C/D: Sonic Youth's GOO

Anything SY (discounting the SYR) after 1986 is basically a refinement on EVOL (not an improvement on, imo although YMMV)

BMR points to EVOL but lacks the tunes n noise structure of the latter that would basically set them up for the next 20 years

i remember being 13 and confused as to whether i should be impressed or disgusted by what i heard. like, "this is COOL? this sounds kinda bad."

oh to be able to recover that teenaged feeling

30 years old today, was it ever polled?

My favorite Sonic Youth album.

Just listened to and half-watched the videos from the Corporate Ghost DVD. What stands out rn is that the sound of it is really good: naturalistic but really clear and full, with a satisfying crunch in the guitars. There's almost a lightness in the way the songs zip along tunefully and groovily. I don't entirely disagree with some of the criticisms of the lyrics of "Tunic" upthread.

https://www.spin.com/2020/06/dont-give-me-your-soul-the-oral-history-of-sonic-youths-goo/

First album of theirs that I ever listened to and loved as a 14-year-old crusty hardcore punk kid. Totally changed my life...

but when I listen to it now, there are only a few really good tracks on it...though I will say that it contains Lee's finest moment in the band, afaic, with "Mote."

It's the weakest of their mainstream trilogy

https://cdn.shopify.com/s/files/1/2176/9085/products/Steely_Dan_2048x2048.jpg?v=1569111560

Listening for the first time in ages, and I think this might be as good as "Daydream Nation." The songs and arrangements are really strong imo and the hooks bigger, and underscoring both it starts with "Dirty Boots." And then goes right into "Tunic (Song for Karen)." And there are so many great twists and turns, like that brief major key(ish) break in "Cinderella's Big Score" or the megaphone-mic in "Mote" or the total shriek-and-noise explosion at the end of "Mildred Pierce" (which may be as abrasive as they get), or "Mary-Christ," which reminds me of "Tony's Theme" by the Pixies ...

Good and strong on tonight’s listen.

Seriously, I don’t know why this record hasn’t gotten as much play as others of theirs with me.

I think that when they come back in on the main riff sped up on "Titanium Expose" is a really exciting. I love that part.

I bought this CD when it came out. I doubt I listened to it a half dozen times.

Something about "Mildred Pierce" is like a perfectly tuned engine to me (and weirdly it's their only song in standard tuning). I think "Disappearer" is my overall favourite, followed closely by "Tunic".