Fields of POLL: The Best of Sting

The best part is when Sting bristles at the term "motherfucker."

Unless I am misremembering. Though it does have his wife giving birth!

I think you can generally gauge Sting's pretentiousness by whether or not he is playing guitar. He's a lot more comfortable on bass. He was having a blast playing with Peter Gabriel.

Yech, from the I Burn For You vid posted above:

00:39: [Sting sings while dry humping the air] "You and I are lovers!"
00:41: [Stings smirks lasciviously at audience]

Cut to

00:42: [Underage girl smiles back shyly]

Hey, blame it on Apted. Maybe he originally planned to follow the next 42 years of that girl's life?

Want to say the only one I don't like is "Russians," and even that one I think is just a bad idea, badly written, but not really bad to listen to, as long as you barely listen to it.

And how!!

I disagree about 'Synchronicity I' and 'Mother', and 'Saint Augustine in Hell' has that funny segment where he disses music critics.

"fragile" or "be still my beaten heart" both solid jams

how in the world did Englishman in NY win this? what a dumb song.

I dunno, The Soul Cages is a good album.

i still ride for Ten Summoner's Tales, though "feel her body rise/when you kiss her mouth" is one of the great all time terrible lyrics.

That's a good line!

I might be officially getting old and lame because I just heard Fragile and Fields of Gold after years of not hearing any Sting music and I'm finding them sort of brilliant. They also sound tacky as hell with those 'sensuous' Spanish guitars and the overall new age seriousness so a part of me is still resisting its charm.

ok 'desert rose' sounds like something off some cirque du soleil soundtrack so that one is definitely still going to the dump.

“Fragile” and “Be Still My Beating Heart” are pretty great

Damn there’s a lot of trash on this CD

Always had a soft spot for ‘We’ll Be Together’...’Nothing Like The Sun’ sounds awfully quaint now in a good way

It sounds like he wrote the damn thing in less time than it plays, but "Fields of Gold" is a gorgeous song. "If I Ever Lose My Faith" is also one of those songs that has stuck with me

I love Nothing Like the Sun. Peak adult contemporary Sting, with some really interesting musical and stylistic choices. In some ways like. So if Peter Gabriel weren't weird.

I think ...Nothing Like The Sun and Soul Cages are better than any Police album, but not many of his singles touch his best work with The Police - 'Fortress Around Your Heart' is just about the only one that sounds like a viable Police hit.

The flip is that a song like "Fragile" could never be a Police song, and essentially codifies solo Sting.

I would watch a Sting pornography if, in it, he had intercourse with younger guys who looked sort of like him, like Neil Patrick Harris and Christopher Masterson.

Doogie Does Stingus

http://newsimg.bbc.co.uk/media/images/45182000/jpg/_45182049_bf5ceb9d-5cdd-4893-be05-785da4c84e64.jpg

i am a bard. mock me not.

― Daniel, Esq., Sunday, March 14, 2010 10:14 PM (thirteen years ago)

LMAO

I was surprised to find out that Ten Summoner's Tales was Down Beat's album of the year - don't know if that was typical of them back then, but I gave them the benefit of the doubt and gave it a good listen as I only knew the two hit singles. As jazz or pop, it couldn't have been a more ludicrous pick. The only unfamiliar tracks that had some appeal were "Seven Days" (I can see this being a fun song for a jazz singer to cover - rhythmically it's pretty engaging) and "Shape of My Heart" (appropriately shapely acoustic guitar part - that may have been his guitarist/co-writer's doing). The rest was like getting through a visit to the dentist.

My dentist plays Bad Bunny and Sheryl Crow, as I learned last week, so we may have to retire that trope.

"Shape of My Heart" has been a staple of hip-hop producers looking for a pretty sample.

LOL - mine actually plays a lot of '50s and '60s jazz (big Miles Davis fan). Whenever I go, he does a thorough job of cleaning, which means cleaning below every bit of my gumline and setting off every nerve - so if you can picture what that's like, sitting there and gripping the armrest, waiting for the process to run its course and be over, that's what I had in mind.

"Shape of My Heart" has been a staple of hip-hop producers looking for a pretty sample.

Still digging for these, but here's the opening track on Nas's second album (I should probably give that another try):

https://www.youtube.com/watch?v=X3CGu0ezd68

Also the Roots's "Break You Off" - sounds like they re-recorded it as a keyboard part, but I guess it could be buried in there as a guide.

https://www.youtube.com/watch?v=bPcwUu_gcqo

A blog post from 2018 with more:

https://hypebeast.com/2018/6/sting-shape-of-my-heart-sad-rap-20-years-nas-the-message-juice-wrld-lucid-dreams

It Was Written? Most of it is marvelous.

"Seven Days" is indeed very intrguiging, I just hate the lyrics so much I can't listen to it. the chorus is fine at least.

I think I posted this in another thread but one really nice deep cut is "The Lazarus Heart" from Nothing like the Sun. I guess it's not a deep cut when it's the first track on the album, but still it's not a tune I've ever really heard anyone talk about. Sounds like something people would be crazy for...if it was done by Peter Gabriel

That whole album is great, peak adult contemporary. Yes, even the song Soto hates.

"Seven Days" is indeed very intrguiging, I just hate the lyrics so much I can't listen to it. the chorus is fine at least.

Has Sting ever written great lyrics? I want to say no, even with the Police, and I love their singles (as well as a good portion of their catalog - Zenyatta Mondatta especially). I kind of wish he was paired with a gifted lyricist because whenever he does anything with the written word, whether it's lyrics or liner notes, it can be pretty awful. I probably pay far less attention to the words of his songs than the actual music for that reason. Jon Pareles argued that "If You Love Somebody Set Them Free" is a terrible song on the basis of its lyrics: "a postgrammatical, T-shirt sentiment and a denunciation of possessiveness that would be a lot more convincing issued by someone other than a millionaire." Maybe, but musically it's pretty engaging and would have sounded right at home with the Police.

I think he's written some great lines

to me the thing he's most guilty of is using a lot of dumb filler words and nonsense phrases which makes his lyrics come off like shitty childrens books. "so they danced for his pleasure/with a joy you could not measure". like what does that even mean? congrats on making the rhyme though

a denunciation of possessiveness that would be a lot more convincing issued by someone other than a millionaire

It’s about “possessiveness” in a relationship (not in a material sense), right? Not sure why a millionaire can’t express that sentiment…

xp LOL

One exception (at least for me): I know "De Do Do Do, De Da Da Da" got trashed in the Police thread, but lyrically it's kind of the perfect Police song for me. On some level, it's acknowledging his deficiencies as a lyricist and having a laugh on him.

Re. Ten Summoners Tales, I think the fact that it was a warm, unpretentious record (for Sting anyway) with two very big singles led a lot of people to overrate it at the time and overlook that a lot of the writing was pretty lightweight (tho I’d argue “It’s Probably Me” is a cut above a lot of the material here). Jazzers really loved the playing, particularly Vinnie Colaiuta’s. So the combo explains why Downbeat rated it so highly.

I hear ya, but you'd think there was a better consensus pick in the jazz world. Joshua Redman's debut came out the same year - maybe they didn't want to pile on the hype for someone who just got established as a big name star, but I think it would've held up as a much better mainstream pick.

(same month actually - just a few weeks later)