The Kinks post -1970. Classic or Dud + Search and Destroy

Search: 'Ducks on the Wall'

never listened to Sleepwalker before, I'm digging it

I'm kind of agnostic about their post-Muswell work but I put "Here Comes Yet Another Day" on a playlist a long time ago and I'm really digging it now

I love Schoolboys In Disgrace, especially No More Looking Back. Is that Bobcat Goldthwait movie still happening? I think I'd like a Schoolboys In Disgrace movie directed by Wes Anderson, it seems like it would be a good fit for him - institutional setting, focused on the pain/pleasure of wallowing in the past, people cloistering themselves away from the world

Juke Box Music on Sleepwalker is one of their very best. Same goes for Rock and Roll Fantasy on Misfits.

you keep all your smart modern writers

OTM. As is

Juke Box Music on Sleepwalker is one of their very best. Same goes for Rock and Roll Fantasy on Misfits.

"Lola vs. Powerman" - Ray's Jewish accent on "Top of the Pops" is a bit :-O but a good album with some reservations.

I find "Muswell Hillbillies" to be an irritatingly sequenced album, all the boring crap like "Complicated Life", "Here Come the People in Grey", "Acute Schizophrenia etc" seems to be crammed into the first half of the album, making it a chore to sit through, then the last four songs are great. Also I don't like "Holiday" or "Alcohol" much, two songs which people seem to consider highlights of the album. And what does, "Skin and Bones" have to do with the concept (so-called) of the album?

I'm not bored enough yet to listen to "Everybody's in Showbiz".

Ha. The latter was one of the only ones I could find back in the late 70s and early 80s I can confirm that it’s pretty bad.

I've got it I just don't want to listen to it.

"This Time Tomorrow" (mentioned a couple of times earlier in this thread) is one of their greatest. Somehow I missed it in The Darjeeling Limited (not to mention missing it on the album I played two or three times 35 years ago and then shelved), but I've since come across it on The Regular Lovers, a French film from 2005, and the new Mrs. America on F/X.

I've got it I just don't want to listen to it.

Just put on The Great Lost Kinks Album, which I could never find a copy of back in the day, heard the backing vocals on "Lavender Hill," was reminded of the magic that Rasa seemed to add and then this grand theory: https://andrewhickey.info/2018/01/28/did-a-teenage-girl-make-the-kinks-great/

I really disliked The Darjeeling Limited but it did make me realize what a fuckin' great song that is

Yup

Better than the hotel movie, I thought, but nothing special. The Kinks song couldn't have been very prominent--I don't think I would have missed it if it had been (or else I immediately forgot it in the wake of the movie's averageness).

I love Sleepwalker (the album) even though it's about half stinkers. The songs I like I like a lot.
Also God's Children has everything I love about the Kinks and is, imo, a great song, even though maybe some of the lyrics are uncomfortably related to the plot of Percy (which I haven't seen)

Jukebox Music is super condescending to little ladies who like records and it *still* hits the spot. The title track of Sleepwalker and Mr. Big Man are also perennial faves for me.

LL otm. Misfits was kind of a further fall-off in quality but I still have kind of a soft spot for it.

Wondering if the Kinks have been mentioned on that other thread I haven’t really looked at, Great Bands with Crap Albums or whatever it’s called.

that article about Rasa is pretty interesting. obviously there are a lot of musicians who captured greatness for a few years and then fell off but even still, Ray Davies just seemed like a totally different songwriter after Lola. its not even that so much of that is crap but rather just how much blatant plagiarism there is on those later records. he just has no new song ideas

Yeah, he didn't really seem to have a knack for churning out somewhat better-than-average material, it was a bimodal distribution of great stuff surrounded by lots of dreck. Maybe he should be compared with somebody like, say, Burt Bacharach.

"God's Children" was on one of those Mojo samplers, one that was soundtrack-based and it always sounded so awesome on that. Don't know what I did with it, the whole thing flowed really well, it had the theme from "The Taking of Pelham 123" on it, for one thing.

This: https://open.spotify.com/playlist/63KbGAD9A8hZKxDqvj9kMs

Here is some further discussion: http://5mudg3blog.blogspot.com/2009/02/thanks-mojo-best-cover-mounted-cds-ever.html

I have seen "Percy" but I don't remember anything about it apart from a bit where they're wondering around a zoo - hence "Animals in the Zoo". I might even have seen "Percy's Progress" too.

This playlist seems to have the whole thing, nothing grayed out:
https://open.spotify.com/playlist/2E7rDi38F9ZCPFoT8EdYUt?si=2_5JsnN4RsCD0Ya5dh68Aw

Oh wait! Life on the Road is good too!!
"Mama always told me city ladies were bawdy & bold, so I searched night and day to catch the kiss of a lady but all that I caught was a cold" -- that's funny!

Cheap looking Kinks documentary on London Live (Channel 8, Freeview) at the moment. No sign of Ray.

... Dave, interviewed in 1981, voice only.

Mick Avory, like some old geezer in a pub who can't be bothered speaking to anyone, just wants to be left alone to sup his pint.

John Dalton, second billed guest star on "Minder" ca. 1983.

John Gosling off to a bad start, claiming that before joined the Kinks he was considering an offer to replace Jools Holland in Squeeze - Jools Holland would have been 12 years old at the time.

So bad it's good!

So bad I turned it off.

And started listening to Everybody's in Show-Biz instead?

Ennio Morricone's soundtrack to "Orca" actually.

Cool!

Forgot he did that one

Of course I could probably say that about thousands of soundtracks and it would mean "I never knew he composed that one too!"

Percy On Blu-Ray!

http://www.dvdbeaver.com/film10/blu-ray_review_142/percy_blu-ray.htm

I don't understand the ambivalence towards "Destroyer;" in fact, the only mention of it is it being 'Destroyed' by an ILXer and I don't think that was being cheeky.

https://www.youtube.com/watch?v=_WJ6FbcWYRU

I get it that oldsters won't see it as holding a candle to the British Invasion staples, but as someone who was 12 and gravitating towards loud guitars (they did shit all over "Bette Davis Eyes," you know) this was an early earworm for me, one that I still appreciated when it occurred to me the band was being influenced by the same punk/new wave bands that they, themselves, had helped spawn to a degree. There's something cool about that, but especially when it's done this well.

never listened to Sleepwalker before, I'm digging it

never listened to Sleepwalker before, I'm not digging it

Probably if the first track ("Life on the Road") hadn't been so good I wouldn't have been so disappointed with the rest of the album but... I'm struggling to find any trace of the Kinks on some of these songs.

It’s like half good. The songs I love i love wholeheartedly but some of them are just bitter and boring.

Agree with LL.

"Full Moon" is up there with their mid-'60s peak for me. With the possible exceptions of maybe "Scattered" or "Come Dancing," it's their last truly great track (even if it self-plagiarizes "Johnny Thunder," but that's nothing new for them).

The songwriting is miles better than something like "Schoolboys in Disgrace" but it's just sounds too anonymous and American for me.

Yeah, the flumpfy LA sound is kind of off-putting. I sometimes confuse "Life Goes On" for Fleetwood Mac's "Over My Head" (or vice-versa) hearing them on the radio. But it's in line with pretty much all Kinks productions: "What do records sound like today? OK, we'll do that."

Since this is the active Kinks thread ATM

🎶 We are the Village Green Preservation Society 🎶 https://t.co/ppWETk8Z2w

— Parker Molloy (@ParkerMolloy) December 3, 2021

Sleepwalker was the first time in 10 years he'd had to come up with songs outside of an overriding concept, on the orders of Clive Davis. In fact the concept was "keep the Kinks viable as a major label act in the late 70s", which also meant dispensing with the sometimes-charming sloppiness of the RCA-era band. I believe that Dave was also calling for a return to "rock" as a condition to stay in the band.

Misfits.

After going all rawwwwk on the last album this is curiously limp and soft centred. Once again, the opening song is really good but the tail off is even more vertiginous. There's a 'comic' song about having hay fever - no, seriously. Ray appears to sing sensitively and compassionately about misfits on the title track and then gets some cheap laughs out of one on "Out of the Wardrobe". On one song he advises those alienated by the 'extreme left and extreme right" to keep their heads down and just live their lives and a couple of songs later he's exhorting those alienated by the 'extreme left and extreme right" to stand up and fight - though he doesn't say how, maybe by voting for Jeremy Thorpe."Rock and Roll Fantasy" is a good song.