oneohtrix point never

http://www.factmag.com/2016/11/22/oneohtrix-point-never-remastered-chuck-person-eccojams-vol-1/

ohhkayyyyy http://www.factmag.com/2017/05/11/david-byrne-working-with-oneohtrix-point-never-promises-new-album-next-year/

Congratulations, Daniel Lopatin!

Oneohtrix Point Never (Daniel Lopatin) has won the Soundtrack Award at Cannes Film Festival 2017. He was honored for his original score for Good Time, a new crime thriller directed by Josh and Benny Safdie. The film stars Robert Pattinson and Jennifer Jason Leigh. Lopatin beat out Radiohead’s Jonny Greenwood, Jed Kurzel, and Ibrahim Maalouf for the award. He joins former winners Red Hot Chili Peppers’ Cliff Martinez, Howard Shore, Jim Jarmusch’s band SQÜRL, Lim Giong, and more. Lopatin’s score features a collaborative song with Iggy Pop called “The Pure and the Damned,” which can be heard in the film’s trailer below. Good Time hits theaters August 11.

0PN is goat

can someone please come up with a good analogy for him working with iggy, this is bugging me. it's like ... uh ... al capp, working with chris onstad ... or ...ida b wells, working with bell hooks (ok that's sorta an obscene comparison sorry)

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Ha, well. That failed. His new song with Iggy Pop, as part of the aforementioned score, was released.

I've got a wicked cold and I'm listening to Eccojams, I think I'm going to puke

Never encountered Lopatin before, but this film is good and the score is... prominent. V reminiscent of '80s thriller scoring.

The Iggy song I just found kinda ridiculous (end credits).

A rework of Ryuichi Sakamoto's 'Andata' he did a couple of days ago, it's on soundcloud

This soundtrack (Good Time) is out today and it's pretty fucking great on first blush

as is the film

Wasn't on my radar outside of the OPN connection. Definitely gonna check it out.

Can't wait to see the movie - I feel like I should hold off on listening to the OST until I see it. Glad to hear all the positive feedback.

OST has really been growing on me. Worth listening on headphones as the mix is incredibly 3-dimensional. Would like to see the film, but the album totally stands on its own.

speaking of dimensions

attn LA: im going to be around next week and looking to meet up w keyboardists & drummers (jazz/classical/extended technique / trained & down to improvise). must have 4 dimensional feel. if this is you or have suggestions please send them to el✧✧✧.r✧✧✧@gm✧✧✧.c✧✧ pic.twitter.com/MdHVwBkLR7

— OPN (@0PN) November 10, 2017

Saw the movie yesterday, fantastic.
He just did a movie themed mix for Fact:
http://www.factmag.com/2017/11/13/oneohtrix-point-never-fact-mix-good-time/

According to an accompanying fb post of his, the Lewis remix was the blueprint for "The Pure & The Damned".

That's interesting, thanks for the heads up, mix looks great.

brief Good Time scoring interview

http://lwlies.com/articles/oneohtrix-point-never-good-time-score/

new album Age Of out June 1.

https://media.pitchfork.com/photos/5ac4f4e8ff2a10337afa9824/master/pass/WARP295_Packshot_1400%20(1).jpg

01 Age Of
02 Babylon
03 Manifold
04 The Station
05 Toys 2
06 Black Snow
07 myriad.industries
08 Warning
09 We’ll Take It
10 Same
11 RayCats
12 Still Stuff That Doesn’t Happen
13 Last Known Image of a Song

https://pitchfork.com/news/oneohtrix-point-never-announces-new-album-age-of/

paging 2018 noteworthy album covers thread

:-/

ooo

i was already kind of over it after garden of delete, that cover makes me even more over it tbh

i hope Garden of Delete was a one off, really wasn't into the sound palette on that one

Sweet, the Good Time soundtrack didn't get enough love. One of my favorites of last year

rong and rong xp xxp

yeah that was great, i wonder if this one will be anything like it xp

rong?

ok rite and rite idk i loved it

Yeah, cover is bad. But, he is good. So, I guess we'll just have to see. The line between critiquing techno-fetishism and just straight up techno-fetishism does feel increasingly nonexistent in 'art these days'

Also garden of delete rules but it is fatiguing, i blame the mastering job tho

cover is sick wtf

earliest releases were evocative by managing to be sort of blank and ambiguous ("zones without people")

but i feel like he's getting increasingly ham-fisted in his attempts at creating *meaning*

cover is very trenchant

The line between critiquing techno-fetishism and just straight up techno-fetishism does feel increasingly nonexistent in 'art these days'

I don't think he can ever top R Plus Seven in this regard

i kinda think that cover art is passed it's sell-by date, but looking forward to this nonetheless. the art/promo for his MYRIAD show (or w/ever it was called) was pretty dope.

http://www.thefader.com/2018/03/22/oneohtrix-point-never-trailer-new-music-myriad

sticky drama video still one of the best this decade, his aesthetics are excellent

I hope this expands on GoD/is an even bigger clusterfuck since that's the first time his music interested me tbh

Surprised by how many people are fed up with him itt tbh

p much with ultros but I did also like R Plus Seven

also the music in the trailer has me hyped

hypesichord

Didn't love GoD, didn't hate it either, but I'm totally up for something new. He doesn't really repeat himself much.

don't love the album cover but the rest of the visuals for the album are dope. esp the typography

that cover rules!

thread seems to indicate we should start filing OPN in the prog / art-rock section instead of electronic

can't he be both

The trailer sounds like R+7 filtered through baroque progressions or something? seems promising. I never really got into GoD, it was a disappointment after how much I loved R+7. Haven't listened to the Good Time soundtrack yet which I probably should get around to