekend. The other theatrical dates are listed on this site:

Karl Malone, Tuesday, 4 April 2017 16:24 (three years ago) link

here's the trailer:

starring...jason schwartzman? lena dunham? reggie watts? maya rudolph? and...susan sarandon??

really looking forward to this

Karl Malone, Tuesday, 4 April 2017 16:25 (three years ago) link

"just jump - i'm buff enough to catch you!"


Karl Malone, Tuesday, 4 April 2017 16:26 (three years ago) link

apparently 6 years ago i backed the project at the "A limited-edition print of an image from the film suitable for framing!" level, so looking forward to getting my susan sarandon print in the mail!

Karl Malone, Tuesday, 4 April 2017 16:36 (three years ago) link

I backed it 6 years ago too, but I got a poster already for it, printed by a guy I later ended up working with a bit.

dan selzer, Tuesday, 4 April 2017 17:55 (three years ago) link

oh hey this is showing in my city next month, must remember to go see

-_- (jim in vancouver), Tuesday, 4 April 2017 19:13 (three years ago) link

i haven't kept up with this dude's work since bodyworld

-_- (jim in vancouver), Tuesday, 4 April 2017 19:14 (three years ago) link

Doctors and Cosplayers are both great

dan selzer, Tuesday, 4 April 2017 20:55 (three years ago) link

Bobson Dugnutt (ulysses), Tuesday, 18 April 2017 02:12 (three years ago) link

i'll try to find some of those. probably should've made the effort to see him this weekend at the Metrograph

Nhex, Tuesday, 18 April 2017 03:08 (three years ago) link

whoa, that's awesome forks, thanks. i've been reading through his other articles on (discipline) (cosplayers) (high school sinking) (u.s. premiere of high school sinking at fantastic fest) (more thoughts about fantastic fest)

(i put what they're about in parentheses). they're really well written, just a casual look into his process and what he's thinking about as works on various projects. for example, this bit describing his work on high school sinking:

When I first started making longer animations (the IFC webseries I did in 2009) I would only storyboard. I’d read that that’s what Miyazaki did. He’d storyboard and then people would write scripts based on his boards. That made the most sense to me, as I believed film was primarily a visual medium (something I no longer think).

However, in order to get other people involved (like actors, and producers, and editors) I had to start writing scripts for them. I spent years writing scripts for different projects and went to the 2010 Sundance Screenwriting Labs and did a lot of back-and-forth working and reworking scripts only to have them change dramatically once I storyboarded them.

Now what I’ve arrived at is this: I write a script (which takes a year or two), show it to some people, and then storyboard it and then rewrite the script based on the storyboards. The storyboarding happens in the middle and I consider it part of the scriptwriting process. Jason Schwartzman told me that when he was offered The Grand Budapest Hotel, he was sent simultaneously the script and a private Vimeo link to a drawn animatic of the entire movie with Anderson doing all of the voices. When I heard that, it completely made sense to me… Movies are so complicated and expensive, and screenplays are difficult to decode. You have to in some way completely visualize it and have something to show to get other people involved and on the same page. Especially when you’re making an animated thing with an unusual aesthetic, it’s nearly impossible to just hand someone a screenplay of it. I was only able to get the High School Sinking cast after I had the majority of the film drawn. I was able to show producers and other people sections of the movie and say, “This is what this is — I’m making this thing and I want you involved.” Which is a completely different position than “Here’s a word document describing something I want to make.”

Karl Malone, Tuesday, 18 April 2017 08:14 (three years ago) link

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